Karlos K. Hill – författare

On the evening of May 31, 1921, and in the early morning hours of June 1, several thousand white citizens and authorities violently attacked the African American Greenwood District of Tulsa, Oklahoma. In the course of some twelve hours of mob violence, white Tulsans reduced one of the nation's most prosperous black communities to rubble and killed an estimated 300 people, mostly African Americans. This richly illustrated volume, featuring more than 175 photographs, along with oral testimonies, shines a new spotlight on the race massacre from the vantage point of its victims and survivors.Historian and Black Studies professor Karlos K. Hill presents a range of photographs taken before, during, and after the massacre, mostly by white photographers. Some of the images are published here for the first time. Comparing these photographs to those taken elsewhere in the United States of lynchings, the author makes a powerful case for terming the 1921 outbreak not a riot but a massacre. White civilians, in many cases assisted or condoned by local and state law enforcement, perpetuated a systematic and coordinated attack on Black Tulsans and their property.Despite all the violence and devastation, black Tulsans rebuilt the Greenwood District brick by brick. By the mid-twentieth century, Greenwood had reached a new zenith, with nearly 250 Black-owned and Black-operated businesses. Today the citizens of Greenwood, with support from the broader community, continue to work diligently to revive the neighborhood once known as 'Black Wall Street.' As a result, Hill asserts, the most important legacy of the Tulsa Race Massacre is the grit and resilience of the Black survivors of racist violence.The 1921 Tulsa Race Massacre: A Photographic History offers a perspective largely missing from other accounts. At once captivating and disturbing, it will embolden readers to confront the uncomfortable legacy of racial violence in U.S. history.

On August 19, 1958, Clara Luper and thirteen Black youth walked into Katz Drug Store in Oklahoma City and sat down at the lunch counter. When they tried to order, they were denied service. As they sat in silence, refusing to leave, the surrounding white customers unleashed a torrent of threats and racial slurs. This first organized sit-in in Oklahoma—almost two years before the more famous sit-ins in Greensboro, North Carolina—sparked other demonstrations in Oklahoma and other states. Behold the Walls is Luper’s engrossing firsthand account of how the movement she helped launch ended legal racial segregation.First published in 1979, Behold the Walls now features a new introduction and 33 newly selected historical photos. Luper’s direct, unvarnished account captures the immediacy of the events she witnessed. As a Black woman, Luper refused to let either her race or her gender deter her from stepping forth as a leader. Born in 1923, Clara Luper taught history in Oklahoma public schools and led the NAACP Youth Council. The students who sat in at Katz Drug and other businesses belonged to that organization. Luper highlights the contributions of others, especially young people, in breaking down the walls of segregation in Oklahoma through numerous demonstrations, marches, and voter registration campaigns.This commemorative edition of Luper’s eye-opening autobiography, published near what would have been her 100th birthday, as well as the 65th anniversary of the sit-ins, offers invaluable insight into the history of protest in the early years of the civil rights movement. With racial inequality still at the forefront of national debate, Behold the Walls places Luper’s efforts in the larger national context of the struggle to resist injustice and inspire positive change.

On August 19, 1958, Clara Luper and thirteen Black youth walked into Katz Drug Store in Oklahoma City and sat down at the lunch counter. When they tried to order, they were denied service. As they sat in silence, refusing to leave, the surrounding white customers unleashed a torrent of threats and racial slurs. This first organized sit-in in Oklahoma - almost two years before the more famous sit-ins in Greensboro, North Carolina - sparked other demonstrations in Oklahoma and other states. Behold the Walls is Luper's engrossing firsthand account of how the movement she helped launch ended legal racial segregation. First published in 1979, Behold the Walls now features a new introduction and 33 newly selected historical photos. Luper's direct, unvarnished account captures the immediacy of the events she witnessed. As a Black woman, Luper refused to let either racism or sexism deter her from stepping forth as a leader. Born in 1923, Clara Luper taught history in Oklahoma public schools and led the NAACP Youth Council. The students who sat in at Katz Drug and other businesses belonged to that organization. Luper highlights the contributions of others, especially young people, in breaking down the walls of segregation in Oklahoma through numerous demonstrations, marches, and voter registration campaigns. This commemorative edition of Luper's eye-opening autobiography, published near what would have been her 100th birthday, as well as the 65th anniversary of the sit-ins, offers invaluable insight into the history of protest in the early years of the civil rights movement. With racial inequality still at the forefront of national debate, Behold the Walls places Luper's efforts in the larger national context of the struggle to resist injustice and inspire positive change.

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.

Beyond the Rope is an interdisciplinary study that draws on narrative theory and cultural studies methodologies to trace African Americans'' changing attitudes and relationships to lynching over the twentieth century. Whereas African Americans are typically framed as victims of white lynch mob violence in both scholarly and public discourses, Karlos K. Hill reveals that in the late nineteenth and early twentieth centuries African Americans lynched other African Americans in response to alleged criminality, and that twentieth-century black writers envisaged African American lynch victims as exemplars of heroic manhood. By illuminating the submerged histories of black vigilantism and consolidating narratives of lynching in African American literature that framed black victims of white lynch mob violence as heroic, Hill argues that rather than being static and one dimensional, African American attitudes towards lynching and the lynched black evolved in response to changing social and political contexts.