Justin McGuirk – författare

Charlotte Perriand was one of great designers of the twentieth century. A pioneer of modernism, her work was often overshadowed by her more famous male collaborators, who included Le Corbusier, Pierre Jeanneret and Jean Prouvé. However, in recent years her reputation as a furniture designer and architect has matched the stature of her peers – her furniture in particular has become highly prized by collectors. From the 1920s onwards, Perriand was instrumental in bringing the modernist aesthetic to interiors. But she also believed in the synthesis of the arts, and was friends with visual artists such as Pablo Picasso and Fernand Léger.This book will explore Perriand’s journey from the machine aesthetic to her adoption of natural forms, and from modular furniture systems to major architectural projects such as Les Arcs ski resort. Featuring some of her most famous interiors, as well as her original furniture, her photography and her personal notebooks, this book sheds new light on Perriand’s creative process and her place in design history. It will accompany the forthcoming Design Museum exhibition of the same title, which will coincide with the twenty-fifth anniversary of Perriand’s last significant presentation in London, held at the Design Museum in 1996.

This book brings together a new generation of designers, architects and artists exploring how to reorient their practices for the flourishing of other species. Design is deeply associated with creating a better way of life – for humans. Yet we exist alongside billions of animals, plants and other living beings. Always putting human needs first has had devastating consequences on landscapes, other species and the climate. What if we fundamentally shifted our perspective? More-than-human design begins by acknowledging our entanglement with the ecosystems that give us life. It challenges us to imagine a world in which human desires no longer take precedence over the rights and needs of living systems. This book brings together a new generation of designers, architects and artists exploring how to reorient their practices for the flourishing of other species. With contributions by renowned writers and thinkers, including Anna Tsing, Tim Ingold and Daisy Hildyard, it examines what it means to design with and for the living world.

To accompany The Design Museum's opening exhibition, which explores the anxiety and optimism inherent in contemporary designFear and Love, published to accompany the major exhibition that will open the Design Museum's highly anticipated new home in Kensington, London, examines the role of design in the twenty-first century. It proposes that, in a rapidly changing world, design is defined by both anxiety and optimism. Organized by five key themes - Network, Empathy, Body, Earth and Periphery - the book explores design's relationship to emotive issues. Eleven leading figures from across the spectrum of design provide a wide-ranging set of attitudes to design in our times: Andrés Jaque/Office for Political Innovation, OMA, Madeline Gannon, Metahaven, Hussein Chalayan, Neri Oxman, Christien Meindertsma, Ma Ke, Kenya Hara, Arquitectura Expandida and Rural Urban Framework.

This book examines California's enormous impact on contemporary design, from the counterculture of the 1960s to the tech culture of Silicon Valley. On a more expansive level, California: Designing Freedom explores the idea that California has pioneered tools of personal liberation - from LSD to surfboards and iPhones. This ambitious survey brings together political posters and portable devices, but also looks beyond hardware to explore how user interface designers in the San Francisco Bay Area are shaping some of our most common daily experiences. Californian products have influenced contemporary life across the globe to such an extent that in some ways we are all now Californians. Put simply, 'Designed in California' is the new 'Made in Italy'.

What makes the city of the future? How do you heal a divided city? In Radical Cities, Justin McGuirk travels across Latin America in search of the activist architects, maverick politicians and alternative communities already answering these questions. From Brazil to Venezuela, and from Mexico to Argentina, McGuirk discovers the people and ideas shaping the way cities are evolving. Ever since the mid twentieth century, when the dream of modernist utopia went to Latin America to die, the continent has been a testing ground for exciting new conceptions of the city. An architect in Chile has designed a form of social housing where only half of the house is built, allowing the owners to adapt the rest; Medell�n, formerly the world''s murder capital, has been transformed with innovative public architecture; squatters in Caracas have taken over the forty-five-story Torre David skyscraper; and Rio is on a mission to incorporate its favelas into the rest of the city. Here, in the most urbanised continent on the planet, extreme cities have bred extreme conditions, from vast housing estates to sprawling slums. But after decades of social and political failure, a new generation has revitalised architecture and urban design in order to address persistent poverty and inequality. Together, these activists, pragmatists and social idealists are performing bold experiments that the rest of the world may learn from.Radical Cities is a colorful journey through Latin America-a crucible of architectural and urban innovation.

