Julie Kavanagh – författare

NOW A MAJOR FILM BY RALPH FIENNES, THE WHITE CROW'A gripping account of an extraordinary life' Daily Telegraph Born on a train in Stalin's Russia, Rudolf Nureyev was ballet's first pop icon. No other dancer of our time has generated the same excitement - both on and off stage.Nureyev's achievements and conquests became legendary: he rose out of Tatar peasant poverty to become the Kirov's thrilling maverick star; slept with his beloved mentor's wife; defected to the West in 1961; sparked Rudimania across the globe; established the most rhapsodic partnership in dance history with the middle-aged Margot Fonteyn; reinvented male technique; gatecrashed modern dance; moulded new stars; and staged Russia's unknown ballet masterpieces in the West. He and his life were simply astonishing.'Magnificent, a triumph. Captures every facet of this extraordinary man' Mail on Sunday'The definitive study of a man who, in his combination of aesthetic grace and psychological grime, can truly be called a sacred monster' Observer'Undoubtedly the definitive biography' Sunday Telegraph

NOW A MAJOR FILM BY RALPH FIENNES, THE WHITE CROW'A gripping account of an extraordinary life' Daily Telegraph Born on a train in Stalin's Russia, Rudolf Nureyev was ballet's first pop icon. No other dancer of our time has generated the same excitement - both on and off stage.Nureyev's achievements and conquests became legendary: he rose out of Tatar peasant poverty to become the Kirov's thrilling maverick star; slept with his beloved mentor's wife; defected to the West in 1961; sparked Rudimania across the globe; established the most rhapsodic partnership in dance history with the middle-aged Margot Fonteyn; reinvented male technique; gatecrashed modern dance; moulded new stars; and staged Russia's unknown ballet masterpieces in the West. He and his life were simply astonishing.'Magnificent, a triumph. Captures every facet of this extraordinary man' Mail on Sunday'The definitive study of a man who, in his combination of aesthetic grace and psychological grime, can truly be called a sacred monster' Observer'Undoubtedly the definitive biography' Sunday Telegraph

Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.NOTE: This edition does not include photos.

Sir Frederick Ashton, Britain's greatest choreographer, was a major figure on the cultural landscape of the twentieth century and his influence extended far beyond the world of dance. Julie Kavanagh traces Ashton's progress with a keen and sympathetic sense of both the man and his milieu. The drama of his professional and private life - among his close associates were Constant Lambert, Benjamin Britten, W. B. Yeats, the Sitwells and Cecil Beaton - is skilfully interwoven with vivid descriptions of the ballets themselves.'Not only the best biography of a ballet figure but, far more important, a Proustian recollection of that glamorous near-mythical time, the first half of our now setting century.' Gore Vidal

ONE OF THE TIMES' BEST HISTORY BOOKS OF 2021'The tale of the Phoenix Park murders is not unfamiliar, but Kavanagh recounts it with a great sense of drama... Kavanagh's account reminds me of the very best of true crime.' The Times (Book of the Week)On a sunlit evening in l882, Lord Frederick Cavendish and Thomas Burke, Chief Secretary and Undersecretary for Ireland, were ambushed and stabbed to death while strolling through Phoenix Park in Dublin. The murders were carried out by the Invincibles, a militant faction of republicans armed with specially-made surgeon's blades. They ended what should have been a turning point in Anglo-Irish relations. A new spirit of goodwill had been burgeoning between Prime Minister William Gladstone and Ireland's leader Charles Stewart Parnell, with both men forging in secret a pact to achieve peace and independence in Ireland - with the newly appointed Cavendish, Gladstone's protégé, to play an instrumental role. The impact of the Phoenix Park murders was so cataclysmic that it destroyed the pact, almost brought down the government and set in motion repercussions that would last long into the twentieth century. In a story that spans Donegal, Dublin, London, Paris, New York, Cannes and Cape Town, Julie Kavanagh thrillingly traces the crucial events that came before and after the murders. From the adulterous affair that caused Parnell's downfall to Queen Victoria's prurient obsession with the assassinations and the investigation spearheaded by the 'Irish Sherlock Holmes', culminating in a murder on the high seas, The Irish Assassins brings us intimately into this fascinating story that shaped Irish politics and engulfed an empire. This is an unputdownable book from one of our most 'compulsively readable' (Guardian) writers.

A playful card deck that teaches kids ages 5–9 to name and feel emotions in their bodies, with 30 activities to regulate emotions and teach body awareness.Lots of kids might say they feel “good” or “bad” but miss all the other emotions in between. For children to best recognize feelings in themselves and others, they first need to have words for those feelings. Featuring a range of 30 different emotions, from angry and sad to grateful and proud, as well as a meditation or mindful activity for each, kids can use these interactive cards to develop their emotional intelligence and gain self-acceptance. They'll find ways to better understand feelings, build self-compassion, and share their emotional experiences—all in a fun, interactive way. The cards are illustrated with evocative ways that emotions can show up in the body to help kids start to recognize how they embody feelings—for example: “When I am worried, my mind feels tangled up like spaghetti noodles”; “When I feel scared, my belly feels cold like a popsicle”; “When I am excited, my chest feels fizzy like the bubbles in a soda.” The deck includes both meditation cards, guiding kids in simple mindfulness practices focused on the card’s emotion; and activity cards, featuring hands-on activities to regulate emotions like making a calming glitter jar, planting a seed of hope, blowing bubbles of frustration and watching them float away, and creating a “Gratitude Gumball” machine. The cards and a helpful introductory booklet are housed together in a colorful box.