Joshua Kelly – författare

The official journal of the Mid-America Theatre ConferenceTheatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS.Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORSCheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison LondrÉ / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. PabÓn-ColÓn / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates

This book is not just for atheists but for antitheists—for people who celebrated the writing of Christopher Hitchens and miss his voice Making the provocative assertion that the entire enterprise of organized religion is a thing for which the world and our species would have been better without, Oh, Your God! follows in the footsteps of the material observations of Lucretius, Epicurus, and Democritus and the more recent antitheistic arguments of Christopher Hitchens and Richard Dawkins. Drawing from timeless philosophers, modern debates, historical events, and current social climes, Joshua Kelly illustrates the shameful and debilitating damage religion has caused—and continues to cause—whether to our psyches, our bodies, our societies, or our world. Citing the murders of Nigeria's “witch children,” the subversion of sexual emancipation, the tethers of slavery, the attacks of September 11, the pseudomorality of monotheistic mythology, the subjugation of women, and much more, he provides an abundance of damning evidence to back up his claims. Only by acknowledging and grappling with the real and potential dangers of religion, he argues, will we be able to thrive and develop as a species.