'The master of a journalistic style long vanished - urbane, lucid, courteous... A masterpiece of observation and storytelling' Ian McEwanMitchell is the laureate of old New York. The hidden corners of the city and the people who lived there are his subject. He captured the waterfront rooming-houses , nickel-a-drink saloons, all-night restaurants, the 'visionaries, obsessives, imposters, fanatics, lost souls, the end-is-near street preachers, old Gypsy Kings and old Gypsy Queens, and out-and-out freak-show freaks.' Mitchell's trademark curiosity, respect and graveyard humour fuel these magical essays. Written between 1943 and 1965, Up in the Old Hotel is the complete collection of Joseph Mitchell 's New Yorker journalism and includes McSorley's Wonderful Saloon, Old Mr Flood, The Bottom of the Harbour and Joe Gould's Secret. 'Joseph Mitchell is buried treasure' Salman Rushdie

As a young newspaper reporter in 1930s New York, Joseph Mitchell interviewed fan dancers, street evangelists, voodoo conjurers, not to mention a lady boxer who also happened to be a countess. Mitchell haunted parts of the city now vanished: the fish market, burlesque houses, tenement neighborhoods, and storefront churches. Whether he wrote about a singing first baseman for the Brooklyn Dodgers or a nudist who does a reverse striptease, Mitchell brilliantly illuminated the humanity in the oddest New Yorkers.These pieces, written primarily for The World-Telegram and The Herald Tribune, highlight his abundant gifts of empathy and observation, and give us the full-bodied picture of the famed New Yorker writer Mitchell would become.From the Trade Paperback edition.

A classic of literary reporting from one of The New Yorker’s most iconic writers reveals the vibrant world of old New York and the ordinary people who made it great, now with illustrations by renowned artist Joana Avillez and an introduction by filmmaker and writer Josh Safdie.“Joana Avillez’s illustrations bring to life the work of a man who had unparalleled ability to see the unseen, to believe the unbelievable, and to gently pry into the lives of New York’s greatest eccentrics.”—Lena DunhamThere have been few writers as distinctly tied to New York City throughout its long literary history as Joseph Mitchell. As an acclaimed essayist for The New Yorker, Mitchell wandered the alleyways, graveyards, saloons, and storefronts of midcentury New York, immortalizing city dwellers with his indelible pen portraits. In “The Bottom of the Harbor,” first published sixty years ago, Mitchell transports us to the fabled vanishing terrain he was most magnetically drawn to: New York’s waterfront. In “Up in the Old Hotel,” Mitchell and the eponymous proprietor of Sloppy Louie’s seafood restaurant explore the upper reaches of the harbor’s storied, abandoned old hotel. “The Rats on the Waterfront” examines the habits of New York’s greasiest residents. And widely considered one of the greatest works of nonfiction ever printed in The New Yorker, “Mr. Hunter’s Grave” draws the reader into the eddies of time surrounding a particular graveyard on the South Shore of Staten Island.This new edition features stunning original black-and-white illustrations by another inveterate New Yorker, Joana Avillez. Raised near the Fulton Fish Market, the place that Mitchell credited with first making him feel truly at home in the city, Avillez has long turned her keen eye and nimble pen on the everyday comings and goings of city denizens. Her ebullient style adds another dimension to Joseph Mitchell’s vivid character studies.The Bottom of the Harbor is a timeless love letter to New York, an elegy to what it once was, and an expression of hope for its future. Working decades apart, Mitchell and Avillez craft a loving tribute to their shared home.

