Julie Kane – författare

Arranged in four parts--each associated with a particular Louisiana city--the poems in Rhythm & Booze trace the hardships and uncertainties, as well as the moments of unexpected sublimity, of a life lived in a continuous struggle between fresh starts and destructive old patterns.  Mirroring the music of New Orleans, Kane's poems combine traditional form with improvisational flourishes. Rhythm & Booze charts her progress as she undertakes a number of journeys, from youth to experience, from blues bars to college classrooms, from city to country, from chaos to something approaching peace.

Celebrated poet Julie Kane returns to her Boston Irish Catholic roots in this collection about mothers and daughters shaped by the forces of Irish history and Irish-American culture. Mothers of Ireland confronts how the legacy of personal trauma gets passed down to subsequent generations, with a focus on women from her family history and their paths of both pain and endurance. Kane's verse reverberates with the lives of her ancestors and the lasting impacts of famine, poverty, repressive religion, ethnic prejudice, and alcoholism. The poems are formal, villanelles, ghazals, sonnets, sestinas, and the like, but their language is fresh and rich with the sound of contemporary spoken English. Coming from a culture that values music, storytelling, and the oral poetic tradition, Kane uses rhyme and rhythm to move the body as well as the mind. Even at their darkest, these haunting poems flash with resilient Irish wit.

Capturing the breadth of Julie Kane's poetics across nearly four decades—formalist and neo-confessional, steeped in both Boston Irish-American and New Orleans cultures—Naked Ladies displays the full range and achievement of her work. Gathered here in one volume are selections from Kane's five previous collections, including her long-out-of-print first book and her subsequent winners of the National Poetry Series and Donald Justice Poetry Prize. Readers will also find a generous selection of new and previously uncollected work. The title of this milestone collection acknowledges Kane's place in the tradition of women confessional poets, evokes the nickname of a common Louisiana flower, and nods to the honesty and frankness that characterize her poems' speakers.

Structured like the movements of a New Orleans jazz funeral, this all-sonnet collection deals with death, loss, war, disaster, the binding power of community, and the celebratory spirit that reemerges after all. In the words of poet and critic David Mason: “Part elegy for a city and a way of life, part meditation on mortality and grace, this book is wonderfully, defiantly alive.”