Juan Wang – författare

The Sinews of State Power seeks to explain why rural China has been so unstable since 2000, despite numerous national reforms. Using original fieldwork, it traces the rise and demise of cohesive local states in rural China since the Maoist era. It shows that, the county, township, and village levels of government, when in alliance, have facilitated economic growth and caused social grievances. However, national reforms redressing local deviation, together with individual responses from each level of administration, have dismantled elite alliances, and consequentially undermined the extractive, coercive, and responsive capacity of the state. This book forms dialogue with two fields of inquiry in China studies and comparative politics. First, researches on farmer protest often either focus on farmers' grievances, organizations, and strategies, or examine responses from the state as a uniform entity. This book, instead, highlights the anthropology of the state by looking into elite cohesion across administrative levels that determines the exercise of state capacity. Second, studies of regime stability or endurance have stressed holistic factors, such as institutional adaptability, political culture, or epidemic corruption. The Sinews of State Power instead revisits the fundamental components of a capable government - a coherent and robust local leadership that enables the function of a state.

The end of the Qing dynasty in China saw an unprecedented explosion of print journalism. By the turn of the twentieth century, not only had Chinese-owned newspapers become more influential than anyone could have anticipated, but it was the supposedly frivolous xiaobao, the "little" or "minor" papers, that captivated and empowered the public.Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.

The end of the Qing dynasty in China saw an unprecedented explosion of print journalism. By the turn of the twentieth century, not only had Chinese-owned newspapers become more influential than anyone could have anticipated, but it was the supposedly frivolous xiaobao, the "little" or "minor" papers, that captivated and empowered the public.Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.