Justin Jaron Lewis – författare
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2 produkter
2 produkter
Vixens Disturbing Vineyards
Embarrassment and Embracement of Scriptures—A Festschrift Honoring Harry Fox (leBeit Yoreh)
Inbunden, Engelska, 2010
1 863 kr
Skickas inom 5-8 vardagar
Embarrassment and embracement are two moments in the reading, misreading and re-reading of scriptures, defined broadly to include both canonical and non-canonical texts. Despite what Harold Bloom calls our "belatedness" in this process, every reading community has its way of confronting that moment of embarrassment so as to re-embrace or reject its implications. These implications are especially strong in religious cultures with a nomian tradition. By entering into that very tension between what Fox calls embarrassment and re-embracement, every reader recognizes the anxiety of a narrative's influence upon a community. Papers dealing with different aspects of this phenomenon are part of a festschrift honoring Professor Harry Fox (LeBeit Yoreh) the originator of this seminal idea in the transmission of texts. Contributors include such scholars as Yaakov Elman, Simcha Fishbane, the late Chana Safrai and Tirzah Meacham as well as many students, colleagues and friends of Professor Fox.
2 382 kr
Skickas inom 5-8 vardagar
This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.