Jules Laforgue – författare

When Jules Laforgue’s Moralités légendaires was published in 1887 a few months after his death at the age of twenty-seven, it was hailed as a masterpiece. In the words of Remy de Gourmont, it gave “the sensation (specially rare) that we have never read anything like it: the grape with all its velvet hues in the morning light, but with curious reflections and an air as if the seeds within had become frozen by a breath of ironic wind come from some place farther than the pole.” Subsequent readers have agreed. The book, which parodies great figures of literature and legend, Hamlet, Lohengrin, and Salome, was an important influence on James Joyce and T. S. Eliot as well as on any number of French poets from Guillaume Apollinaire to Jacquest Prévert. In his introduction to this lively translation, William Jay Smith points out that Laforgue had hit upon a wholly modern approach: “The heroes of the past must be recreated by each human consciousness in its own way: they are perpetually waiting to be reborn.” Their rebirth, in the wit and elegance of these finely wrought tales that Smith has carried over into English is a joy to contemplate.

This edition of Laforgue's Dernier Vers stems from the editors' critical interest in the poems themselves and from their feeling that Laforgue has not been well represented by anthologies and selections, which have usually placed a wrong emphasis on his earlier, more blatantly decadent work. The twelve poems making up the Derniers Vers, written in 1886, the year before Laforgue's death, were previously thought to be a disconnected series. The editors show that they are, rather, a carefully planned and developed sequence, representing the successful resolution of artistic problems which had occupied the poet during the previous five or six years. To Laforgue, poetry as art, not communication, and throughout his life he had tried to discover a way of writing a poem the impact and character of which would be analogous to painting and music. This edition, prepared for English-speaking readers, will be particularly interest because of the important influence of the poems on Exra Pound, who called Laforgue "the most sophisticated of all French poets," and on T.S. Eliot, who acknowledged that the poetry he wrote in 1908 and 1909 "was directly drawn from a study of Laforgue," "if not quite the greatest French poet after Baudelaire ... certainly the most important technical innovator." The editors have drawn on previously unused manuscripts and papers for their informative and illuminating notes. They have also provided an Introduction which places Laforgue in historical and artistic perspective, and sheds interesting light on those aspects of his personal life which are reflected in his writing.

The first English translation of BERLIN by the great French poet Jules Laforgue, whose works greatly influenced T S Eliot and Ezra Pound. Shortly before his death, Laforgue, who has been called the French Keats, was appointed the daily French Reader' to the Empress Augusta, a descendant of Catherine the Great and a German princess who despised most things German. This book is a precise, witty detail of everyday Berlin life in the 1880's.'