Karel Capek – författare

Written against the background of the rise of Nazism, War With the Newts concerns the discovery in the South Pacific of a sea-dwelling race, which is enslaved and exploited by mankind. In time they rebel, laying siege to the strongholds of their former masters in a global war for supremacy.R.U.R., or Rossum's Universal Robots, seen by many as a modern interpretation of the 'golem' myth, is regarded as the most important play in the history of SF. It introduced the word 'robot' and gave the genre one of its most enduring tropes.

Ingen kan lika som Karel Čapek beskriva trädgårdsodlarens liv i trädgården. Läsaren lockas ständigt till igenkännande leenden. Detta är inget mindre än en bokskatt som nu finns tillgänglig i moderniserad nyöversättning. Karel Čapek (1890-1938) var en av sin tids kända journalister och författare. ”Ett år med min trädgård” publicerades första gången i Tjeckoslovakien 1929 och har sedan dess varit en av trädgårdslitteraturens klassiker. Till bokens kultstatus bidrar brodern Josef Čapeks humoristiska teckningar.

A darkly humorous Czech satire: a new super-breed tries to conquer the world...War with the Newts (1936) is Karel Capek's darkly humorous allegory of early 20th-century Czech politics. Captain van Toch discovers a colony of newts in Sumatra which can not only be taught to trade and use tools, but also to speak. As the rest of the world learns of the creatures and their wonderful capabilities, it is clear that this new species is ripe for exploitation - they can be traded in their thousands, will do the work no human wants to do, and can fight - but the humans have given no thought to the terrible consequences of their actions.

A new translation of Karel Čapek’s play R.U.R.—which famously coined the term “robot”—and a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics.Karel Čapek's “R.U.R.” and the Vision of Artificial Life offers a new, highly faithful translation by Štěpán Šimek of Czech novelist, playwright, and critic Karel Čapek’s play R.U.R.: Rossum’s Universal Robots, as well as twenty essays from contemporary writers on the 1920 play. R.U.R. is perhaps best known for first coining the term “robot” (in Czech, robota means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka Čejková, are selected from Robot 100, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play.Čapek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in Blade Runner, Westworld, or Ex Machina. The contributors to the collection—scientists and other scholars—explore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore Čapek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today.ContributorsJitka Čejková, Miguel Aguilera, Iñigo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Horáková, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nováková, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski

"There was no writer like him...prophetic assurance mixed with surrealistic humour and hard-edged social satire: a unique combination" (Arthur Miller) This volume brings together fresh new translations of four of his most popular plays, more than ever relevant today. In R. U. R., the Robot - an idea Capek was the first to invent - gradually takes over all aspects of human existence except procreation; The Insect Play is a satirical fable in which beetles, butterflies and ants give dramatic form to different philosophies of life; The Makropulos Case is a fantasy about human mortality, finally celebrating the average lifespan; The White Plague is a savage and anguished satire against fascist dictatorship and the virus of inhumanity.

"This very entertaining volume with its delightfully humorous pictures should be read by all gardeners." — Nature. An internationally renowned Czech author presents a richly comic portrait of a year in the life of an amateur horticulturist. Rather than a how-to book, Karel Capek's volume offers a lighthearted mock-treatise on the pains and rewards of tending a small and resistant garden plot that will amuse readers with and without green thumbs.

In this satirical classic, a brilliant scientist invents the Karburator, a reactor that can create abundant and practically free energy. However, the Karburator's superefficient energy production also yields a powerful by-product. The machine works by completely annihilating matter and in so doing releases the Absolute, the spiritual essence held within all matter, into the world. Infected by the heady, pure Absolute, the world's population becomes consumed with religious and national fervor, the effects of which ultimately cause a devastating global war. Set in the mid-twentieth century, The Absolute at Large questions the ethics and rampant spread of power, mass production, and atomic weapons that Karel Capek saw in the technological and political revolutions occurring around him. Stephen Baxter provides an introduction for this Bison Books edition.

Karel Capek, author of the acclaimed War with the Newts, is one of the great Czechoslovak writers of the twentieth century. These fairy tales bear Capek's combination of the fantastic and the satirical, offering fairies, elves, and talking animals alongside references to detectives, secret police agents, luxury automobiles, and Hollywood starlets. Filled with the delight of language, dazzling wordplay, a sense of absurdity about the so-called adult world, and a deeply humane vision, these witty stories will appeal to readers of all ages.

Anyone in search of England can do no better than to take up Karel Capek's Letters from England. Humorous, insightful and imbued with a profound humanity, Capek's letters convey a bemused admiration for a country which in the 1920's still lived according to the memory of its greatness. With a light touch and artistic flourish, Capek describes the virtues and vices of Europe's oldest democracy for the benefit of the citizens of Europe's newest. As Czechoslovakia emerged as an independent nation after years of Hapsburg domination, its citizens empathised with the British love of their country and their customs. Letters From England was banned by the Nazi's and later by the Communists. This new translation gives us a rare opportunity to enjoy the unusual foundations of a national culture.

It is seldom that a practical guide to gardening attains the level of a literary masterpiece, still more seldom that a book on gardening can amuse and instruct even those who have no garden to plant, nor the faintest interest in acquiring one The Gardener's Year is a characteristic product of Karel Capek's genius: amusing, informative, and full of a quizzical interest in people, animals and plants. In this new version Geoffrey Newsome - the highly acclaimed translator of Capek's witty Letters from England - has captured the grace and irony of the original Czech, to produce a volume that will be treasured equally by those who love gardening as a relaxation, by those who loathe it as a chore, and by those who have no interest in it whatsoever. This edition includes the original illustrations by the painter Josef Capek, the author's brother, who collaborated with Karel on many artistic projects.