Julia Boffey – författare

The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes.This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.

This anthology provides new editions of five fifteenth-century English poems framed as dreams, and demonstrates the energy with which this influential medieval form was explored by post-Chaucerian writers. Lydgate's Temple of Glass, a complex love vision, generates a counsel of a wide-ranging kind; The Kingis Quair of James I of Scotland and Love's Renewal from the English poems of Charles of Orleans manipulate autobiographical detail to philosophical and political ends; the anonymous Assembly of Ladies foregrounds women's voices; finally, Skelton's Bowge of Court adapts the love vision to the purposes of a satire on court life.The editions are in lightly modernized spelling and accompanied by glosses, explanatory notes, and textual commentary. Each text has its own introduction and recommendations for further reading, and a general introduction discusses the significance of the dream form, its importance for Middle English writers, and the extraordinary variety of directions in which it was developed by fifteenth-century poets.

This anthology provides new editions of five 15th-century English poems framed as dreams and demonstrates the energy with which this influential medieval form was explored by post-Chaucerian writers. Lydgate's "Temple of Glass", a complex love vision, generates a counsel of a wide-ranging kind; "The Kingis Quair" of James I of Scotland and "Love's Renewal" from the English poems of Charles of Orleans manipulate autobiographical detail to philosophical and political ends; the anonymous "Assembly of Ladies" foregrounds women's voices; and finally, Skelton's "Bowge of Court" adapts the love vision to the purposes of a satire on court life. The editions are in lightly modernized spelling and accompanied by glosses, explanatory notes and textual commentary. Each text has its own introduction and recommendations for further reading and a general introduction discusses the significance of the dream form, its importance for Middle English writers, and the extraordinary variety of directions in which it was developed by 15th-century poets.

This modernized extract from The Great Chronicle of London covers the reign of England’s first Tudor king, Henry VII (1485-1509). It gives an eye-witness account of events in London, and of news from elsewhere, from the viewpoint of a well-to- do citizen who was closely involved in civic administration. It describes many notable public events: riots and uprisings, executions, coronations, royal marriages and funerals, and ceremonial activities involving the mayor and aldermen. Its year by year entries also cover matters like the weather, the cost of living, taxes, and the effects of building work undertaken in the city. Although its compiler worked to a scheme common to other London chronicles from the period, he was ready to express his own views on a number of matters, and wrote with keen observation and occasional wit.

This modernized extract from The Great Chronicle of London covers the reign of England's first Tudor king, Henry VII (1485-1509). It gives an eye-witness account of events in London, and of news from elsewhere, from the viewpoint of a well-to- do citizen who was closely involved in civic administration. It describes many notable public events: riots and uprisings, executions, coronations, royal marriages and funerals, and ceremonial activities involving the mayor and aldermen. Its year by year entries also cover matters like the weather, the cost of living, taxes, and the effects of building work undertaken in the city. Although its compiler worked to a scheme common to other London chronicles from the period, he was ready to express his own views on a number of matters, and wrote with keen observation and occasional wit.

This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry.This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. The major poets of thecentury, John Lydgate and Thomas Hoccleve, receive detailed analysis, alongside perhaps lesser-known authors: John Capgrave, Osbern Bokenham, Peter Idley, George Ashby and John Audelay. In addition, several essays examine genres and topics, including romance, popular, historical and scientific poetry, and translations from the classics. Other chapters investigate the crucial contexts for approaching poetry of this period: manuscript circulation, patronageand the influence of Chaucer.Julia Boffey is Professor of Medieval Studies at Queen Mary, University of London; A.S.G. Edwards is Professor of Medieval Manuscripts at the University of Kent.Contributors: Anthony Bale, Julia Boffey, A.S.G. Edwards, Susanna Fein, Alfred Hiatt, Simon Horobin, Sarah James, Andrew King, Sheila Lindenbaum, Joanna Martin, Carol Meale, Robert Meyer-Lee, Ad Putter, John Scattergood, Anke Timmermann, DanielWakelin, David Watt.

A collection attesting to the richness and lasting appeal of these short forms of Middle English verse.The body of short Middle English poems conventionally known as lyrics is characterized by wonderful variety. Taking many different forms, and covering an enormous number of subjects, these poems have proved at once attractive andchallenging for modern readers and scholars. This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the historyof feelings and emotions, and the relationships of image, song, performance and speech to the written word. The issues covered in the essays include editing lyrics; lyric manuscripts; affect; visuality; mouvance and transformation; and the relationships between words, music and speech. A particularly distinctive feature of the collection is that most of the essays take as a point of departure a specific lyric whose particularities are explored within wider-ranging critical argument. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London; CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. Contributors: Anne Baden-Daintree, Julia Boffey, Anne Marie D'Arcy, Thomas G. Duncan, Susanna Fein, Mary C. Flannery, Jane Griffiths, Joel Grossman, John C. Hirsh, Hetta Elizabeth Howes, Natalie Jones, Michael P. Kuczynski, A.S. Lazikani, Daniel McCann, Denis Renevey, Elizabeth Robertson, Annie Sutherland, Mary Wellesley, Christiania Whitehead, Katherine Zieman.