"The most interesting human beings, so far as talk is concerned, are anthropologists, farmers, prostitutes, psychiatrists, and the occasional bartender." So wrote Joseph Mitchell, the legendary New Yorker journalist and chronicler of the full spectrum of humanity in New York City from the 1930s to the '60s, when his last columns were published. The critic Malcolm Cowley called Mitchell "the best reporter in the country," while Stanley Edgar Hyman would later write that he was "a reporter only in the sense that Defoe is a reporter, a humorist only in the sense that Faulkner is a humorist." But, before he found fame, Mitchell worked as a beat reporter with an unusually keen sense of style and uncommonly graceful prose at the now-defunct World-Telegram. There, he wrote a series of articles on the anthropologist Franz Boas, who influenced his trenchant observations of humanity.Man with Variations republishes Mitchell's writings on Boas, which weave together interviews with the great anthropologist and his students and colleagues to recount a formative period in American anthropology, as well as the journalist's own compelling set of reflections on the human condition.Man with Variations will be essential reading for anyone interested in the history of the discipline, and it will also be welcomed by the new generation of readers who are discovering Mitchell's work.

After Joe Gould's Secret - 'a miniature masterpiece of a shaggy dog story' (Observer) - here is another collection of stories by Joseph Mitchell, each connected in one way or another with the waterfront of New York City. As William Fiennes wrote in the London Review of Books, 'Mitchell was the laureate of the waters around New York', and in The Bottom of the Harbor he records the lives and practices of the rivermen, with love and understanding and a sharp eye for the eccentric and strange. This is some of the best journalist ever written.

'The master of a journalistic style long vanished - urbane, lucid, courteous... A masterpiece of observation and storytelling' Ian McEwanMitchell is the laureate of old New York. The hidden corners of the city and the people who lived there are his subject. He captured the waterfront rooming-houses , nickel-a-drink saloons, all-night restaurants, the 'visionaries, obsessives, imposters, fanatics, lost souls, the end-is-near street preachers, old Gypsy Kings and old Gypsy Queens, and out-and-out freak-show freaks.' Mitchell's trademark curiosity, respect and graveyard humour fuel these magical essays. Written between 1943 and 1965, Up in the Old Hotel is the complete collection of Joseph Mitchell 's New Yorker journalism and includes McSorley's Wonderful Saloon, Old Mr Flood, The Bottom of the Harbour and Joe Gould's Secret. 'Joseph Mitchell is buried treasure' Salman Rushdie

The story of a notorious New York eccentric and the journalist who chronicled his life: “A little masterpiece of observation and storytelling” (Ian McEwan).   Joseph Mitchell was a cornerstone of the New Yorker staff for decades, but his prolific career was shattered by an extraordinary case of writer’s block. For the final thirty-two years of his life, Mitchell published nothing. And the key to his silence may lie in his last major work: the biography of a supposed Harvard grad turned Greenwich Village tramp named Joe Gould.   Gould was, in Mitchell’s words, “an odd and penniless and unemployable little man who came to this city in 1916 and ducked and dodged and held on as hard as he could for over thirty-five years.” As Mitchell learns more about Gould’s epic Oral History—a reputedly nine-million-word collection of philosophizing, wanderings, and hearsay—he eventually uncovers a secret that adds even more intrigue to the already unusual story of the local legend.   Originally written as two separate pieces (“Professor Sea Gull” in 1942 and then “Joe Gould’s Secret” twenty-two years later), this magnum opus captures Mitchell at his peak. As the reader comes to understand Gould’s secret, Mitchell’s words become all the more haunting.  This ebook features an illustrated biography of Joseph Mitchell including rare images from the author’s estate.  

‘It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer’ Nicci French, IndependentIt was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History – the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.This compelling portrait of a true New York eccentric, a man who embodied the disconnected, delusional nature of real life, was Mitchell’s personal enquiry into the agony of writer’s block.Joe Gould's Secret can be found in the longer collection of Mitchell's writing Up in the Old Hotel.

‘It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer’ Nicci French, IndependentIt was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History – the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.This compelling portrait of a true New York eccentric, a man who embodied the disconnected, delusional nature of real life, was Mitchell’s personal enquiry into the agony of writer’s block.Joe Gould's Secret can be found in the longer collection of Mitchell's writing Up in the Old Hotel.

