Julika Bosch – författare
Visar alla böcker från författaren Julika Bosch. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
97 kr
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The Swiss company Baloise has a reputation among art experts, but not just as an insurance and financial services company. With its programs that support art, its collaborations with museums, and the renowned Baloise Art Prize for young artists, which is awarded at Art Basel, the company has had a lasting effect on the development of contemporary art. Less well-known up to now is the fact that, parallel to the company’s activities, it has also built a first-class art collection, which dates back to the mid-twentieth century. Since turning to contemporary art in the 1990s, the company has collected the works of notable artists. With a focus on photography and works on paper from the 1960s onward, some of the artists represented in the collection are Miriam Cahn, Simon Denny, Katharina Fritsch, Bruce Nauman, and Jeff Wall. Baloise Art is the first publication to provide a broader audience with an overview of the collection. Informative texts by prestigious authors accompany the artworks.
289 kr
Skickas inom 5-8 vardagar
The Sammlung Philara and Verlag Kettler are pleased to present a resource-saving and affordable art book series in pocket format, aimed at mobile readers. In them, discursive exhibitions of the Philara Collection are documented and complemented with socio-critical voices from theoretical, journalistic or writing perspectives.As an opener, the publication Attempts to Be Many poses the question of how dynamic concepts of identity can be formulated in opposition to rigid constructs of foreign attribution and ideological one-dimensionality. The exhibition of the same name with works by Nara Bak, Jana Buch, Donja Nasseri, Arisa Purkpong, Anys Reimann and Theresa Weber in the Philara Collection 2021/2022 also negotiated the plurality of identities and new narrative forms in relation to learned narratives. The renowned cultural scientist and writer Mithu Sanyal opens up a very personal approach with her text to the exhibition by breaking through identity-political regulatory discourses that flatten into the categories of origin, ethnicity, religion, or gender.Text in English, German and Thai.
202 kr
Skickas inom 3-6 vardagar
277 kr
Skickas inom 5-8 vardagar
This publication, which documents the eponymous exhibition at the Philara collection, highlights aspects of freedom, self-determination, and the ecstasy of physical love. It brings together two internationally renowned artistic perspectives: William N. Copley and Dorothy Iannone. Whereas Copley was influenced by Dadaism, Surrealism, and Pop Art, Dorothy Iannone developed a unique visual language from American Expressionism, a movement overwhelmingly male-dominated in the 1950s. Here, for the first time, the works of Copley and Iannone are being presented in juxtaposition. During their lifetimes, the two artists had few points of contact. Independently of each other, both created a highly coherent visual language that manifests parallels as well as clear differences. Transcending gender roles, stereotypes, and social norms as well as the accompanying fight against censorship are characteristic of Iannone’s pictures; Copley, on the other hand, selected depictions whose formulaic strictness and exaggeration of gender roles demonstrate a deeply ambiguous sense of humour to the point of absurdity.