Kasia Redzisz – författare
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2 produkter
2 produkter
337 kr
Skickas inom 5-8 vardagar
Described by Art Review as ‘one of the most influential people in the contemporary art world in 2018’, Theaster Gates (b. 1973, Chicago) explores the complex and interweaving issues of race, territory and inequality as a socially engaged artist. Living and working in Chicago, Gates began his career studying urban planning, followed by ceramics, both of which continue to inform his work.At the heart of the book, Gates looks at the history of Malaga island in Maine, USA. In 1912, the state governor evicted the island’s ethnically diverse population with no offer of housing or support. Gates’s body of work - sculpture, installation, film, music and dance - responds to this little-known story, connecting it with the wider history of African-American people. A new film called ‘Dance of Malaga 2019’ features the choreography of acclaimed American dancer Kyle Abraham, and a highlight of the publication are the many beautiful stills from the film.Through a combination of essays, Theaster Gates’s own words and a careful selection of illustrations, this publication will underline the artist’s influence in contemporary art and interracial relationships, while its accessible approach will appeal to all.
Something Flashed, Something Broke, Something Re – Consciousness Neue Bieriemiennost
Häftad, Engelska, 2014
250 kr
Skickas inom 5-8 vardagar
Consciousness Neue Bieremiennost was an art group formed in the mid-1980s in Poland by three sculptors: Miroslaw Balka, Miroslaw Filonik, and Marek Kijewski. Their collaborative exhibitions, which included action art, performances, and sculptures, mounted political protests by mocking highlights of the communist calendar, such as Women's Day, Victory Day, and Miner's Day. This volume recreates the history of the group and its often fleeting creations and sets it in the context of Polish life and politics of the 1980s and the artistic scene it spawned. Offering new insight into Polish art of the '80s, and particularly into the relationship between the communist art system and the alternative art scene that opposed it, the book offers the most comprehensive picture yet of this group's work and legacy.