'The master of a journalistic style long vanished - urbane, lucid, courteous... A masterpiece of observation and storytelling' Ian McEwanMitchell is the laureate of old New York. The hidden corners of the city and the people who lived there are his subject. He captured the waterfront rooming-houses , nickel-a-drink saloons, all-night restaurants, the 'visionaries, obsessives, imposters, fanatics, lost souls, the end-is-near street preachers, old Gypsy Kings and old Gypsy Queens, and out-and-out freak-show freaks.' Mitchell's trademark curiosity, respect and graveyard humour fuel these magical essays. Written between 1943 and 1965, Up in the Old Hotel is the complete collection of Joseph Mitchell 's New Yorker journalism and includes McSorley's Wonderful Saloon, Old Mr Flood, The Bottom of the Harbour and Joe Gould's Secret. 'Joseph Mitchell is buried treasure' Salman Rushdie

As a young newspaper reporter in 1930s New York, Joseph Mitchell interviewed fan dancers, street evangelists, voodoo conjurers, not to mention a lady boxer who also happened to be a countess. Mitchell haunted parts of the city now vanished: the fish market, burlesque houses, tenement neighborhoods, and storefront churches. Whether he wrote about a singing first baseman for the Brooklyn Dodgers or a nudist who does a reverse striptease, Mitchell brilliantly illuminated the humanity in the oddest New Yorkers.These pieces, written primarily for The World-Telegram and The Herald Tribune, highlight his abundant gifts of empathy and observation, and give us the full-bodied picture of the famed New Yorker writer Mitchell would become.From the Trade Paperback edition.

A classic of literary reporting from one of The New Yorker’s most iconic writers reveals the vibrant world of old New York and the ordinary people who made it great, now with illustrations by renowned artist Joana Avillez and an introduction by filmmaker and writer Josh Safdie.“Joana Avillez’s illustrations bring to life the work of a man who had unparalleled ability to see the unseen, to believe the unbelievable, and to gently pry into the lives of New York’s greatest eccentrics.”—Lena DunhamThere have been few writers as distinctly tied to New York City throughout its long literary history as Joseph Mitchell. As an acclaimed essayist for The New Yorker, Mitchell wandered the alleyways, graveyards, saloons, and storefronts of midcentury New York, immortalizing city dwellers with his indelible pen portraits. In “The Bottom of the Harbor,” first published sixty years ago, Mitchell transports us to the fabled vanishing terrain he was most magnetically drawn to: New York’s waterfront. In “Up in the Old Hotel,” Mitchell and the eponymous proprietor of Sloppy Louie’s seafood restaurant explore the upper reaches of the harbor’s storied, abandoned old hotel. “The Rats on the Waterfront” examines the habits of New York’s greasiest residents. And widely considered one of the greatest works of nonfiction ever printed in The New Yorker, “Mr. Hunter’s Grave” draws the reader into the eddies of time surrounding a particular graveyard on the South Shore of Staten Island.This new edition features stunning original black-and-white illustrations by another inveterate New Yorker, Joana Avillez. Raised near the Fulton Fish Market, the place that Mitchell credited with first making him feel truly at home in the city, Avillez has long turned her keen eye and nimble pen on the everyday comings and goings of city denizens. Her ebullient style adds another dimension to Joseph Mitchell’s vivid character studies.The Bottom of the Harbor is a timeless love letter to New York, an elegy to what it once was, and an expression of hope for its future. Working decades apart, Mitchell and Avillez craft a loving tribute to their shared home.

