Julia Roberts – författare

In Mixed Company explores taverns as colonial public space and how men and women of diverse backgrounds – Native and newcomer, privileged and labouring, white and non-white – negotiated a place for themselves within them. The stories that emerge unsettle comfortable certainties about who belonged where in colonial society. Colonial taverns were places where labourers enjoyed libations with wealthy Aboriginal traders like Captain Thomas, who also treated a Scotsman to a small bowl of punch; where white soldiers rubbed shoulders with black colonists out to celebrate Emancipation Day; where English ladies and their small children sought refuge for a night. The records of the past tell stories of time spent in mixed company but also of the myriad, unequal ways that colonists found room in taverns and a place in Upper Canadian culture and society. Reconstructed from tavern-keepers' accounts, court records, diaries, travelogues, and letters, In Mixed Company is essential reading for tavern aficionados and anyone interested in the history of gender, race, and culture in Canadian or colonial society.

In Mixed Company explores taverns as colonial public space and how men and women of diverse backgrounds – Native and newcomer, privileged and labouring, white and non-white – negotiated a place for themselves within them. The stories that emerge unsettle comfortable certainties about who belonged where in colonial society. Colonial taverns were places where labourers enjoyed libations with wealthy Aboriginal traders like Captain Thomas, who also treated a Scotsman to a small bowl of punch; where white soldiers rubbed shoulders with black colonists out to celebrate Emancipation Day; where English ladies and their small children sought refuge for a night. The records of the past tell stories of time spent in mixed company but also of the myriad, unequal ways that colonists found room in taverns and a place in Upper Canadian culture and society. Reconstructed from tavern-keepers' accounts, court records, diaries, travelogues, and letters, In Mixed Company is essential reading for tavern aficionados and anyone interested in the history of gender, race, and culture in Canadian or colonial society.

Julia Roberts was one of the first two faces to appear on QVC The Shopping Channel in 1993, and her warmth and honesty have encouraged millions to shop from the comfort of their own homes ever since. She was not, however, a stranger to television, having previously appeared in Beadle's About, The Price is Right and numerous advertisements, including the Woolwich Building Society where she famously asked, 'Can I help you?'None of this would have come about id she hadn't survived the killer disease polio in the 1950s. Not only did she survive but, against all the odds and the advice of her careers teacher at school, she became a professional dancer. That was the start of a long and varied career in the entertainment industry, unless you count appearing on the front cover of a cookery book at the age of ten. She has worked as a DJ, a singer, and actress and, for the last 24 years, a presenter; and it's all in her book One Hundred Lengths of the Pool.Each of the hundred lengths is associated with special moments from her life - some professional, some personal, some happy and some sad. However, there is an extra length of the pool that she didn't expect to swim and it has changed her life completely, testing her belief in her favourite saying, 'That which does not kill us, makes us stronger...'

The dynamic processes of knowledge production in archaeology and elsewhere in the humanities and social sciences are increasingly viewed as the collaborative effort of groups, clusters and communities of researchers rather than the isolated work of so-called ‘instrumental’ actors. Shifting focus from the individual scholar to the wider social contexts of her work and the dynamic creative processes she participates in, this volume critically examines the importance of informal networks and conversation in the creation of knowledge about the past. Engaging with theoretical approaches such as the sociology and geographies of knowledge and Actor-Network Theory (ANT), and using examples taken from different archaeologies in Europe and North America from the seventeenth to the mid-twentieth century, the book caters to a wide readership, ranging from students of archaeology, anthropology, classics and science studies to the general reader.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.