Julie Assouly – författare

This book explores the various issues raised by women’s fraught integration into the mainstream in film and television, whether it be off screen as filmmakers and film critics or on screen in film and TV series.Marianne Kac-Vergne and Julie Assouly consider the varied representations of women in films such as Jackie Brown (1997), Marie Antoinette (2006), It’s a Free World… (2007) and Wonder Woman (2017). They particularly look into the overlooked gendered aspects of voice-overs and the adverse tropes used to represent maternity in television series as well as the complex motif of the vagina dentata in contemporary film and television.The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec, as well as emerging yet well-published film scholars.

The foreign ‘elsewhere’ has long been depicted in American cinema as a site of fascination and fantasy, shaping how Western audiences view the world. 'Elsewhere' in American Cinema explores how these portrayals have also created enduring stereotypes and reinforced troubling power dynamics, models and counter-models.Bringing together a diverse group of international contributors, the volume explores depictions of the ‘elsewhere’ across various genres including musicals, westerns, war films, and romantic comedies. Drawing on theoretical frameworks such as Michel Foucault’s heterotopias, Edward Said’s Orientalism, and Homi Bhabha’s concept of in-betweenness, the eleven chapters offer fresh perspectives on films spanning from the silent era to contemporary Hollywood. Through close readings of films such as The Fugitive (1947), America America (1963), and Kingdom of Heaven (2005), they analyse Hollywood’s emphasis on patriotism and its problematic portrayal of conflict zones, the role of music in exoticising foreign lands, and the evolution of stereotypes into counter-models.As a result, the cinematic 'elsewhere’ emerges as a complex space that is simultaneously real and constructed, familiar and alien, onto which American filmmakers project cultural anxieties, fantasies, and ideologies, revealing the changing relationship between the United States and the rest of the world.