Karl Posso – författare

This volume reconsiders the work and cultural import of Adolfo Bioy Casares (1914-1999), who is best known for his collaborations with Jorge Luis Borges.

"The controversial works of Brazilian authors Silviano Santiago(1936-) and Caio Fernando Abreu (1948-96) offer distinctive but complementary explorations of male homosexual subjectivities formulated through displacement, exile and the abject. Posso examines the innovative ways in which these writers stage-manage Western poststructuralist thought to critique heterosexist exclusion in Brazil and in globalized popular and folk culture, and he explains how they draw on diverse cultural productions and art works to extend a general undermining of oppositional logic and psychoanalytic theory."

"The controversial works of Brazilian authors Silviano Santiago(1936-) and Caio Fernando Abreu (1948-96) offer distinctive but complementary explorations of male homosexual subjectivities formulated through displacement, exile and the abject. Posso examines the innovative ways in which these writers stage-manage Western poststructuralist thought to critique heterosexist exclusion in Brazil and in globalized popular and folk culture, and he explains how they draw on diverse cultural productions and art works to extend a general undermining of oppositional logic and psychoanalytic theory."

Best known as Jorge Luis Borges's right-hand man, Adolfo Bioy Casares (1914-1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy's extensive oeuvre which offers many surprising reflections on the twentieth century s cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy's meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.

Best known as Jorge Luis Borges's right-hand man, Adolfo Bioy Casares (1914-1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy's extensive oeuvre which offers many surprising reflections on the twentieth century's cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy's meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.