Julie Phillips – författare

What does it mean to create, not in “a room of one’s own” but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms and Alice Neel, who once, to finish a painting, was said to have left her baby on the fire escape of her New York apartment. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary women’s lives.

What does it mean to create, not in “a room of one’s own” but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms and Alice Neel, who once, to finish a painting, was said to have left her baby on the fire escape of her New York apartment. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary women’s lives.

Barely 17 years after the Great War that had brought Britain to its knees, the country was once again asked to make sacrifices and give their all to the war effort. With its strong industrial background, Birmingham was already geared to help manufacture the vehicles that could be adapted for war use, and with the threat of the German Luftwaffe screaming across the skies, it was only right that the production of planes, most notably the spitfire, was ramped up to help protect the British public.While many of its men and women were involved in the forces abroad, many more stayed behind to defend the city, with inhabitants risking their lives by taking up fire hoses, first aid kits, manning anti-aircraft guns and positioning barrage balloons in order to save others from the devastating destruction of the Blitz. Meanwhile, the city's children were separated from their families to escape the worst of the bombing and would return from their adventures changed: not all host evacuee families were as kind or as welcoming to their charges as it would appear.Yet not everyone was so patriotic and keen to do their bit, and the opportunity for crime and to fiddle the rations with black market goods was rife. Not even Government issue equipment was off limits, as one Birmingham gang of sandbag thieves demonstrated.For Birmingham, the Second World War was a time of great hardship and sacrifice and the hard work continued for many years after, as its people painstakingly rebuilt parts of the bomb-damaged city.

In February 1874, Jack Gowlland RN, newly promoted to the rank of Commander, and his sister Celia left England to travel across the Continent to Brindisi. From there they sailed via the newly opened Suez Canal to Australia. Celia never returned to England. Jack drowned surveying Sydney Harbour within months of his return to his post as head of the New South Wales Hydrographical Survey, and Celia married one of his closest friends within a year.Spanning twelve years, the letters to Celia - Birdie - that form this volume are from Celia's favourite brother, Richard, and his wife Jessie. They tell not only of family life in Victorian England - the vicissitudes of child bearing, unwelcome guests, making ends meet on a meagre income - but also bring to life some of the broader social changes taking place during the period. By 1874 Richard, an outstanding Civil Servant who rose to be deputy head of his department before his early death, was working in the Office of Public Building and Works. His articulate and engaging letters paint a vivid picture of his courtship and marriage to Jessie, and the birth and childhood of their six children, and refer also to his work, where he was involved with the planning of some of London's Victorian landmarks.