K. G. Subramanyan – författare

In "The Tale of the Talking Face", eminent Indian artist K.G. Subramanyan offers a stinging parable of democracy gone wrong by narrating and illustrating the story of a princess whose autocratic rule brought nothing but suffering to her people, despite her ambition of progress for her country. A thinly veiled satire on the political drama of 1970s India, "The Tale of the Talking Face" is a universal record of the ever-deepening crisis of democracy and the threat of totalitarianism.

An exploration of the weight of history and the demand for originality on the contemporary artist, written by one of India’s best-known artists.  What conception does a modern artist or critic have of contemporary art activity? How do modern artists react to their environment and cultural inheritance? And what general norms of achievement can we think of in the highly heterogeneous art scene of today? In Creative Circuit, K. G. Subramanyan, one of India's most celebrated artists, draws upon his considerable experience as a practicing artist and theoretician to engage with these concerns from a modern Indian perspective.  Through a series of five lectures, Subramanyan critically examines key concepts such as modernity, eclecticism, and nostalgia, which have become integral to contemporary art discourse. He provocatively questions the perceptions, illusions, and emotional motivations driving artistic expression in today's heterogeneous art scene, prompting readers to reconsider established norms of achievement in the context of evolving artistic practices. With over one hundred color illustrations complementing Subramanyan's insightful discourse, Creative Circuit offers a visually engaging exploration of the interplay between tradition and innovation in contemporary art.  Subramanyan played a pivotal role in shaping India’s artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.

An engaging exploration of the quest for individuality within the rich tapestry of artistic traditions, by one of India’s best-known artists.  “The fulfillment of a modern Indian artist's wish to be part of a living tradition, i.e. to be individual and innovative, without being an outsider in his own culture, will not come of itself, it calls for concerted effort.”  In Living Tradition, a critical study of modern Indian art as it has evolved through continuous interaction with several traditions—foreign and indigenous—K. G. Subramanyan, one of India's most celebrated artists, offers a theoretical groundwork for that “concerted effort.” In the course of his study, he explores the distinctions between Indian and European traditions, the continuities in India's folk traditions, and the attempts of several thinkers and artists to identify an Indian artistic tradition or to deny it altogether in a quest for personal expression or universality. With over seventy-five illustrations in color complementing Subramanyan's thought-provoking essay, Living Tradition provides readers with a visually engaging exploration of the vibrant tapestry of Indian art.  Subramanyan played a pivotal role in shaping India’s artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.

Reflections on the chords and discords inherent in the relationship between tradition and modernism.  Written between the early 1960s and the mid-1970s, the articles and lectures collected in Moving Focus reflect on some of the major concerns of the practicing artist and scholar of modern Indian art: tradition and modernism, the question of the image, and the use of art criticism. The collection also includes essays on the work of Rabindranath Tagore, Abanindranath Tagore, Binodebehari Mukherjee, Ramkinker Baij, and Amrita Sher-Gil. Together, they deal with the focal changes taking place in the contemporary art situation—a period of great significance in terms of cultural development, just about a decade and a half after India’s hard-won Independence—and seek to put them in perspective. The analytical essays of K. G. Subramanyan, one of India's most celebrated artists, remain as relevant and useful today as they were when this collection first appeared decades ago, and are perfectly suited to introducing the non-specialist to Indian modernism and its global concerns.  Subramanyan played a pivotal role in shaping India’s artistic identity after Independence. Mani-da, as he was fondly called, seamlessly blended elements of modernism with folk expression in his works, spanning paintings, murals, sculptures, prints, set designs, and toys. Beyond his visual artistry, his writings have laid a solid foundation for understanding the demands of art on the individual. In the year of his centenary, Seagull is proud to publish his writings in special new editions.

A collection of letters discussing the role of the state in the preservation and promotion of art and culture, by one of India’s greatest artists.The seventeen letters in this collection were written by K.G. Subramanyan in response to requests from “various quarters” about matters ranging from the National Policy of Education to the government’s seeming preference for erecting statues of dead men and organizing grand Republic Day parades rather than for preserving the myriad threads of cultural tradition and ensuring the survival of the Indian value system against the onslaught of a “Western” lifestyle. As Subramanyan writes in his preface, although he has no proof that any of his views and suggestions translated into practice, the very writing of them was, for him, a process of thinking through a range of issues that pertain not merely to art and aesthetics but to life itself.

