Jules O'Dwyer - Böcker

A bold and far-reaching new study of French queer cinema reimagines the relationship between sexuality and spaceSpatiality has long been a crucial and potent lens for understanding French culture and aesthetics. While canonical greats of French cinema such as Jean-Luc Godard, AgnÈs Varda, and Louis Malle invoked the notion of flÂnerie to explore ideas of modernism, spatial exploration, and urban sociality, Jules O’Dwyer demonstrates how a more recent generation of French queer filmmakers continues to engage with-and contest-this legacy by focusing attention on the cognate practice of cruising. Through the work of Jacques Nolot, SÉbastien Lifshitz, Christophe HonorÉ, Vincent Dieutre, Alain Guiraudie, and others, The Seduction of Space draws film theory, queer studies, and spatial inquiry into close proximity to examine the politics of cruising and the gendering of space. Making the case that cinema not only documents the queer spaces of the past but continues to produce them, O’Dwyer maps the relationships between sex and spatiality as he takes up such varied topics as public sex in the porn theater, racial eroticization in the banlieue, and the ecocritical valences of rural cruising. Foregrounding the crucial role that spatiality plays in shaping the parameters of France’s visual cultures and political imaginary, The Seduction of Space is both an urgent queer reconceptualization of this tradition and a clarion call for film scholars to tarry with the politics of sexuality in all its messiness. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

A bold and far-reaching new study of French queer cinema reimagines the relationship between sexuality and spaceSpatiality has long been a crucial and potent lens for understanding French culture and aesthetics. While canonical greats of French cinema such as Jean-Luc Godard, AgnÈs Varda, and Louis Malle invoked the notion of flÂnerie to explore ideas of modernism, spatial exploration, and urban sociality, Jules O’Dwyer demonstrates how a more recent generation of French queer filmmakers continues to engage with-and contest-this legacy by focusing attention on the cognate practice of cruising. Through the work of Jacques Nolot, SÉbastien Lifshitz, Christophe HonorÉ, Vincent Dieutre, Alain Guiraudie, and others, The Seduction of Space draws film theory, queer studies, and spatial inquiry into close proximity to examine the politics of cruising and the gendering of space. Making the case that cinema not only documents the queer spaces of the past but continues to produce them, O’Dwyer maps the relationships between sex and spatiality as he takes up such varied topics as public sex in the porn theater, racial eroticization in the banlieue, and the ecocritical valences of rural cruising. Foregrounding the crucial role that spatiality plays in shaping the parameters of France’s visual cultures and political imaginary, The Seduction of Space is both an urgent queer reconceptualization of this tradition and a clarion call for film scholars to tarry with the politics of sexuality in all its messiness. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

From Marienbad to the Bates Motel, cinematic hotels are more than a mere backdrop to a film's action. They actively scaffold the formal, aesthetic, and narrative possibilities of cinema. This book takes a journey through spaces of temporary dwelling—hotels, inns, and motels—to delve into the dynamics and contradictions that structure modern life.Along the way, O'Dwyer considers questions of plot and eroticism, labor and globalization, and the ethics and economics of hospitality. Drawing on a broad array of films from European art cinema to experimental adult media, and placing cinema into dialogue with film theory and media history, Hotels explores both how and why the hotel has such a strong purchase on the cinematic imaginary.