Kandis Williams - Böcker

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the choreographer Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials.—About Clarion SeriesThe Clarion series of illustrated publications is positioned as an extension of each exhibition at the groundbreaking gallery space 52 Walker, curated by Ebony L. Haynes. The program focuses on showcasing conceptual and research-based artists from a range of backgrounds and at various stages in their careers. The series title is derived from the Clarion Science Fiction and Fantasy Writers’ Workshop, the oldest of its kind, at the University of California, San Diego. Octavia Butler attended this workshop in the 1970s. Both she and her work have been extremely influential in many cadres of Black culture and subculture. With a sleek design influenced by encyclopedias, each publication will feature color reproductions of the works on view, alongside an introduction by Haynes, commissioned essays, artist texts, archival material, and more.

Artists and organizers explore experimental learning initiatives fostering solidarity and dialogueWith a focus on labor organizing within the arts and tech industries, Software for Artists Book 3 explores the potential of creating alternative networks of education and challenging the material conditions that prevent us from enacting new realities with dignity and security.When we defy existing models for institution-building, what possibilities for gathering can materialize and what kinds of learning and unlearning can we practice together? Released alongside Pioneer Works’ eighth Software for Artists Day and the School for Poetic Computation’s 10th anniversary in November 2023, the book convenes educators, labor organizers and artists exploring experimental learning initiatives to be in solidarity and conversation with each other.Contributors include: Kandis Williams, manuel arturo abreu, Rahel Aima, Kameela Janan Rasheed, American Artist, Shani Peters, Neema Githere, Ayana Cotton, Lynn Yunn, Yatu Espinosa, Norm O’Hagan, Sam Lavigne, Or Zublasky and Dana Kopel.