Julija Kalpokienė – författare

The metaverse seems to be on everybody’s lips – and yet, very few people can actually explain what it means or why it is important. This book aims to fill the gap from an interdisciplinary perspective informed by law and media and communications studies. Going beyond the optimism emanating from technology companies and venture capitalists, the authors critically evaluate the antecedents and the building blocks of the metaverse, the design and regulatory challenges that need to be solved, and commercial opportunities that are yet to be fully realised. While the metaverse is poised to open new possibilities and perspectives, it will also be a dangerous place – one ripe with threats ranging from disinformation to intellectual property theft to sexual harassment. Hence, the book offers a useful guide to the legal and political governance issues ahead while also contextualising them within the broader domain of governance and regulation of digital technologies.

The metaverse seems to be on everybody’s lips – and yet, very few people can actually explain what it means or why it is important. This book aims to fill the gap from an interdisciplinary perspective informed by law and media and communications studies. Going beyond the optimism emanating from technology companies and venture capitalists, the authors critically evaluate the antecedents and the building blocks of the metaverse, the design and regulatory challenges that need to be solved, and commercial opportunities that are yet to be fully realised. While the metaverse is poised to open new possibilities and perspectives, it will also be a dangerous place – one ripe with threats ranging from disinformation to intellectual property theft to sexual harassment. Hence, the book offers a useful guide to the legal and political governance issues ahead while also contextualising them within the broader domain of governance and regulation of digital technologies.

This book addresses the complex issue of human creativity in the age of Artificial Intelligence.Artificial intelligence (AI) is increasingly being used to create texts, images, and musical compositions. This increase in the application of AI within the creative industries can of course enhance human performance while producing creative and commercial challenges for human authors. Against this background, this book considers how current mechanisms for incentivising creativity – including legal regulations, such as copyright, state funding and tax regimes – are inadequate in the age of AI. Acknowledging the opportunity that AI presents, the book then proposes alternative regulatory mechanisms through which human creativity can be incentivised.This book will appeal to scholars and researchers in the areas of socio-legal studies, intellectual property law, media law, and law and technology.

This book addresses the complex issue of human creativity in the age of Artificial Intelligence.Artificial intelligence (AI) is increasingly being used to create texts, images, and musical compositions. This increase in the application of AI within the creative industries can of course enhance human performance while producing creative and commercial challenges for human authors. Against this background, this book considers how current mechanisms for incentivising creativity – including legal regulations, such as copyright, state funding and tax regimes – are inadequate in the age of AI. Acknowledging the opportunity that AI presents, the book then proposes alternative regulatory mechanisms through which human creativity can be incentivised.This book will appeal to scholars and researchers in the areas of socio-legal studies, intellectual property law, media law, and law and technology.

This book highlights some of the crucial crossroads – moments in which choices as to the future relationship between humans and digital technologies have to be made – that societies face in light of the growing development and adoption of AI.As contemporary societies undergo profound transformations driven by artificial intelligence and related technologies, a unilinear vision of inevitable ‘progress’ and development increasingly dominates public discourse. This book offers a counterpoint, challenging such deterministic narratives by mapping out the complex crossroads where futures ought to be shaped rather than passively received. Exploring a multiplicity of domains as diverse as education, heritage, creativity, the biological and technological boundaries of humans, work, war, and space colonialism, both the dominant (typically progressivist) and alternative (critical) ways of framing the present and the future are outlined, identifying choices to be made. The book teases out the underlying tendencies and underscores a recurring necessity to make value choices as to our further development, not only as societies but also as humanity, and in terms of regulatory choices. It reveals how decisions in these domains are shaped by ingrained intellectual, ideological, political, value-based, and economic assumptions, often hidden beneath the rhetoric of inevitability. These crossroads are not just technical or economic choices, but moral and societal: Between maximising efficiency and safeguarding plurality; between treating technological possibilities as imperatives and critically evaluating their desirability; between moral blindness and care. By illuminating the options available, the book invites readers to take an active role in choosing the future shape of societies and of humanity itself.This interdisciplinary and creative text will benefit all graduate-level and scholarly readers working on AI within the fields of media and communication, cultural studies, sociology, and cultural anthropology.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.The publication is a part of the project "Strengthening the R&D activities of the Vytautas Kavolis Transdisciplinary Institute for Social Sciences and Humanities (SOCMTEP)". The project is funded by the Research Council of Lithuania and the Ministry of Education, Science and Sport of the Republic of Lithuania, Contract No S-A-UEI-23-13 (2023-12-27).