Karen MacDonald – författare

The changing landscape of business information has created opportunities for business librarians to move beyond being reactive to business information needs to become proactive participants in business development and entrepreneurship instruction. Libraries are no longer only repositories of books but information –rich sources of business and economic data. The case studies presented within this book highlight a variety of examples on entrepreneurship education and local economic development. The examples presented serve as a catalyst for further entrepreneurial endeavours and highlight the growing need for effective value-added support in finding business information. Business librarians play a critical role in promoting the effective use of business information and in providing significant value-added services within university and community settings.This book was published as a special double issue of the Journal of Business & Finance Librarianship.

The changing landscape of business information has created opportunities for business librarians to move beyond being reactive to business information needs to become proactive participants in business development and entrepreneurship instruction. Libraries are no longer only repositories of books but information –rich sources of business and economic data. The case studies presented within this book highlight a variety of examples on entrepreneurship education and local economic development. The examples presented serve as a catalyst for further entrepreneurial endeavours and highlight the growing need for effective value-added support in finding business information. Business librarians play a critical role in promoting the effective use of business information and in providing significant value-added services within university and community settings.This book was published as a special double issue of the Journal of Business & Finance Librarianship.

War has been depicted in cinema for more than a century, from early silent films to more recent blockbusters such as Saving Private Ryan and Lone Survivor. Most war films, especially combat films, are about men engaged in battle. But while Hollywood has reinforced the cultural stereotype of war as a man’s job, women have not been completely invisible in many of these films, whether waiting for their men to return home or standing shoulder to shoulder with their male counterparts on the battlefield. In Women in War Films: From Helpless Heroine to G.I. Jane, Ralph Donald and Karen MacDonald examine the representations of females in war throughout the history of film. They identify various types of women portrayed in these films, from home-front wives and daughters supporting their loved ones from afar to nurses and doctors stationed near the front lines of combat. The authors also look at depictions of foreign females who comfort homesick soldiers, ordinary women who unexpectedly encounter the enemy, female spies, and modern enlistees taking on roles traditionally reserved for men. Through these representations, the authors explore what war films say about the culture that created them and the social construction of reality that these films assert. The book covers an array of war films distributed in the United States, including Hearts of the World, Wings, Mata Hari, Mrs. Miniver, Casablanca, Cry “Havoc,”Since You Went Away, The Best Years of Our Lives, From Here to Eternity, The Americanization of Emily, M*A*S*H, Coming Home, Courage under Fire, G.I. Jane, and Zero Dark Thirty. Featuring an extensive filmography, Women in War Films will appeal to scholars of gender studies, history, and film, as well as to readers interested in the evolving portrayals of females in military-related cinema.

War has been depicted in cinema for more than a century, from early silent films to more recent blockbusters such as Saving Private Ryan and Lone Survivor. Most war films, especially combat films, are about men engaged in battle. But while Hollywood has reinforced the cultural stereotype of war as a man’s job, women have not been completely invisible in many of these films, whether waiting for their men to return home or standing shoulder to shoulder with their male counterparts on the battlefield. In Women in War Films: From Helpless Heroine to G.I. Jane, Ralph Donald and Karen MacDonald examine the representations of females in war throughout the history of film. They identify various types of women portrayed in these films, from home-front wives and daughters supporting their loved ones from afar to nurses and doctors stationed near the front lines of combat. The authors also look at depictions of foreign females who comfort homesick soldiers, ordinary women who unexpectedly encounter the enemy, female spies, and modern enlistees taking on roles traditionally reserved for men. Through these representations, the authors explore what war films say about the culture that created them and the social construction of reality that these films assert. The book covers an array of war films distributed in the United States, including Hearts of the World, Wings, Mata Hari, Mrs. Miniver, Casablanca, Cry “Havoc,”Since You Went Away, The Best Years of Our Lives, From Here to Eternity, The Americanization of Emily, M*A*S*H, Coming Home, Courage under Fire, G.I. Jane, and Zero Dark Thirty. Featuring an extensive filmography, Women in War Films will appeal to scholars of gender studies, history, and film, as well as to readers interested in the evolving portrayals of females in military-related cinema.