Julia Langbein – författare

This edited volume discusses and challenges the conventional wisdoms dominating the scholarship on policy change in the EU's Eastern neighbourhood countries. Drawing upon new empirical evidence underpinning the contributions to this volume, the authors argue that compliance with, or convergence to, EU policies continue despite high costs, limited capacities and the lack of EU membership prospects. The contributions also challenge country-level or policy-type explanations that emphasise membership aspirations, asymmetric interdependencies between the EU and the neighbourhood countries, or the level of politicisation or institutionalisation characterising particular policy fields. Finally, the volume’s findings point towards important differences between membership, accession and neighbourhood Europeanisation by highlighting factors that have been ignored by students of EU enlargement. These factors include the role of Russia, which is an important regional power, and of transnational actors such as multinational companies or international finance institutions, as well as the impact of informal domestic veto players on policy change in the EU’s Eastern neighbourhood.This book was originally published as a special issue of Europe-Asia Studies.

Regulatory reforms in the EU’s Eastern neighbourhood countries are not as sluggish as often perceived. Rule enforcement is happening despite the presence of domestic veto players who favour the status quo, the lack of EU membership perspective and the presence of Russia as an alternative governance provider.Using Ukraine as a primary case study, this book examines why convergence with transnational market rules varies across different policy sectors within the Eastern neighbourhood countries. It analyzes the drivers of regulatory change and explores the conditions under which post-Soviet economies integrate with international markets. In doing so, it argues that the impetus for regulatory change in the Eastern neighbourhood lies in specific strategies of domestic empowerment applied by external actors. Furthermore, through the study of the impact of Western and Russian transnational actors, the book concludes that Russia’s presence does not necessarily hinder the integration of the EU’s Eastern neighbours with international markets. Instead, Russia both weakens and strengthens domestic support for convergence with transnational market rules in the region. This book will be of key interest to students and scholars of European/EU studies and international relations, especially in the areas of regulatory politics, transnational governance, public policy, and post-Soviet transitions.

Regulatory reforms in the EU’s Eastern neighbourhood countries are not as sluggish as often perceived. Rule enforcement is happening despite the presence of domestic veto players who favour the status quo, the lack of EU membership perspective and the presence of Russia as an alternative governance provider.Using Ukraine as a primary case study, this book examines why convergence with transnational market rules varies across different policy sectors within the Eastern neighbourhood countries. It analyzes the drivers of regulatory change and explores the conditions under which post-Soviet economies integrate with international markets. In doing so, it argues that the impetus for regulatory change in the Eastern neighbourhood lies in specific strategies of domestic empowerment applied by external actors. Furthermore, through the study of the impact of Western and Russian transnational actors, the book concludes that Russia’s presence does not necessarily hinder the integration of the EU’s Eastern neighbours with international markets. Instead, Russia both weakens and strengthens domestic support for convergence with transnational market rules in the region. This book will be of key interest to students and scholars of European/EU studies and international relations, especially in the areas of regulatory politics, transnational governance, public policy, and post-Soviet transitions.

This edited volume discusses and challenges the conventional wisdoms dominating the scholarship on policy change in the EU's Eastern neighbourhood countries. Drawing upon new empirical evidence underpinning the contributions to this volume, the authors argue that compliance with, or convergence to, EU policies continue despite high costs, limited capacities and the lack of EU membership prospects. The contributions also challenge country-level or policy-type explanations that emphasise membership aspirations, asymmetric interdependencies between the EU and the neighbourhood countries, or the level of politicisation or institutionalisation characterising particular policy fields. Finally, the volume’s findings point towards important differences between membership, accession and neighbourhood Europeanisation by highlighting factors that have been ignored by students of EU enlargement. These factors include the role of Russia, which is an important regional power, and of transnational actors such as multinational companies or international finance institutions, as well as the impact of informal domestic veto players on policy change in the EU’s Eastern neighbourhood.This book was originally published as a special issue of Europe-Asia Studies.

Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.

This is the first book length study of Salon caricature, a widespread genre of press illustration that flourished in Paris in the second half of the 19th century. Salon caricature began with a few tentative lithographs in the 1840s and, within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.Supported by ample primary sources, from Baudelaire and Champfleury, to Grand-Carteret and Duret, as well as archival material made available here for the first time, Laugh Lines explores not only 19th-century caricature but a larger history of reproductive image technologies, including photography, and their relation to painting during the period of modernist emergence. In bringing to light this rich register of art criticism-in-pictures, Laugh Lines offers new material and methods for the study of 19th-century painting, modernism, and art historiography, notably repositioning Édouard Manet in relation to public laughter and comic press art. More generally, Langbein draws back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France, one in which artists of every stripe, including the most sentimental or conservative, were ripe to be made hilarious.