What makes the city of the future? How do you heal a divided city? In Radical Cities, Justin McGuirk travels across Latin America in search of the activist architects, maverick politicians and alternative communities already answering these questions. From Brazil to Venezuela, and from Mexico to Argentina, McGuirk discovers the people and ideas shaping the way cities are evolving. Ever since the mid twentieth century, when the dream of modernist utopia went to Latin America to die, the continent has been a testing ground for exciting new conceptions of the city. An architect in Chile has designed a form of social housing where only half of the house is built, allowing the owners to adapt the rest; Medellín, formerly the world's murder capital, has been transformed with innovative public architecture; squatters in Caracas have taken over the forty-five-story Torre David skyscraper; and Rio is on a mission to incorporate its favelas into the rest of the city. Here, in the most urbanised continent on the planet, extreme cities have bred extreme conditions, from vast housing estates to sprawling slums. But after decades of social and political failure, a new generation has revitalised architecture and urban design in order to address persistent poverty and inequality. Together, these activists, pragmatists and social idealists are performing bold experiments that the rest of the world may learn from.Radical Cities is a colorful journey through Latin America-a crucible of architectural and urban innovation.

The twentieth century offered up countless visions of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanised home or the notion that technology might free us from home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today the future that architects and designers once predicted, or has ‘home’ proved resistant to radical change? Home Futures: Living in Yesterday’s Tomorrow –accompanying a major Design Museum exhibition of the same title–explores a number of different attitudes toward domestic life, tracing the social and technological developments that have driven change in the home. It proposes that we are already living in yesterday’s tomorrow, just not in the way anyone predicted. This book begins with a lavishly illustrated catalogue portraying the ‘home futures’ of the twentieth century and beyond, from the work of Ettore Sottsass and Joe Colombo to Google’s recent forays into the smart home. The catalogue is followed by a reader consisting of newly commissioned essays by writers such as Dan Hill and Justin McGuirk, which explore the changes in the domestic realm in relation to space, technology, society, economy and psychology.

Arrive. Survive. Thrive.Getting humans to Mars has become one of the great challenges of our time. Mars holds the potential of human settlement, and the promise of life after Earth. Some of the world’s greatest entrepreneurs, architects and engineers are dedicated to conquering this next frontier.Moving to Mars: Design for the Red Planet is one of the first books to focus on the crucial role that design will play in this collective endeavour. From the capsules that will need to keep passengers in harmony during their nine-month journey, to the habitats that they will live in, to the terraforming of the landscape to make it life-sustaining, every detail needs to be designed. This task is falling to the traditional space agencies such as NASA, and to private entrepreneurs such as Elon Musk and Richard Branson, and to architects such as Norman Foster. As well as technical and practical solutions, this book will examine how design and design thinkers are approaching our move to Mars in unexpected ways. With striking, rarely-seen imagery and a unique design-led focus, this book will appeal to ‘space junkies’ and design enthusiasts alike.

The first book to dive exclusively into Ai Weiwei’s approach to design and collecting, shedding light on the value we ascribe to everyday objects. Artist, film-maker, architect, activist, collector – whatever mode Ai Weiwei is in, he is trying to tell us something about the state of the world. This book presents Ai’s work as a commentary on design and what it reveals about our changing values. Confronted by the rapid pace of change in his country, Ai became fascinated by Chinese antiquities. His vast collections of historical artefacts, from Stone Age tools to broken teapot spouts, attest to the way the language of objects speaks across the ages. Is this a classic tale of technical progress, or have we lost crucial qualities with the march of time? Ai invites us to make sense of these objects as he explores the tensions between past and present, hand and machine, precious and worthless, construction and destruction.