Julie Wilson – författare

The Routledge Handbook of Tourism Geographies, 2nd Edition, offers a comprehensive re-evaluation of the recent developments; conceptual, theoretical and empirical debates; and critical issues in this field of study.

Reflecting on and building from its original aim of rethinking geographical approaches to tourism, the volume explores contemporary tourism contexts and concepts, as marked by the present era of polycrises, setting out renewed and reoriented perspectives on tourism geographies into the mid-2020s. Across its diverse range of contributions, the Handbook navigates the complexities of tourism as a shifting construct, situating tourism geographies within the socio-spatial, economic and environmental implications of tourism, leisure and mobilities in the new contexts of global change, ecological transition and digital transformation. The volume aims to provide a nuanced and detailed analysis of established and emerging discourses and debates within tourism geographies, underscoring the field’s inherent criticality and ideal positioning for understanding and catalysing complex global and local scenarios in contemporary tourism, leisure and mobilities.

Written by leading scholars in the tourism geographies field, this text is an invaluable resource for students, researchers and scholars working in the areas of tourism, geography and related disciplines, encouraging dialogue across areas of study.

The Routledge Handbook of Tourism Geographies, 2nd Edition, offers a comprehensive re-evaluation of the recent developments; conceptual, theoretical and empirical debates; and critical issues in this field of study.

Reflecting on and building from its original aim of rethinking geographical approaches to tourism, the volume explores contemporary tourism contexts and concepts, as marked by the present era of polycrises, setting out renewed and reoriented perspectives on tourism geographies into the mid-2020s. Across its diverse range of contributions, the Handbook navigates the complexities of tourism as a shifting construct, situating tourism geographies within the socio-spatial, economic and environmental implications of tourism, leisure and mobilities in the new contexts of global change, ecological transition and digital transformation. The volume aims to provide a nuanced and detailed analysis of established and emerging discourses and debates within tourism geographies, underscoring the field’s inherent criticality and ideal positioning for understanding and catalysing complex global and local scenarios in contemporary tourism, leisure and mobilities.

Written by leading scholars in the tourism geographies field, this text is an invaluable resource for students, researchers and scholars working in the areas of tourism, geography and related disciplines, encouraging dialogue across areas of study.

Destinations across the world are beginning to replace or supplement culture-led development strategies with creative development. This book critically analyzes the impact and effectiveness of creative strategies in tourism development and charts the emergence of ''creative tourism''. Why has ‘creativity’ become such an important aspect of development strategies and of tourism development in particular? Why is this happening now, apparently simultaneously, in so many destinations across the globe? What is the difference between cultural tourism and creative tourism? These are among the important questions this book answers.

It critically examines the developing relationship between tourism and creativity, the articulation of the ‘creative turn’ in tourism, and the impact this has on theoretical perspectives and practical approaches to tourism development. A wide range of examples from Europe, North America, Asia, Australia and Africa explore the interface between tourism and creativity including: creative spaces and places such as cultural and creative clusters and ethnic precincts; the role of the creative industries and entrepreneurs in the creation of experiences; creativity and rural areas; the ''creative class'' and tourism; lifestyle, creativity and tourism and marketing creative tourism destinations. The relationship between individual and collective forms of creativity and the widely differing forms of modern tourism are also discussed. In the concluding section of the book the contribution of creativity to tourism and to development strategies in general is assessed, and areas for future research are outlined.The diverse multidisciplinary contributions link theory and practice, and demonstrate the strengths and weaknesses of creativity as a tourism development strategy and marketing tool. It is the first exploration of the relationship between tourism and creativity and its consequences for tourism development in different parts of the world.

Destinations across the world are beginning to replace or supplement culture-led development strategies with creative development. This book critically analyzes the impact and effectiveness of creative strategies in tourism development and charts the emergence of ''creative tourism''. Why has ‘creativity’ become such an important aspect of development strategies and of tourism development in particular? Why is this happening now, apparently simultaneously, in so many destinations across the globe? What is the difference between cultural tourism and creative tourism? These are among the important questions this book answers.

It critically examines the developing relationship between tourism and creativity, the articulation of the ‘creative turn’ in tourism, and the impact this has on theoretical perspectives and practical approaches to tourism development. A wide range of examples from Europe, North America, Asia, Australia and Africa explore the interface between tourism and creativity including: creative spaces and places such as cultural and creative clusters and ethnic precincts; the role of the creative industries and entrepreneurs in the creation of experiences; creativity and rural areas; the ''creative class'' and tourism; lifestyle, creativity and tourism and marketing creative tourism destinations. The relationship between individual and collective forms of creativity and the widely differing forms of modern tourism are also discussed. In the concluding section of the book the contribution of creativity to tourism and to development strategies in general is assessed, and areas for future research are outlined.The diverse multidisciplinary contributions link theory and practice, and demonstrate the strengths and weaknesses of creativity as a tourism development strategy and marketing tool. It is the first exploration of the relationship between tourism and creativity and its consequences for tourism development in different parts of the world.

Thanks to the rise of neoliberalism over the past several decades, we live in an era of rampant anxiety, insecurity, and inequality. While neoliberalism has become somewhat of an academic buzzword in recent years, this book offers a rich and multilayered introduction to what is arguably the most pressing issue of our times. Engaging with prominent scholarship in media and cultural studies, as well as geography, sociology, economic history, and political theory, author Julie Wilson pushes against easy understandings of neoliberalism as market fundamentalism, rampant consumerism, and/or hyper-individualism. Instead, Wilson invites readers to interrogate neoliberalism in true cultural studies fashion, at once as history, theory, practice, policy, culture, identity, politics, and lived experience. Indeed, the book’s primary aim is to introduce neoliberalism in all of its social complexity, so that readers can see how neoliberalism shapes their own lives, as well as our political horizons, and thereby start to imagine and build alternative worlds.

Thanks to the rise of neoliberalism over the past several decades, we live in an era of rampant anxiety, insecurity, and inequality. While neoliberalism has become somewhat of an academic buzzword in recent years, this book offers a rich and multilayered introduction to what is arguably the most pressing issue of our times. Engaging with prominent scholarship in media and cultural studies, as well as geography, sociology, economic history, and political theory, author Julie Wilson pushes against easy understandings of neoliberalism as market fundamentalism, rampant consumerism, and/or hyper-individualism. Instead, Wilson invites readers to interrogate neoliberalism in true cultural studies fashion, at once as history, theory, practice, policy, culture, identity, politics, and lived experience. Indeed, the book’s primary aim is to introduce neoliberalism in all of its social complexity, so that readers can see how neoliberalism shapes their own lives, as well as our political horizons, and thereby start to imagine and build alternative worlds.

Seen Reading is the exciting debut collection of microfictions from Canada’s pre-eminent literary voyeur, Julie Wilson. Based on the beloved online movement of the same name, Seen Reading collects more than a hundred stories inspired by sightings of people reading on Toronto transit, each reader re-invented in a poetic piece of short fiction. Tender, poignant, and fun, Seen Reading offers readers an inspired fictional map while charting an urban centre’s cultural commitment to books and literature.

"Beneath the surface of Julie Wilson’s energy, biting wit, and quirkiness lies intelligence and insight—a fresh observer to the dynamic ways in which we communicate."—Anthony De Sa

"I spy, with my little eye, something that is utterly delightful. Take a peek at Julie Wilson''s Seen Reading. There are treasures to be found within."—Ami McKay

“With Seen Reading, Julie Wilson has done something revolutionary for the time: seamlessly combine books-related gossip, arts reportage, and creative writing in every post. The results are exhilarating and deliciously voyeuristic.”—George Murray, Bookninja.com