Julie M. Schablitsky – författare

The Donner Party is almost inextricably linked with cannibalism. In truth, we know remarkably little about what actually happened to the starving travelers stranded in the Sierra Nevada in the winter of 1846-47. Combining the approaches of history, ethnohistory, archaeology, bioarchaeology, and social anthropology, this innovative look at the Donner Party's experience at the Alder Creek Camp offers insights into many long-unsolved mysteries. Centered on archaeological investigations in the summers of 2003 and 2004 near Truckee, California, the book includes detailed analyses of artifacts and bones that suggest what life was like in this survival camp. Microscopic investigations of tiny bone fragments reveal butchery scars and microstructure that illuminate what the Donner families may have eaten before the final days of desperation, how they prepared what served as food, and whether they actually butchered and ate their deceased companions. The contributors reassess old data with new analytic techniques and, by examining both physical evidence and oral testimony from observers and survivors, add new dimensions to the historical narrative. The authors' integration of a variety of approaches - including narratives of the Washoe Indians who observed the Donner Party - destroys some myths, deconstructs much of the folklore about the stranded party, and demonstrates that novel approaches can shed new light on events we thought we understood.

The Donner Party is almost inextricably linked with cannibalism. In truth, we know remarkably little about what actually happened to the starving travelers stranded in the Sierra Nevada in the winter of 1846-47. Combining the approaches of history, ethnohistory, archaeology, bioarchaeology, and social anthropology, this innovative look at the Donner Party's experience at the Alder Creek Camp offers insights into many long-unsolved mysteries. Centered on archaeological investigations in the summers of 2003 and 2004 near Truckee, California, the book includes detailed analyses of artifacts and bones that suggest what life was like in this survival camp. Microscopic investigations of tiny bone fragments reveal butchery scars and microstructure that illuminate what the Donner families may have eaten before the final days of desperation, how they prepared what served as food, and whether they actually butchered and ate their deceased companions. The contributors reassess old data with new analytic techniques and, by examining both physical evidence and oral testimony from observers and survivors, add new dimensions to the historical narrative.The authors' integration of a variety of approaches - including narratives of the Washoe Indians who observed the Donner Party - destroys some myths, deconstructs much of the folklore about the stranded party, and demonstrates that novel approaches can shed new light on events we thought we understood.

Belvoir: An Archaeology of Maryland Slavery offers a fascinating account of the Belvoir Quarter for enslaved workers at Belvoir, a 1730's Maryland manor and plantation owned by descendants of Francis Scott Key. Julie M. Schablitsky excavated the brick and stone Belvoir Quarter and found architectural features with layers of artifacts spanning more than eighty years of habitation. Belvoir takes the discovery of the quarter along with its material culture, such as sherds, buttons, tobacco pipe stems, food remains, and spiritual items, and discusses the finds in the context of other similar sites of enslavement.

Belvoir: An Archaeology of Maryland Slavery offers a fascinating account of the Belvoir Quarter for enslaved workers at Belvoir, a 1730's Maryland manor and plantation owned by descendants of Francis Scott Key. Julie M. Schablitsky excavated the brick and stone Belvoir Quarter and found architectural features with layers of artifacts spanning more than eighty years of habitation. Belvoir takes the discovery of the quarter along with its material culture, such as sherds, buttons, tobacco pipe stems, food remains, and spiritual items, and discusses the finds in the context of other similar sites of enslavement.

“How true is it?” is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot—what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club.

“How true is it?” is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot—what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club.

This is the first summary of how archaeology has contributed to our understanding of the War of 1812. The contributors of original papers discuss recent excavations and field surveys that present an archaeological perspective that enriches,—and often conflicts with, received historical narratives. The studies cover fortifications, encampments, landscapes, shipwrecks, and battles in the midwestern, southern, mid-atlantic, and northeastern regions of the United States and in Canada. In addition to archaeologists, this volume will appeal to military history specialists and other historians.

This is the first summary of how archaeology has contributed to our understanding of the War of 1812. The contributors of original papers discuss recent excavations and field surveys that present an archaeological perspective that enriches,—and often conflicts with, received historical narratives. The studies cover fortifications, encampments, landscapes, shipwrecks, and battles in the midwestern, southern, mid-atlantic, and northeastern regions of the United States and in Canada. In addition to archaeologists, this volume will appeal to military history specialists and other historians.

“How true is it?” is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot—what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club.

“How true is it?” is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot—what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club.

This is the first summary of how archaeology has contributed to our understanding of the War of 1812. The contributors of original papers discuss recent excavations and field surveys that present an archaeological perspective that enriches,—and often conflicts with, received historical narratives. The studies cover fortifications, encampments, landscapes, shipwrecks, and battles in the midwestern, southern, mid-atlantic, and northeastern regions of the United States and in Canada. In addition to archaeologists, this volume will appeal to military history specialists and other historians.

This is the first summary of how archaeology has contributed to our understanding of the War of 1812. The contributors of original papers discuss recent excavations and field surveys that present an archaeological perspective that enriches,—and often conflicts with, received historical narratives. The studies cover fortifications, encampments, landscapes, shipwrecks, and battles in the midwestern, southern, mid-atlantic, and northeastern regions of the United States and in Canada. In addition to archaeologists, this volume will appeal to military history specialists and other historians.