"The most interesting human beings, so far as talk is concerned, are anthropologists, farmers, prostitutes, psychiatrists, and the occasional bartender." So wrote Joseph Mitchell, the legendary New Yorker journalist and chronicler of the full spectrum of humanity in New York City from the 1930s to the '60s, when his last columns were published. The critic Malcolm Cowley called Mitchell "the best reporter in the country," while Stanley Edgar Hyman would later write that he was "a reporter only in the sense that Defoe is a reporter, a humorist only in the sense that Faulkner is a humorist." But, before he found fame, Mitchell worked as a beat reporter with an unusually keen sense of style and uncommonly graceful prose at the now-defunct World-Telegram. There, he wrote a series of articles on the anthropologist Franz Boas, who influenced his trenchant observations of humanity.Man with Variations republishes Mitchell's writings on Boas, which weave together interviews with the great anthropologist and his students and colleagues to recount a formative period in American anthropology, as well as the journalist's own compelling set of reflections on the human condition.Man with Variations will be essential reading for anyone interested in the history of the discipline, and it will also be welcomed by the new generation of readers who are discovering Mitchell's work.

After Joe Gould's Secret - 'a miniature masterpiece of a shaggy dog story' (Observer) - here is another collection of stories by Joseph Mitchell, each connected in one way or another with the waterfront of New York City. As William Fiennes wrote in the London Review of Books, 'Mitchell was the laureate of the waters around New York', and in The Bottom of the Harbor he records the lives and practices of the rivermen, with love and understanding and a sharp eye for the eccentric and strange. This is some of the best journalist ever written.

'The master of a journalistic style long vanished - urbane, lucid, courteous... A masterpiece of observation and storytelling' Ian McEwanMitchell is the laureate of old New York. The hidden corners of the city and the people who lived there are his subject. He captured the waterfront rooming-houses , nickel-a-drink saloons, all-night restaurants, the 'visionaries, obsessives, imposters, fanatics, lost souls, the end-is-near street preachers, old Gypsy Kings and old Gypsy Queens, and out-and-out freak-show freaks.' Mitchell's trademark curiosity, respect and graveyard humour fuel these magical essays. Written between 1943 and 1965, Up in the Old Hotel is the complete collection of Joseph Mitchell 's New Yorker journalism and includes McSorley's Wonderful Saloon, Old Mr Flood, The Bottom of the Harbour and Joe Gould's Secret. 'Joseph Mitchell is buried treasure' Salman Rushdie

The story of a notorious New York eccentric and the journalist who chronicled his life: “A little masterpiece of observation and storytelling” (Ian McEwan).   Joseph Mitchell was a cornerstone of the New Yorker staff for decades, but his prolific career was shattered by an extraordinary case of writer’s block. For the final thirty-two years of his life, Mitchell published nothing. And the key to his silence may lie in his last major work: the biography of a supposed Harvard grad turned Greenwich Village tramp named Joe Gould.   Gould was, in Mitchell’s words, “an odd and penniless and unemployable little man who came to this city in 1916 and ducked and dodged and held on as hard as he could for over thirty-five years.” As Mitchell learns more about Gould’s epic Oral History—a reputedly nine-million-word collection of philosophizing, wanderings, and hearsay—he eventually uncovers a secret that adds even more intrigue to the already unusual story of the local legend.   Originally written as two separate pieces (“Professor Sea Gull” in 1942 and then “Joe Gould’s Secret” twenty-two years later), this magnum opus captures Mitchell at his peak. As the reader comes to understand Gould’s secret, Mitchell’s words become all the more haunting.  This ebook features an illustrated biography of Joseph Mitchell including rare images from the author’s estate.  

‘It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer’ Nicci French, IndependentIt was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History – the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.This compelling portrait of a true New York eccentric, a man who embodied the disconnected, delusional nature of real life, was Mitchell’s personal enquiry into the agony of writer’s block.Joe Gould's Secret can be found in the longer collection of Mitchell's writing Up in the Old Hotel.

‘It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer’ Nicci French, IndependentIt was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History – the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.This compelling portrait of a true New York eccentric, a man who embodied the disconnected, delusional nature of real life, was Mitchell’s personal enquiry into the agony of writer’s block.Joe Gould's Secret can be found in the longer collection of Mitchell's writing Up in the Old Hotel.