Judith Freeman – författare

Flora and Annie are off to stay with their grandparents for the summer. The girls will travel on their own from Cape Town on the bus, and Flora is proud that their mother has put her in charge. Flora loves lots of things about staying with Ouma and Oupa: swinging on the big old tree in the garden, baking with Ouma, playing with the other children from the neighbourhood. But there's one thing she doesn’t like at all ... Nelson, their grandmother’s large, red rooster. Little Annie isn’t afraid of him, and Flora knows that she shouldn’t be either. After all, she's supposed to be the grown-up one! But Flora can’t help it – Nelson is scary and glary and he pecks hard. Will she overcome her fear?

In 1857, at a place called Mountain Meadows in southern Utah, a band of Mormons and Indians massacred 120 emigrants. Twenty years later, the slaughter was blamed on one man named John D. Lee, previously a member of Brigham Young’s inner circle. Red Water imagines Lee’s extraordinary frontier life through the eyes of three of his nineteen wives. Emma is a vigorous and capable Englishwoman who loves her husband unconditionally. Ann, a bride at thirteen years old, is an independent adventurer. Rachel is exceedingly devout and married Lee to be with her sister, his first wife. These spirited women describe their struggle to survive Utah’s punishing landscape and the poisonous rivalries within their polygamous family, led by a magnetic, industrious, and considerate husband, who was also unafraid of using his faith to justify desire and ambition.From the Trade Paperback edition.

Raymond Chandler was among the most original and enduring crime novelists of the twentieth century. Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture. Visiting Chandler''s many homes and apartments, Freeman uncovers vestiges of the Los Angeles that was Chandler''s terrain and inspiration for his imagination. She also uncovers the life of Cissy Pascal, the older, twice-divorced woman Chandler married in 1924. A revelation of a marriage that was a wellspring of need, illusion, and creativity, The Long Embrace provides us with a more complete picture of Raymond Chandler''s life and art than any we have had before.From the Trade Paperback edition.

From the writer whose voice Carolyn See has characterized as one of the strangest, most distinguished in American fiction writing today ("There is really nothing to compare her with, except, maybe, the austere beauty of a Japanese rock garden"), here is a richly dramatic novel about a woman struggling to make peace with herself as a mother, a lover, an artist, and a friend.Lucy Patterson has just encountered her past in the person of a man whom she has not seen for twenty-five years. Dr. Carlos Cabrera saved the life of her infant son, and it was her love for him that compelled her to end her marriage -- the first moment in an arc of emotional turbulence and upheaval that has since defined her existence. Her past having caught up with her, Lucy has come to an isolated motel in the desert outside Las Vegas to write out her life, reexamine it, and, she hopes, find its calm center. It''s a journey she is determined to make alone, but in the next room is a young woman -- a single mother, stripper, and prostitute panicked about her own life -- whom Lucy finds she cannot, and finally does not want to, ignore. A fiercely odd pair, they nonetheless become indispensable to each other in navigating the emotional terrain of their past and in finding, separately and together, clear paths into the future.A Desert of Pure Feeling is the finest work we have yet seen from a writer whose gifts, at once lyrical and tough-minded, become vividly apparent in this penetrating and compelling story.From the Hardcover edition.

An arresting, lyrical memoir about the path the author took—sometimes unwittingly—out of her Mormon upbringing and through a thicket of profound difficulties to become a writer.   At twenty-two, Judith Freeman was working in the Mormon church–owned department store in the Utah town where she’d grown up. In the process of divorcing the man she had married at seventeen, she was living in her parents’ house with her four-year-old son, who had already endured two heart surgeries. She had abandoned Mormonism, the faith into which she had been born, and she was having an affair with her son’s surgeon, a married man with three children of his own. It was at this fraught moment that she decided to become a writer. In this moving memoir, Freeman explores the circumstances and choices that informed her course, and those that allowed her to find a way forward. Writing with remarkable candor and insight, she gives us an illuminating, singular portrait of resilience and forgiveness, of memory and hindsight, and of the ways in which we come to identify our truest selves.(With black-and-white photographs throughout.)From the Hardcover edition.

Verna Flake is fleeing Utah, a failed marriage (her husband has left her for a former beauty queen named Pinky), and the constricted yet reliable Mormon way of life. Seemingly naive but also gifted with an almost second sight for the emotional heart of things, Verna relates her adventures on the road, in Los Angeles, and eventually in Mexico, as she confronts her future and muses over her past. Reading group guide included.

A captivating, emotionally taut novel about the complexities of a friendship between two women—and how it shapes, and reshapes, both of their lives  "Filled with gorgeous prose and deep emotion . . . Explores what it means to be an artist, delves into the vicissitudes of life and death, and takes us on journey through the splendor (and sometimes ugliness) of the American West—with dollops of Flaubert, Faulkner, Chekhov, Collette, and Chandler along the way."—Lisa See, author of The Island of Sea Women Jolene and Verna share complicated ties that have crystallized over time. Beginning when they were girls discovering their needs and desires, their ongoing stories have been inextricably linked. But when Verna marries Vincent, Jolene’s ex-husband, their paths may have finally, permanently diverged.   A successful and provocative feminist artist, Jolene travels the world, attracting attention wherever she goes. Verna, a writer, works from her home near MacArthur Park in Los Angeles, where she and Vincent plan to spend the rest of their lives in a contemplative, intimate routine. Then Jolene asks one more favor of Verna—to take a road trip with her to their small hometown in Utah. It’s a journey that will force them to confront both the truths and falsehoods of their memories of each other and of the very beginnings of their friendship, and to reckon with the meaning of love, of time itself, of the bonds that matter most to us, and with what we owe one another.