Karen Pearlman – författare

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. Cutting Rhythms is written for editors, filmmakers, and students who are learning their craft, and more experienced practitioners who enjoy engaging with ideas about creative process.This fully revised and updated edition contains:A comprehensive definition of what rhythm in film editing is made from, how it is shaped, and what it is forUpdated discussions about editors' creative expertise and how to develop itTips on how to create and sustain audience empathy and engagementInsights into style and creative collaborationAdvice on making onscreen drafts before finalizing your storyNew, international examples of fiction, documentary, streaming series, music video & more

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. Cutting Rhythms is written for editors, filmmakers, and students who are learning their craft, and more experienced practitioners who enjoy engaging with ideas about creative process.This fully revised and updated edition contains:A comprehensive definition of what rhythm in film editing is made from, how it is shaped, and what it is forUpdated discussions about editors' creative expertise and how to develop itTips on how to create and sustain audience empathy and engagementInsights into style and creative collaborationAdvice on making onscreen drafts before finalizing your storyNew, international examples of fiction, documentary, streaming series, music video & more

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains: New chapters on collaboration and "editing thinking"; Advice on making onscreen drafts before finalizing your story Tips on how to create and sustain audience empathy and engagement; Explanations of how rhythm is perceived, learned, practiced and applied in editing; Updated discussions of intuition, structure and dynamics; An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains: New chapters on collaboration and "editing thinking"; Advice on making onscreen drafts before finalizing your story Tips on how to create and sustain audience empathy and engagement; Explanations of how rhythm is perceived, learned, practiced and applied in editing; Updated discussions of intuition, structure and dynamics; An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.

Shirley Clarke: Thinking Through Movement is the first film-philosophy book on “radical, pioneer, visionary’ (Dargis 2013) filmmaker Shirley Clarke and the films she edited and directed. The book draws on film analysis, archival research, dance and film theory, and creative practice expertise, to think through Clarke’s work as a dancer turned multi-award-winning editor and director of dancefilm, fiction, documentary, and video art. This account of Clarke’s creative oeuvre offers the reader insight into a too long overlooked filmmaker. Its creative practice and distributed cognition framework provides tools for dismantling some of the exclusionary aspects of authorship theories and offers a novel method for analysis of films, filmmaking practices and cultures of film production.