In an era defined by financial upheaval, mass protest, migration, pandemics, and environmental emergencies, photography has emerged as one of the most powerful means to make sense of life under conditions of sustained crisis. Focusing on contemporary Spain, Visualizing Disaster examines how photographers engage with the urgent issues of our time, showing how photographic images not only document events but also reframe them, evoke emotional responses, and challenge official narratives.Urgent and timely, Juan Egea’s work introduces the concept of crisis photography as both a distinct genre and a framework for interpreting the modern world. He begins from the premise that national crises are image-producing events: moments when the aesthetic and affective dimensions of experience are as significant as narrative, analytical, or data-driven accounts. Building on the idea of crisis images as a specific mode of visual representation – characterized by depictions of trauma, pain, ruin, loss, and death – Egea interrogates how photographs mediate and express collective and individual affects such as helplessness, anger, indignation, and resistance. He also investigates the complex interplay between visual and textual forms in the production of meaning.Situating Spanish works within a broader historical, geographical, and visual context, Egea foregrounds photography’s central role in shaping how crises are perceived, interpreted, and remembered, making Visualizing Disaster essential reading for those seeking to understand the fiercely contested role of the image in an increasingly unstable world.

Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.

Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.

In an era defined by financial upheaval, mass protest, migration, pandemics, and environmental emergencies, photography has emerged as one of the most powerful means to make sense of life under conditions of sustained crisis. Focusing on contemporary Spain, Visualizing Disaster examines how photographers engage with the urgent issues of our time, showing how photographic images not only document events but also reframe them, evoke emotional responses, and challenge official narratives.Urgent and timely, Juan Egea’s work introduces the concept of crisis photography as both a distinct genre and a framework for interpreting the modern world. He begins from the premise that national crises are image-producing events: moments when the aesthetic and affective dimensions of experience are as significant as narrative, analytical, or data-driven accounts. Building on the idea of crisis images as a specific mode of visual representation – characterized by depictions of trauma, pain, ruin, loss, and death – Egea interrogates how photographs mediate and express collective and individual affects such as helplessness, anger, indignation, and resistance. He also investigates the complex interplay between visual and textual forms in the production of meaning.Situating Spanish works within a broader historical, geographical, and visual context, Egea foregrounds photography’s central role in shaping how crises are perceived, interpreted, and remembered, making Visualizing Disaster essential reading for those seeking to understand the fiercely contested role of the image in an increasingly unstable world.

Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.

Filmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.