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The Agora Modiano has been reborn as a modern covered food market occupying a stunningly tasteful building. The variety of texts contained in this book reflects the diverse character of the Market. Texts written by politicians, university professors, entrepreneurs, athletes, institutional bodies of the city of Thessaloniki, artists, but also authentic testimonies of shopkeepers, who spent a lifetime in Modiano, portray the Market’s ambience. The accompanying rich photographic material captures nostalgic moments of the past, but also images of the Market’s operation today.

The Agora Modiano has been reborn as a modern covered food market occupying a stunningly tasteful building. The variety of texts contained in this book reflects the diverse character of the Market. Texts written by politicians, university professors, entrepreneurs, athletes, institutional bodies of the city of Thessaloniki, artists, but also authentic testimonies of shopkeepers, who spent a lifetime in Modiano, portray the Market’s ambience. The accompanying rich photographic material captures nostalgic moments of the past, but also images of the Market’s operation today.

In this collective work scholars from different disciplines discuss the staging of ancient drama in Greece and abroad, as well as the architecture, restoration and use of ancient theatres, in which ancient Greek drama now finds its true "space". 80 color and 83 b/w illus. English and Greek bilingual text.

Besides the practical and functional needs of the body which must be addressed in buildings and in the wider built environment, human communities have always wished to shelter, not only themselves but also the incomprehensible, the superior and the mysterious. In this way they can, by specifying them, exorcise the danger posed by the invisible forces which define both the world outside and their inner psyche. Whether conceived as magic or as a religious system, the consciousness of a spiritual realm is not just a primitive stage of the intellectual development of humanity which then was replaced by a scientific approach which aims to create order from chaos, but is an ever-present internal need which is not satisfied by rational experience and knowledge. Since therefore, recourse to the metaphysical is a given, the door opens for the transcendental to enter, which itself is the foundation of metaphysics. In consequence the transcendental and the feeling of respect and sacredness which it causes are an integral part of human nature and, so too, architecture finds ways not only to accommodate it, but as far as possible, to invite it in. Modern architecture, while avowedly rejecting its relationship with the past, continues to be an art and with steady pace undertakes to accommodate the experience of the transcendental. The two authors, both architects, find that in the modern day the concepts of the sacred and the transcendental are included in the aesthetic category of 'the Sublime', which is not associated now so much with God, as with the concept of Being. The concepts thus slip into many areas of public as much as of private life. Here they dare to borrow the five principles of Longinus for successful composition and the requirement for a 'megalophrosnes apechema' (the echo of a great soul). They then parallel these principles with the creative inspiration of the architects of the 20th and 21st centuries, in their attempt to organize a vocabulary and syntax for the achievement of the sought-after 'sanctity', and as a path towards an imposing and exalted composition of space and materials.Text in Greek

The relation between tragedy and opera is as old as opera itself.Opera was born out of experiments by Italian scholars of the Renaissance relating to the nature of ancient tragedy and ways in which it could be performed. And many works in the operatic repertoire derive their subject matter from ancient legends. This relationship is described briefly, though with full documentation, in this little volume.English and Italian bilingual text. 109 colour illustrations.