Word-pictures crafted by a master artist from everyday moments offer deep reflections on contemporary existence in this poem collection.I lie and lay my head upon the grassAnd unwind the body hardened stiff like glass.But the tiny blades tickle the lower earMaking me ask myself, why do I bearThis crass impertinence and sink my headStill further down its bed of prickly green?So asks the poet, his ears pressed against the earth as he maps the world around him in a new geography of sound. Places, photographs, books, neighbors, afternoons, love, loss, and longing are sketched into word-pictures by Subramanyan as he reflects, reacts, and reminisces in this collection of poems. These memoir-poems will help throw into relief some of Subramanyan's symbols and motifs, better contextualizing his oeuvre.

An examination of the dependence and independence of the artist in the contemporary world in which they must choose between consumerism and state support.In Theory Text Context and Other Essays, K. G. Subramanyan asks what exactly we mean by the patron when we speak of modern art. Seeking to understand the conditions necessary for a cultural renaissance to occur, he also wonders whether a cultural renaissance is even possible and if it can be more than the mere revival of old forms and manners. Exploring whether theories of art are timeless or time-bound, he discusses advances in visual art and how they influence our perception of art history. Subramanyan brings his trademark candor, lucidity, and wisdom to these reflections and responses.

This volume of essays examines and celebrates how cross-cultural encounters have shaped modern art, a crucial reminder in today's political landscape.In The Local and the Global and Other Essays, K. G. Subramanyan investigates the fate of multiculturalism in a globalized world. He interrogates questions about when art stopped being subservient to the dictates of the calendar and explores how artistic traditions maintain their identity in a global context. Examining how cross-cultural encounters have shaped and absorbed artistic practices across borders, he also discusses the societal and individual role of art and how it has evolved from prehistoric times to modernity. Subramanyan brings his trademark candor, lucidity, and wisdom to these reflections and responses.

These insightful essays explore how the intersection of artistic and scientific pursuits shapes creative processes.In this collection of essays by one of India’s most celebrated artists, K. G. Subramanyan explores many questions that have shaped his art and his process. Among the ideas that shape this collection are such questions as how does the artist’s eye manipulate her view of the world?; was a visual defect responsible for the birth of impressionism?; what is the grammar of the art language?; how can rasa theory help explain the aesthetic experience of visual art?; and what drives artistic and scientific pursuits, and how do aesthetic experiences shape the creative process in both domains?In A Matter of Perspective and Other Essays, Subramanyan answers these questions with his trademark candor, lucidity, and wisdom, shedding new light on his work and creative philosophy.

This volume delves into how art reflects the ever-evolving relationship between humanity and nature, exploring industrialization’s impact on cultural practices and memory.In The Concept of Tradition and Other Essays, K. G. Subramanyan explores questions about art and tradition, such as whether tradition is more than a mere linear progression of artifacts and ideas. He also explores how art reflects on the evolving relationship between nature and humanity and the impact industrialization has had on our aesthetic sensibilities. He interrogates the structures that transmit cultural knowledge across generations while exploring whether tradition can serve as a viable framework for human endeavor in modern society. Subramanyan brings his trademark candor, lucidity, and wisdom to these reflections and responses.

A fascinating discussion of Gandhi’s moral values and art stance, providing contemporary ethical reflections.In Discovering Each Other and Other Essays, K. G. Subramanyan reflects on Gandhi’s political and cultural role in India and what lessons can be learned and applied more broadly. He explores how Gandhi’s moral values compared with his stance on art, while also investigating how traditional crafts can survive in an industrial world. He asks what role policymakers can play in the sustainability of manual crafts and investigates how the perception of tribal communities and their art changed in India over time. Subramanyan brings his trademark candor, lucidity, and wisdom to these reflections and responses.