Joseph Mayer – författare

The only contemporary account of the life and work of George Stubbs, unavailable since it was privately printed over 125 years ago. George Stubbs (1724-1806) was one of the most original artists Britain has produced. Far from being merely a horse painter, Stubbs' perfectionism and passion transformed the possibilities of nature painting. His extraordinary dedication to accuracy caused him to spend 18 solitary months dissecting and drawing horses to make his book, The Anatomy of the Horse, a landmark in the study of anatomy and used by artists and scientists alike long after Stubbs' death. His portraits of horses as well as people combine an unflinchingly accurate gaze with profound psychological truth; yet he also created some of the most lyrical paintings of the age. Ozias Humphry was a colleague and friend of Stubbs and brought together recollections of many conversations with the painter in an as yet unpublished manuscript now in Liverpool. This manuscript was the basis for the present book, which was edited by the famous Liverpudlian patron and historian Joseph Mayer for private circulation in the 1870's. Although it is almost the only biographical source for Stubbs, it has never been reprinted. This edition is the first publication since 1876 of Ozias Humphry's Memoir. It is introduced by one of the leading experts on the painter, Anthony Mould, who discusses Stubbs' career, his posthumous reputation, and the context and value of Humphrys' and Mayer's work. Forty-two pages of colour illustrations cover the span of Stubbs' output.

George Stubbs (1724-1806) was one of Britain’s most original artists, and he transformed nature painting. His dedication to accuracy caused him to spend 18 solitary months dissecting and drawing horses for The Anatomy of the Horse, a landmark in anatomy used by artists and scientists long after his death. His portraits of both people and horses combine an unflinchingly accurate gaze with profound psychological truth; yet he also created some of the age’s most lyrical paintings.Ozias Humphry, a colleague and friend, recorded many conversations with Stubbs. His manuscript was edited in 1876 by Liverpudlian patron and historian Joseph Mayer, for private circulation only. It was never otherwise issued, and this edition is the Memoir's first publication.An introduction by leading expert Anthony Mould discusses Stubbs’ career and reputation and Humphrys’ and Mayer’s work. Thirty-six pages of colour illustrations cover the span of Stubbs’ output.First issued in 2005, the Memoir has now been entirely reset, and updated to include recent scholarship.