Julie Rugg – författare

Presenting up-to-date empirical research on the subject of young people, housing and social policy in contemporary Britain, this book considers the issue of young people's early housing histories in the context of a range of government policy initiatives aimed at the group. It offers a critique of aspects of social policy that specifically address the housing of young people. Topics covered include:*young people leaving care*young people in the parental home*youth homelessness*housing services for young people*students in the private rented sector*young owner occupiers*housing benefit for the under 25s*young single parent families*young people and housing in rural areas*social housing.

Presenting up-to-date empirical research on the subject of young people, housing and social policy in contemporary Britain, this book considers the issue of young people's early housing histories in the context of a range of government policy initiatives aimed at the group. It offers a critique of aspects of social policy that specifically address the housing of young people. Topics covered include:*young people leaving care*young people in the parental home*youth homelessness*housing services for young people*students in the private rented sector*young owner occupiers*housing benefit for the under 25s*young single parent families*young people and housing in rural areas*social housing.

This book explores, for the first time, the turbulent social history of churchyards and cemeteries over the last 150 years. Using sites from across rural North Yorkshire, the text examines the workings of the Burial Acts and discloses the ways in which religious politics framed burial management. It presents an alternative history of burial which questions notions of tradition and modernity, and challenges long-standing assumptions about changing attitudes towards mortality in England. This study diverges from the long-standing tendency to regard the churchyard as inherently ‘traditional’ and the cemetery as essentially ‘modern’. Since 1850, both types of site have been subject to the influence of new expectations that burial space would guarantee family burial and the opportunity for formal commemoration. Although the population in central North Yorkshire declined, demand for burial space rose, meaning that many dozens of churchyards were extended, and forty new cemeteries were laid out. This text is accessible to undergraduates and postgraduates, and will be an essential resource for historians, archaeologists and local government officials.

This book explores the turbulent social history of churchyards and cemeteries over the last 150 years. Using sites from across rural North Yorkshire, the text examines the workings of the Burial Acts and discloses the ways in which religious politics framed burial management. It presents an alternative history of burial which questions notions of tradition and modernity, and challenges long-standing assumptions about changing attitudes towards mortality in England. This study, available in paperback for the first time, diverges from the long-standing tendency to regard the churchyard as inherently ‘traditional’ and the cemetery as essentially ‘modern’. Since 1850, both types of site have been subject to the influence of new expectations that burial space would guarantee family burial and the opportunity for formal commemoration. Although the population in central North Yorkshire declined, demand for burial space rose, meaning that many dozens of churchyards were extended, and forty new cemeteries were laid out. http://www.york.ac.uk/spsw/research/cemetery-research-group/

The Funerary International series comprises essential reference texts for policy-makers, practitioners and academics with an interest in funerary practices globally. Each book has a country or region specific focus, addressing a standard framework of questions to aid comparison. This book sets English and Welsh funerary practice in its wider legal, national and local governance framework, including the continuing role of the Church of England. It provides the historical context for current practice, provides data on new trends in burial and cremation and examines recent developments including direct cremation and alkaline hydrolysis. It provides detail of current practice and includes a detailed description of a typical funeral, including commemorative practice, and discussion of funeral costs. Chapters address the legalities and technicalities of burial and cremation, explaining the concept of burial rights and the technicalities of grave construction, and outlining cremation certification requirements and the process of cremation. This book is a valuable desk-top resource to give a broader frame of reference for policy makers, and to provide explanation of key concepts for practitioners who may be new to this area of work. The text will be of particular value to academics that may be unfamiliar with the legal, technical and professional aspects of the funerary industry. The text is fully referenced, with an additional bibliography of further reading, and includes illustrations, charts, tables, diagrams and boxed text including key information.

The Funerary International series comprises essential reference texts for policy-makers, practitioners and academics with an interest in funerary practices globally. Each book has a country or region specific focus, addressing a standard framework of questions to aid comparison. This book sets English and Welsh funerary practice in its wider legal, national and local governance framework, including the continuing role of the Church of England. It provides the historical context for current practice, provides data on new trends in burial and cremation and examines recent developments including direct cremation and alkaline hydrolysis. It provides detail of current practice and includes a detailed description of a typical funeral, including commemorative practice, and discussion of funeral costs. Chapters address the legalities and technicalities of burial and cremation, explaining the concept of burial rights and the technicalities of grave construction, and outlining cremation certification requirements and the process of cremation. This book is a valuable desk-top resource to give a broader frame of reference for policy makers, and to provide explanation of key concepts for practitioners who may be new to this area of work. The text will be of particular value to academics that may be unfamiliar with the legal, technical and professional aspects of the funerary industry. The text is fully referenced, with an additional bibliography of further reading, and includes illustrations, charts, tables, diagrams and boxed text including key information.

