Kao Kalia Yang – författare

Native women and women of color poignantly share their pain, revelations, and hope after experiencing the traumas of miscarriage and infant lossWhat God Is Honored Here? is the first book of its kind-and urgently necessary. This is a literary collection of voices of Indigenous women and women of color who have undergone miscarriage and infant loss, experiences that disproportionately affect women who have often been cast toward the margins in the United States of America. From the story of dashed cultural expectations in an interracial marriage to poems that speak of loss across generations, from harrowing accounts of misdiagnoses, ectopic pregnancies, and late-term stillbirths to the poignant chronicles of miscarriages and mysterious infant deaths, What God Is Honored Here? brings women together to speak to one another about the traumas and tragedies of womanhood. In its heartbreaking beauty, this book offers an integral perspective on how culture and religion, spirit and body, unite in the reproductive lives of women of color and Indigenous women as they bear witness to loss, search for what is not there, and claim for themselves and others their fundamental humanity. Powerfully and with brutal honesty, they write about what it means to reclaim life in the face of death.Editors Shannon Gibney and Kao Kalia Yang acknowledge “who we had been could not have prepared us for who we would become in the wake of these words,” yet the writings collected here offer insight, comfort, and, finally, hope for all those who, like the women gathered here, have found grief a lonely place.Contributors: Jennifer Baker, Michelle Borok, Lucille Clifton, Sidney Clifton, Taiyon J. Coleman, Arfah Daud, Rona Fernandez, Sarah Agaton Howes, HonorÉe Fanonne Jeffers, Soniah Kamal, Diana Le-Cabrera, Janet Lee-Ortiz, Maria Elena Mahler, Chue Moua, Jami Nakamura Lin, Jen Palmares Meadows, Dania Rajendra, Marcie Rendon, Seema Reza, 신 선 영 Sun Yung Shin, Kari Smalkoski, Catherine R. Squires, Elsa Valmidiano.

A family gradually moves forward after the loss of a child-a story for readers of all agesWhen someone you love dies, you know what doesn’t die? Love. On the hot beach, among colorful umbrellas blooming beneath a bright sun, no one saw a little girl walk into the water. Now, many months later, her bedroom remains empty, her drawers hold her clothes, her pillows and sheets still have her scent, and her mother and father, brothers and sister carry her in their hearts, along with their grief, which takes up so much space. Then one snowy day, the mother and father ask the girl’s older brother, “Would you like a room of your own?” He wants to know, “Whose?” They say, “Your sister’s.”Tenderly, and with refreshing authenticity, beloved Minnesota writer Kao Kalia Yang tells the story of a Hmong American family living with loss and tremendous love. Her direct and poignant words are accompanied by the evocative and expressive drawings of Hmong American artist Xee Reiter. The Shared Room brings a message of comfort and hope to readers young and old.

A Hmong girl tells the story of her beloved aunt and uncle’s first home in America – long gone, but still alive in the family’s memories The Blue House I Loved centers on a family of newly arrived Hmong refugees who move into the lower level of a duplex in St. Paul, Minnesota. The narrator loves her aunt and uncle’s home with its mismatched furniture, but it is too small for the large family. The boy cousins sleep in the three-season porch, where their wet hair freezes in wintertime, and the rest of the family crowds into two bedrooms. Yet this is the cherished home where they live and love, their own small corner of a very large and unfamiliar place, and in this blue house a young girl learns about her new country. Eventually, the family moves in search of more space, and years later the house is torn down. Where it was, green grass now grows. But for this girl and her family, the ghost of the house remains, its memories a strong thread that holds time at bay and hearts close together. Combining Kao Kalia Yang’s lyrical prose with ethereal illustrations by artist and architect Jen Shin, The Blue House I Loved speaks to the multitude of refugee experiences around the world, honoring the challenges they face and the homes they create together.

Award-winning author Kao Kalia Yang delivers an inspiring tale of resourceful children confronting adversaries in a refugee campAfter lunch the Yang warriors prepare for battle. They practice drills, balance rocks on their heads, wield magical swords from fallen branches. Led by ten-year-old Master Me (whose name means “little”), the ten cousins are ready to defend the family at all costs. After a week without fresh vegetables , the warriors embark on a dangerous mission to look for food, leaving the camp’s boundaries, knowing their punishment would be severe if they were caught by the guards. In this inspiring picture book, fierce and determined children confront the hardships of Ban Vinai refugee camp, where the author lived as a child. Yang’s older sister, seven-year-old Dawb, was one of the story’s warriors, and her brave adventure unfolds here with all the suspense and excitement that held her five-year-old sister spellbound many years later. Accompanied by the evocative and rich cultural imagery of debut illustrator Billy Thao, the warriors’ secret mission shows what feats of compassion and courage children can perform, bringing more than foraged greens back to the younger children and to their elders. In this unforgiving place, with little to call their own, these children are the heroes, offering gifts of hope and belonging in a truly unforgettable way.

One Hmong family’s harrowing escape from war in Laos to the uncertainty of a new home as refugees in Minnesota.Yang’s award-winning memoir of her family’s harrowing escape from war in Laos is a love letter to her grandmother, a troubling portrait of the consequences of US intervention in Southeast Asia, and a glimpse into the little-seen exodus of the Hmong people, first to refugee camps in Thailand and then, for many, to new homes in Minnesota.

In the first part of the story, we meet Malcolm as a school kid through the eyes of the adults in his life - his parents and siblings, but also the white teachers at his Minnesota schools. As school begins, we encounter Malcolm in his own words, and suddenly we see that this 'quiet, slow Hmong boy' is anything but. Malcolm is a gifted collector of his family's stories and tireless seeker of his own place within an evolving Hmong American culture, and his journey toward becoming a shaman like his grandparents before him is inspiring and revelatory.

A young Hmong girl has never been outside the camp she lives in with her parents and thousands of other families. Most days, she spends her time playing with her cousins and pretending they can fly above the clouds and far away from here.When her family’s papers are finally approved, she’s uncertain if she’s ready to leave everything - and everyone - she’s ever known behind. But on the day she leaves, her favourite aunt, Golden Flower, sees her off with the words, Your wings have arrived.With poetic text by Kalia Kao Yang and stunning art by Khou Vue, Caged is about the power of imagination, resilience, and dreaming of freedom.