Julie Gaillard - Böcker
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1 833 kr
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This volume traces the topic of affect across Lyotard’s corpus and accounts for Lyotard's crucial and original contribution to the thinking of affect. Highlighting the importance of affect in Lyotard’s philosophy, this work offers a unique contribution to both affect theory and the reception of Lyotard.Affect indeed traverses Lyotard’s philosophical corpus in various ways and under various names: “figure” or “the figural” in Discourse, Figure, “unbound intensities” in his “libidinal” writings, “the feeling of the différend” in The Differend, “affect” and “infantia” in his later writings. Across the span of his work, Lyotard insisted on the intractability of affect, on what he would later call the “differend” between affect and articulation. The singular awakening of sensibility, affect both traverses and escapes articulation, discourse, and representation. Lyotard devoted much of his attention to the analysis of this traversal of affect in and through articulation, its transpositions, translations, and transfers. This volume explores Lyotard’s account of affect as it traverses the different fields encompassed by his writings (philosophy, the visual arts, the performing arts, literature, music, politics, psychoanalysis as well as technology and post-human studies).
1 753 kr
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Réalités pseudonymes explore la question de la réalité à travers le prisme du nom propre et de ses mécanismes référentiels dans la littérature et les arts au tournant du 21ème siècle. Julie Gaillard convoque les œuvres de penseurs, auteurs et artistes qui ont en commun de remettre en question l'évidence référentielle du nom propre pour interroger la fabrique du réel et montrer comment il peut être transformé, suspendu ou encore détourné : Jean-François Lyotard, Samuel Beckett, Édouard Levé, ainsi que les artistes Renaud Cojo et Invader. Situé au carrefour de plusieurs disciplines, l'ouvrage interroge la trame de la réalité à l’heure où les sociétés glissent de modalités analogiques à des modalités numériques de sa médiation.Réalités pseudonymes explores the question of reality through the lens of the proper name and its referential mechanisms in French literature and arts at the turn of the 21st century. Julie Gaillard analyzes the works of thinkers, authors, and artists who all question the referential transparency of the proper name to question the fabric of reality and show how it can be transformed, suspended or even faked: Jean-François Lyotard, Samuel Beckett, Édouard Levé, as well as the artists Renaud Cojo and Invader. Situated at the crossroads of several disciplines, the book questions the fabric of reality at a time when societies are shifting from analogue to digital modalities of its mediation.