Framing Ageing, available open access, addresses scholars from across the Humanities and Social Sciences who want to approach the urgent topic of old age in their work, mapping the intellectual state of the field and putting the most salient concepts in action.Bringing together established and emerging scholars of old age from the humanities and social sciences as well as gerontologists and medical practitioners, this open access book showcases new scholarship and provides new methods and terms for ongoing conversations about old age as an object of analysis in contemporary culture.Cultural policy makers and scholars alike regularly describe a “visibility crisis” of old age, a consistent erasure or repression of images of older people from public view. Co-edited by an art historian and two literary scholars with a shared interest in memory, Framing Ageing examines the in/visibility of old age from a range of disciplinary angles, including philosophy, social history, comparative literature and anthropology. In addition to examining literary texts, this volume includes a chapter in graphic form and carries out innovative analyses of film, the built environment, fine art and commercial images.The ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by The Wellcome Trust.

Framing Ageing, available open access, addresses scholars from across the Humanities and Social Sciences who want to approach the urgent topic of old age in their work, mapping the intellectual state of the field and putting the most salient concepts in action.Bringing together established and emerging scholars of old age from the humanities and social sciences as well as gerontologists and medical practitioners, this open access book showcases new scholarship and provides new methods and terms for ongoing conversations about old age as an object of analysis in contemporary culture.Cultural policy makers and scholars alike regularly describe a “visibility crisis” of old age, a consistent erasure or repression of images of older people from public view. Co-edited by an art historian and two literary scholars with a shared interest in memory, Framing Ageing examines the in/visibility of old age from a range of disciplinary angles, including philosophy, social history, comparative literature and anthropology. In addition to examining literary texts, this volume includes a chapter in graphic form and carries out innovative analyses of film, the built environment, fine art and commercial images.The ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by The Wellcome Trust.

A LIT HUB MOST ANTICIPATED BOOK OF THE YEAR'A wild, wonderful essential novel' Claire Lombardo, author of The Most Fun We Ever Had'Will remind you why you fell in love with reading' Oprah Daily, Best Book of Spring 2026'Outrageously funny novel about hunger, desire, and the vulnerable' Kevin Wilson, author of Nothing to See HereForty-year-old Jean Dornan cannot escape the summer of 1998, when, as a college student studying abroad in France, she embarked on an inappropriate relationship with her professor. Now, decades later, when that professor contacts her out of the blue with an invitation to his retirement ceremony, Jean's long-standing malaise becomes an emotional crisis. Desperate to understand why this relationship derailed her life so completely, she begins rereading her old diaries and is shocked to realize that her own disastrous affair occurred during the summer of the Lewinsky scandal, yet she never saw the parallels.In a frenzy of guilt and regret, Jean finds herself praying to Monica Lewinsky for forgiveness as if she were a secular saint, a figure of both suffering and sympathy. To Jean's shock, Saint Monica appears-powerful, radiant, wise, and witty-and guides Jean like the Ghost of Christmas Past back to the summer of 1998. Had Jean merely been naive and stupid, as she has told herself for so long? Was it sheer weakness that led her into the affair? Or will Jean, with Saint Monica by her side, see past blame to the beauty of her younger self's search for pleasure, connection, and transcendence?Told in flashbacks of those sunlit six weeks in France, replete with Saint Monica's flinty, fiery insights and interspersed with retellings of the lives of real historical martyrs, Dear Monica Lewinsky is a tender, hilarious, and wholly original examination of desire and its costs, of appetite and its denial, and of certain defeat and surprise renewal. It asks what grace and forgiveness might look like both in our own individual lives and as a society.----------------------------------Rave reviews for Dear Monica Lewinsky'Dear Monica Lewinsky is a miracle' Katy Hays, New York Times-bestselling author of Saltwater'Langbein's prose is a sharp, witty meditation on female longing and male authority' Oprah Daily'A wholly original feminist ode' Emily Habeck, author of Shark Heart--------------------------Readers LOVE Dear Monica Lewinsky'Nothing short of BRILLIANT' *****'Sharp, witty, and unputdownable' *****'Buzz books that's worth the hype' *****'Wishing it would never end' *****'Propulsive ' *****