Juliet Bingham – författare

This beautiful book on Slovak artist, Maria Bartuszová (1936–1996) will introduce readers to the ethereal and other-worldly forms that dominate her oeuvre as well as exploring her influence in a broader global and political context. Discovering her talent in Prague in the ceramic studios at the Academy of Arts, Architecture and Design, Bartuszová went on to pioneer the techniques used in experimental and abstract plaster casting. Creating unique methods such as ‘gravistimulated’ and ‘pneumatic’ casting, Bartuszová defined the world of sculpture on her own terms. From rain drops and eggs, to parts of the human body, Bartuszová was interested biomorphology and how she could use the organic nature of casting in plaster to create simultaneously solid and delicate works. With around 100 works, many rarely exhibited before in the UK, this major retrospective will highlight the abstract sculptures and experimental methods of Bartuszová’s beautifully contorted and organic shapes and forms, with this exquistite and accessible catalogue bringing her work to a wider audience. Celebrating the fragile and corporeal, the soft and the solid; this book will provide the perfect introduction to the artist followed by seminal texts to recognise the artist’s legacy of experimental and abstract sculptural works produced predominantly in the context of socialist Czechoslovakia.

An extraordinary publication with new research and writing on world renowned Japanese multi-media artist, singer, songwriter and peace activist, Yoko Ono (born 1933).Yoko Ono is an artist who has made an indelible mark on contemporary culture and political activism through her radical and innovative practice. This remarkable and essential publication, developed in collaboration with Yoko Ono and her studio, traces in full the evolution of an artist whose visionary spirit has transcended boundaries and challenged conventions.Accompanying the survey exhibition at Tate Modern of the same name, Music of the Mind explores the world of Yoko Ono and reveals the profound impact of her art on the collective consciousness of our time. With previously unpublished photographs from her involvement at Indica Gallery, London, Sogetsu Art Centre, Tokyo and her loft on Chambers Street in New York.

An essential appraisal of Ellen Gallagher, one of the most important American artists working today.Born in 1965 in Providence, Rhode Island, Ellen Gallagher's paintings, collages, drawings, sculpture, animation and film installations, which shift between abstraction and figuration, create dynamic encounters between the historic and the present through commentary about race, racism, and cultural identity. Her works explore the language of Modernist painting with symbolic or narrative content, often touching on issues of representation. Created in close dialogue with the artist, this book catalogues a unique opportunity to present a selective yet coherent overview of Gallagher's practice, bringing together significant works from the early 1990s to the present day and examining some of the key themes and issues that emerge, overlap, repeat and interweave throughout her art.

Russian-born conceptual artists Ilya and Emilia Kabakov are among the most celebrated artists of their generation. Known for their pioneering large-scale environments and installations, the artists' work fuses the everyday with the conceptual. Deeply rooted in the visual culture of Soviet society yet speaking equally to universal themes, their work is characterised by a sense of melancholia but also humour. Celebrating five decades of work, this book traces a line from Ilya Kabakov's early paintings, drawings, albums and installations to the collaborative projects made with his wife Emilia following his emigration to the West in 1987, which include immersive installations and architectural models. Exploring the themes of failed utopia and political disillusionment that run through their work, as well as fantasies of escape and transcendence, it also examines the relationship between aesthetics and politics, and the way painting has remained a central feature of their work in ever-diverse forms. A selection of texts from leading art writers and historians contextualise the artists' practice, and descriptive captions illuminate individual works. The artists' own writings are interspersed throughout, providing insight into a career exemplified by innovation and originality. Fully illustrated with over 100 works, ranging from the artists' iconic installations to Ilya Kabakov's colourful and delicate paintings, this beautiful book will introduce newcomers to these important artists, while also serving as a key reference for those already familiar with their work. The exhibition is organised by Tate Modern in collaboration with the State Hermitage Museum, St Petersburg and the State Tretyakov Gallery, Moscow.

Published to accompany a remarkable 2019 display at Tate Modern this book will examine the full career of Hungarian artist Dora Maurer (b.1937), spanning over four decades of her experimental practice from the 1970s to the present. From her early graphic works, photographs and films, to her `displacement' canvases and most recent large-scale paintings which explore how geometric forms are affected by colour and colour perception, this publication will reveal Maurer's persistent experimentation with production processes and her innovative take on traditional techniques. The show will introduce aspects of Maurer's early practice including graphic works, serial photographic works and structural films from the 1970s and 1980s. Maurer trained in graphic techniques, and in her graphic works, she often examines the movement of markings left by different materials and production processes. Her works, be they photographs, graphic work or films, share a preoccupation with structure, relativity of perception and exploration of the medium's limits. Essays to include an introductory overview by Tate curator Juliet Bingham; Klara Kemp-Welch will examine Maurer's early works and pedagogical activities between 1975-7; Carly Whitefield will write on the artist's film works and the state-run Balazs Bela Studio; and David Feher will survey the artist's practice from the 1980s to the present day.

An extraordinary publication with new research and writing on world renowned Japanese multi-media artist, singer, songwriter and peace activist, Yoko Ono (born 1933).Yoko Ono is an artist who has made an indelible mark on contemporary culture and political activism through her radical and innovative practice. This remarkable and essential publication, developed in collaboration with Yoko Ono and her studio, traces in full the evolution of an artist whose visionary spirit has transcended boundaries and challenged conventions.Accompanying the survey exhibition at Tate Modern of the same name, Music of the Mind explores the world of Yoko Ono and reveals the profound impact of her art on the collective consciousness of our time. With previously unpublished photographs from her involvement at Indica Gallery, London, Sogetsu Art Centre, Tokyo and her loft on Chambers Street in New York.

Based mainly in France, Monet lived through an era which saw the rise of railways, industrialisation, the modern city, and the adoption of standardised timekeeping. Drawing on new research, the show explores how Monet responded to these seismic changes through his work. The exhibition centres on Monet’s profound and evolving relationship with time. We see how he echoed the rapid pace of modern life by capturing the fleeting, instantaneous ‘impressionist’ moment, through works such as Arrival of the Normandy Train, Gare Saint-Lazare (1877). We are also shown, in celebrated series such as Poplars on the Epte (1891–1897), Monet’s attempts, through variations of the same subject, to capture a specific, transient instant in time. Finally, the show reveals Monet’s enduring relationship with nature and how, as a subject in perpetual movement, it shifts with the passing years and seasons. We see his retreat into his beloved garden in Giverny, resulting in the creation of the world-famous Water Lillies cycle.

Based mainly in France, Monet lived through an era which saw the rise of railways, industrialisation, the modern city, and the adoption of standardised timekeeping. Drawing on new research, the show explores how Monet responded to these seismic changes through his work. The exhibition centres on Monet’s profound and evolving relationship with time. We see how he echoed the rapid pace of modern life by capturing the fleeting, instantaneous ‘impressionist’ moment, through works such as Arrival of the Normandy Train, Gare Saint-Lazare (1877). We are also shown, in celebrated series such as Poplars on the Epte (1891–1897), Monet’s attempts, through variations of the same subject, to capture a specific, transient instant in time. Finally, the show reveals Monet’s enduring relationship with nature and how, as a subject in perpetual movement, it shifts with the passing years and seasons. We see his retreat into his beloved garden in Giverny, resulting in the creation of the world-famous Water Lillies cycle.