Juan Romero – författare

In the early hours of July 14, 1958, Iraqi military officers overthrew the British-installed Iraqi monarchy. The Free Officers coup initiated an era of military and subsequently Ba'thist rule that only ended with the U.S.-led invasion of Iraq in 2003. Historians are at variance over the nature of what is called the Iraqi Revolution in the Arab world. Some scholars argue that the overthrow was merely a coup d'état orchestrated by the Free Officers Movement. Other analysts contend that the overthrow constituted a real revolution. Very few works, if any, provide a detailed analysis in support of the "revolutionary" argument. Dr. Romero's book advances the argument that the events of July 14 simultaneously constituted a coup and a revolution for a number of reasons, including military involvement, popular participation, and policies that radically departed from those of the previous regime.

In the early hours of July 14, 1958, Iraqi military officers overthrew the British-installed Iraqi monarchy. The Free Officers coup initiated an era of military and subsequently Ba'thist rule that only ended with the U.S.-led invasion of Iraq in 2003. Historians are at variance over the nature of what is called the Iraqi Revolution in the Arab world. Some scholars argue that the overthrow was merely a coup d'état orchestrated by the Free Officers Movement. Other analysts contend that the overthrow constituted a real revolution. Very few works, if any, provide a detailed analysis in support of the "revolutionary" argument. Dr. Romero's book advances the argument that the events of July 14 simultaneously constituted a coup and a revolution for a number of reasons, including military involvement, popular participation, and policies that radically departed from those of the previous regime.

This book adopts an innovative historical approach to Terrorism, focusing on the weaknesses of terrorist states and organizations as reflected in the ideologies, methodologies and propaganda of Russian populist, National Socialist and Islamic Terrorism.Drawing upon multilingual primary sources, the book challenges the oft repeated claim that the Nazi regime and Islamic State produced propaganda of superior quality, instead arguing that the manipulation of information is the Achilles heel of terrorist organizations. It offers a critical examination of the fears of terrorists themselves, as opposed to the traditional focus on the fear instilled by terrorist organizations in governments and citizens. Taking a multidisciplinary approach and long-term history perspective, the book provides a method for exploring the minds of terrorists and the inner workings of their organizations and traces the evolution of terrorist thought and methodology across time and place.This is the ideal volume for researchers of Terrorism within the fields of History, Politics, Security Studies, Religious Studies and Legal Studies.

This book adopts an innovative historical approach to Terrorism, focusing on the weaknesses of terrorist states and organizations as reflected in the ideologies, methodologies and propaganda of Russian populist, National Socialist and Islamic Terrorism.Drawing upon multilingual primary sources, the book challenges the oft repeated claim that the Nazi regime and Islamic State produced propaganda of superior quality, instead arguing that the manipulation of information is the Achilles heel of terrorist organizations. It offers a critical examination of the fears of terrorists themselves, as opposed to the traditional focus on the fear instilled by terrorist organizations in governments and citizens. Taking a multidisciplinary approach and long-term history perspective, the book provides a method for exploring the minds of terrorists and the inner workings of their organizations and traces the evolution of terrorist thought and methodology across time and place.This is the ideal volume for researchers of Terrorism within the fields of History, Politics, Security Studies, Religious Studies and Legal Studies.

This book constitutes the refereed proceedings of the 9th European Conference on Artificial Intelligence in Music, Sound, Art and Design, EvoMUSART 2020, held as part of Evo*2020, in Seville, Spain, in April 2020, co-located with the Evo*2020 events EuroGP, EvoCOP and EvoApplications.The 15 revised full papers presented were carefully reviewed and selected from 31 submissions. The papers cover a wide spectrum of topics and application areas, including generative approaches to music and visual art, deep learning, and architecture.

Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, communicate, and understand human motivations, desires, and needs. In this book the editors put forward two core propositions: creative artistic behavior is one of the key challenges of artificial intelligence research, and computer-assisted creativity and human-centered artificial intelligence systems are the driving forces for research in this area.The invited chapters examine computational creativity and more specifically systems that exhibit artistic behavior or can improve humans' creative and artistic abilities. The authors synthesize and reflect on current trends, identify core challenges and opportunities, and present novel contributions and applications in domains such as the visual arts, music, 3D environments, and games.The book will be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts.

Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, communicate, and understand human motivations, desires, and needs. In this book the editors put forward two core propositions: creative artistic behavior is one of the key challenges of artificial intelligence research, and computer-assisted creativity and human-centered artificial intelligence systems are the driving forces for research in this area.The invited chapters examine computational creativity and more specifically systems that exhibit artistic behavior or can improve humans' creative and artistic abilities. The authors synthesize and reflect on current trends, identify core challenges and opportunities, and present novel contributions and applications in domains such as the visual arts, music, 3D environments, and games.The book will be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts.

This book constitutes the refereed proceedings of the 10th European Conference on Artificial Intelligence in Music, Sound, Art and Design, EvoMUSART 2021, held as part of Evo* 2021, as Virtual Event, in April 2021, co-located with the Evo* 2021 events, EvoCOP, EvoApplications, and EuroGP.

This book constitutes the refereed joint proceedings of six workshops on evolutionary computing, EvoWorkshops 2005, held in Lausanne, Switzerland in March/April 2005. The 56 revised full papers presented were carefully reviewed and selected from a total of 143 submissions. In accordance with the six workshops covered, the papers are organized in topical sections on evolutionary bioinformatics; evolutionary computing in communications, networks, and connected systems; hardware optimization techniques; evolutionary computation in image analysis and signal processing; evolutionary music and art; and evolutionary algorithms in stochastic and dynamic environments.

This book presents the refereed joint proceedings of seven workshops on evolutionary computing, EvoWorkshops 2006, held in Budapest in April 2006. 65 revised full papers and 13 revised short papers presented were carefully reviewed and selected from a total of 149 submissions. The book is organized in topical sections including evolutionary bioinformatics, evolutionary computation in communications, networks, and connected systems, and more.

This book constitutes the refereed joint proceedings of seven workshops on evolutionary computing, EvoWorkshops 2007, held in Valencia, Spain in April 2007. It examines evolutionary computation in communications, networks, and connected systems; finance and economics; image analysis and signal processing; and transportation and logistics. Coverage also details evolutionary algorithms in stochastic and dynamic environments.

Evolutionary computation (EC) techniques are e?cient, nature-inspired pl- ning and optimization methods based on the principles of natural evolution and genetics. Due to their e?ciency and simple underlying principles, these me- ods can be used in the context of problem solving, optimization, and machine learning. A large and continuously increasing number of researchers and prof- sionals make use of EC techniques in various application domains. This volume presents a careful selection of relevant EC examples combined with a thorough examination of the techniques used in EC. The papers in the volume illustrate the current state of the art in the application of EC and should help and - spire researchers and professionals to develop e?cient EC methods for design and problem solving. All papers in this book were presented during EvoWorkshops 2008, which consisted of a range of workshops on application-oriented aspects of EC. Since 1998, EvoWorkshops has provided a unique opportunity for EC researchers to meet and discuss applicationaspectsofECandhasservedasanimportantlink between EC research and its application in a variety of domains. During these ten years new workshops have arisen, some have disappeared, while others have matured to become conferences of their own, such as EuroGP in 2000, EvoCOP in 2004, and EvoBIO last year.