The Funerary International series comprises essential reference texts for policy-makers, practitioners and academics with an interest in funerary practices globally. Each book has a country or region specific focus, addressing a standard framework of questions to aid comparison. This book sets English and Welsh funerary practice in its wider legal, national and local governance framework, including the continuing role of the Church of England. It provides the historical context for current practice, provides data on new trends in burial and cremation and examines recent developments including direct cremation and alkaline hydrolysis. It provides detail of current practice and includes a detailed description of a typical funeral, including commemorative practice, and discussion of funeral costs. Chapters address the legalities and technicalities of burial and cremation, explaining the concept of burial rights and the technicalities of grave construction, and outlining cremation certification requirements and the process of cremation. This book is a valuable desk-top resource to give a broader frame of reference for policy makers, and to provide explanation of key concepts for practitioners who may be new to this area of work. The text will be of particular value to academics that may be unfamiliar with the legal, technical and professional aspects of the funerary industry. The text is fully referenced, with an additional bibliography of further reading, and includes illustrations, charts, tables, diagrams and boxed text including key information.

Photography represents a medium in which the moment of death can be captured and preserved, the image becoming a mechanism through which audiences are beguiled by the certainty of their own mortality. Examining a spectrum of post-mortem images, Photography and Death considers various ways in which the death image has been framed and what these styles communicate about changing social attitudes related to dying, mourning and the afterlife.Presenting a fresh perspective on how we might view death photography in the context of our contemporary cultural milieu, this book brings together a range of historical examples to create a richer narrative of how we see, understand and discuss death in both the private and public forum. Building upon existing publications which relate explicitly to the study of death, dying and cultures of mourning, the book discusses topics such as post-mortem portraiture, the Civil War, Spiritualism and lynching. These are positioned alongside contemporary representations of death, as seen in celebrity death images and forensic photography. Uncovering an important historical contrast, in which modern notions of death are a comment on ownership or an emotionless, clinical state, Harris highlights the various ways that the deceased body is a site of contestation and fascination. An engaging read for students and researchers with an interest in death studies, this book represents a unique account of the various ways that attitudes about death have been shaped through the photographic image.

Photography represents a medium in which the moment of death can be captured and preserved, the image becoming a mechanism through which audiences are beguiled by the certainty of their own mortality. Examining a spectrum of post-mortem images, Photography and Death considers various ways in which the death image has been framed and what these styles communicate about changing social attitudes related to dying, mourning and the afterlife.Presenting a fresh perspective on how we might view death photography in the context of our contemporary cultural milieu, this book brings together a range of historical examples to create a richer narrative of how we see, understand and discuss death in both the private and public forum. Building upon existing publications which relate explicitly to the study of death, dying and cultures of mourning, the book discusses topics such as post-mortem portraiture, the Civil War, Spiritualism and lynching. These are positioned alongside contemporary representations of death, as seen in celebrity death images and forensic photography. Uncovering an important historical contrast, in which modern notions of death are a comment on ownership or an emotionless, clinical state, Harris highlights the various ways that the deceased body is a site of contestation and fascination. An engaging read for students and researchers with an interest in death studies, this book represents a unique account of the various ways that attitudes about death have been shaped through the photographic image.

Photography represents a medium in which the moment of death can be captured and preserved, the image becoming a mechanism through which audiences are beguiled by the certainty of their own mortality. Examining a spectrum of post-mortem images, Photography and Death considers various ways in which the death image has been framed and what these styles communicate about changing social attitudes related to dying, mourning and the afterlife.Presenting a fresh perspective on how we might view death photography in the context of our contemporary cultural milieu, this book brings together a range of historical examples to create a richer narrative of how we see, understand and discuss death in both the private and public forum. Building upon existing publications which relate explicitly to the study of death, dying and cultures of mourning, the book discusses topics such as post-mortem portraiture, the Civil War, Spiritualism and lynching. These are positioned alongside contemporary representations of death, as seen in celebrity death images and forensic photography. Uncovering an important historical contrast, in which modern notions of death are a comment on ownership or an emotionless, clinical state, Harris highlights the various ways that the deceased body is a site of contestation and fascination. An engaging read for students and researchers with an interest in death studies, this book represents a unique account of the various ways that attitudes about death have been shaped through the photographic image.