Julia L. Mickenberg - Böcker

At the height of the Cold War, dozens of radical and progressive writers, illustrators, editors, librarians, booksellers, and teachers cooperated to create and disseminate children's books that challenged the status quo. Learning from the Left provides the first historic overview of their work. Spanning from the 1920s, when both children's book publishing and American Communism were becoming significant on the American scene, to the late 1960s, when youth who had been raised on many of the books in this study unequivocally rejected the values of the Cold War, Learning from the Left shows how "radical" values and ideas that have now become mainstream (including cooperation, interracial friendship, critical thinking, the dignity of labor, feminism, and the history of marginalized people), were communicated to children in repressive times. A range of popular and critically acclaimed children's books, many by former teachers and others who had been blacklisted because of their political beliefs, made commonplace the ideas that McCarthyism tended to call "subversive." These books, about history, science, and contemporary social conditions-as well as imaginative works, science fiction, and popular girls' mystery series-were readily available to children: most could be found in public and school libraries, and some could even be purchased in classrooms through book clubs that catered to educational audiences. Drawing upon extensive interviews, archival research, and hundreds of children's books published from the 1920s through the 1970s, Learning from the Left offers a history of the children's book in light of the history of the history of the Left, and a new perspective on the links between the Old Left of the 1930s and the New Left of the 1960s.Winner of the Grace Abbott Book Prize of the Society for the History of Children and Youth

The ways in which the Cold War and McCarthyism circumscribed dissent are well known; less documented are the opportunities they inadvertently created. This book shows how pervasive and influential Left politics were in children's book writing, illustrating, publishing, and dissemination during the middle third of the twentieth century - precisely the time when Americans were most concerned about protecting their children against Communist influences. Many critically acclaimed and best-selling children's books were written and/or illustrated by Communists, former Communists, or "fellow travellers," the same groups of people who were fired from teaching jobs and blacklisted. Children's literature written by those on the Left embraced pan-ethnic, anti-racist, pro-labor, and internationalist values, injecting books for children with real-world concerns, and leaving lasting changes on books for youth.

If you were an independent, adventurous, liberated American woman in the 1920s or '30s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though many more were curious about the "Soviet experiment." But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, sometimes by the mundane realities, others by ugly truths too horrifying to even contemplate.Mickenberg reveals the complex motives that drew American women to Russia, which appeared to be the very embodiment of modern ideas and ways of living. American women saw in Russia the hope for a new era in which women would be not merely independent of men, but also equal builders of a new society. Russian women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Yet as Mickenberg's sympathetic biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with many of the same economic and sexual inequities that the immigrants had hoped to escape.American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

Radical leftist stories…for childrenIn 1912, a revolutionary chick cries, "Strike down the wall!" and liberates itself from the "egg state." In 1940, ostriches pull their heads out of the sand and unite to fight fascism. In 1972, Baby X grows up without a gender and is happy about it.Rather than teaching children to obey authority, to conform, or to seek redemption through prayer, twentieth-century leftists encouraged children to question the authority of those in power. Tales for Little Rebels collects forty-three mostly out-of-print stories, poems, comic strips, primers, and other texts for children that embody this radical tradition. These pieces reflect the concerns of twentieth-century leftist movements, like peace, civil rights, gender equality, environmental responsibility, and the dignity of labor. They also address the means of achieving these ideals, including taking collective action, developing critical thinking skills, and harnessing the liberating power of the imagination.Some of the authors and illustrators are familiar, including Lucille Clifton, Syd Hoff, Langston Hughes, Walt Kelly, Norma Klein, Munro Leaf, Julius Lester, Eve Merriam, Charlotte Pomerantz, Carl Sandburg, and Dr. Seuss. Others are relatively unknown today, but their work deserves to be remembered. (Each of the pieces includes an introduction and a biographical sketch of the author.) From the anti-advertising message of Johnny Get Your Money's Worth (and Jane Too)! (1938) to the entertaining lessons in ecology provided by The Day They Parachuted Cats on Borneo (1971), and Sandburg's mockery of war in Rootabaga Pigeons (1923), these pieces will thrill readers intrigued by politics and history—and anyone with a love of children's literature, no matter what age.

In 1917—that is, in the midst of the First World War—Madeleine Z. Doty, a feminist, lawyer, prison reformer, peace activist, and journalist, was commissioned by the magazine Good Housekeeping to travel "around the world" to get a view “behind the battle line” of how people on the home front, especially women, were responding to the war. Traveling on the Trans-Siberian Railway from China, Doty crossed the border into Russia just days after the Bolshevik Revolution had begun. She meant it literally when she declared in her account of these travels, Behind the Battle Line: Around the World in 1918: “The Bolshevik Revolution had descended on me.”

In 1917—that is, in the midst of the First World War—Madeleine Z. Doty, a feminist, lawyer, prison reformer, peace activist, and journalist, was commissioned by the magazine Good Housekeeping to travel "around the world" to get a view “behind the battle line” of how people on the home front, especially women, were responding to the war. Traveling on the Trans-Siberian Railway from China, Doty crossed the border into Russia just days after the Bolshevik Revolution had begun. She meant it literally when she declared in her account of these travels, Behind the Battle Line: Around the World in 1918: “The Bolshevik Revolution had descended on me.”