Kate Elliott - Böcker

"Jes will remind readers of fearless Katniss.... Let the games continue!" (Booklist starred review for Court of Fives)Now a Challenger, Jessamy is moving up the ranks of the Fives--the complex athletic contest favored by the lowliest Commoners and the loftiest Patrons alike. Pitted against far more formidable adversaries, success is Jes's only option, as her prize money is essential to keeping her hidden family alive. She leaps at the chance to tour the countryside and face more competitors, but then a fatal attack on her traveling party puts Jes at the center of the war that Lord Kalliarkos--the prince she still loves--is fighting against their country's enemies. With a sinister overlord watching her every move and Kal's life on the line, Jes must now become more than a Fives champion.... She must become a warrior.

Now available in paperback, World Fantasy Award finalist Kate Elliott's first young adult novel was praised by Kirkus for its "gripping, original plot; vivid, complicated characters; and layered, convincingly detailed world building."Jessamy's life is a balance between acting like an upper-class Patron and dreaming of the freedom of the Commoners. But away from her family she can be whomever she wants when she sneaks out to train for The Fives, an intricate, multilevel athletic competition that offers a chance for glory to the kingdom's best contenders. Then Jes meets Kalliarkos, and an improbably friendship between two Fives competitors--one of mixed race and the other a Patron boy--causes heads to turn. When Kal's powerful, scheming uncle tears Jes's family apart, she'll have to test her new friend's loyalty and risk the vengeance of a royal clan to save her mother and sisters from certain death. This imaginative escape into enthralling new lands weaves an epic story of a girl struggling to do what she loves in a society suffocated by rules of class and privilege.

SOME CHOICES CAN NEVER BE UNDONE. The Hundred, once ruled by a tainted religion and demon court, is now a place of peace and prosperity. The Black Wolves, once the king's most trusted guard, are disbanded and shamed with treason. Their captain, Kellas, finds himself standing at a crossroads where he must decide whom to serve and whom to betray. Faithful to the king's memory but shut out from his legacy, Lady Dannarah fights for the rank she was denied, while three young outcasts leave their homes to find their own destiny. As broken alliances are guardedly rekindled and old friendships put to the test, the Hundred's past is called into question - and its very future is put at stake.

Representations of first contact - the first meetings of European explorers and Native Americans - have always had a central place in our nation's historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths - and how those myths acquired different meanings at different points in our nation's history.First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies - paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell - Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. And yet, others communicate more nuanced messages that might surprise contemporary viewers.Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.

Shows teachers how to bring students' 'Do-It-Yourself' media practices into the classroom. The authors explain DIY media, identify their appealing features, and describe the literacy skills and strategies they promote. Topics addressed include blogs; social networking and social media sites; video games and virtual worlds; informational wikis and online resources; fan fiction, fan art and web comics; and zines and indie music.

When an arrogant prince (and his equally arrogant entourage) gets stuck in Orledder Halt as part of brutal political intrigue, competent and sunny deputy courier Elen - once a child slave meant to shield noblemen from the poisonous Pall - is assigned to guide him through the hills to reach his destination.When she warns him not to enter the haunted Spires, the prince doesn’t heed her advice, and the man who emerges from the towers isn’t the same man who entered.The journey that follows is fraught with danger. Can a group taught to ignore and despise the lower classes survive with a mere deputy courier as their guide?The Witch Roads is the latest epic novel by fan favourite, Kate Elliott.

Surprising betrayals, surprising alliances, and surprising discoveries of heritage abound in this energetic sequel to The Witch Roads.When the royal party finds themselves in a land they never believed they could access, it will take all of Prince Gevulin's (admittedly impressive) diplomatic skills to forge a coalition with an unlikely group of would-be allies.Meanwhile, as Erin mourns her lost love, an unwelcome visit to the land of her birth brings back the traumatic memories of the childhood she shared with her sister.And a surprise visit from an unwelcome family member threatens to derail the plans of multiple opposing factions.Loyalty cannot be demanded, only won

Surprising betrayals, surprising alliances and surprising discoveries of heritage abound in this energetic sequel to The Witch Roads.When the royal party finds themselves in a land they never believed they could access, it will take all of Prince Gevulin's (admittedly impressive) diplomatic skills to forge a coalition with an unlikely group of would-be allies.Meanwhile, as Elen mourns her lost love, an unwelcome visit to the land of her birth brings back the traumatic memories of the childhood she shared with her sister.And a surprise visit from an unwelcome family member threatens to derail the plans of multiple opposing factions.Loyalty cannot be demanded, only won.

Though interpersonal violence is widely studied, much less has been done to understand structural violence, the often-invisible patterns of inequality that reproduce social relations of exclusion and marginalization through ideologies, policies, stigmas, and discourses attendant to gender, race, class, and other markers of social identity. Structural violence normalizes experiences like poverty, ableism, sexual harassment, racism, and colonialism, and erases their social and political origins. The legal structures that provide impunity for those who exploit youth are also part of structural violence's machinery.Working with Indigenous, queer, immigrant and homeless youth across Canada, this five-year Youth-based Participatory Action Research project used art to explore the many ways that structural violence harms youth, destroying hope, optimism, a sense of belonging and a connection to civil society. However, recognizing that youth are not merely victims, Everyday Violence in the Lives of Youth also examines the various ways youth respond to and resist this violence to preserve their dignity, well-being and inclusion in society.

'An entertaining shoot-'em-up, replete with epic starship battles, court intrigue and Machiavellian betrayals' Guardian It has been eight centuries since the beacon system failed, sundering the heavens. Rising from the ashes of the collapse, cultures have fought, system-by-system, for control of the few remaining beacons. The Republic of Chaonia is one such polity. Surrounded by the Yele League and the vast Phene Empire, they have had to fight for their existence. After decades of conflict, Queen-Marshal Eirene has brought the Yele to heel. Now it is time to deal with the Empire. Princess Sun, daughter and heir, has come of age.In her first command, she drove a Phene garrison from the beacons of Na Iri – an impressive feat. But growing up in the shadow of her mother – a ruler both revered and feared – has been no easy task. While Sun may imagine that her victorious command will bring further opportunity to prove herself, it will in fact place her on the wrong side of court politics. There are those who would like to see Sun removed as heir, or better yet, dead. To survive, the princess must rely on her wits and companions: her biggest rival, her secret lover, and a dangerous prisoner of war.

2024 LOCUS AWARD FINALIST, BEST SF NOVELThe second book in The Sun Chronicles trilogy, a galactic-scale, gender-swapped space opera series inspired by the life of Alexander the Great.Shrewd, brutal, relentless and patient, Queen-Marshal Eirene has led the Republic of Chaonia from the brink of annihilation to the edge of victory. One by one, her enemies have fallen in defeat, and now she is ready to push her battle-hardened fleets into territories long controlled by the mighty Phene Empire.But her victories are not without cost. The Republic has endured decades of conflict, with factions simmering beneath the surface, waiting for their chance to boil.The Phene know this.While they might not be able to defeat the Queen-Marshal in open battle, there are other ways to strike back.And on the eve of Eirene’s attack on the rich and populous Karnos System, they will.In the aftermath, Eirene’s daughter, Princess Sun, will face her greatest challenge yet. Can she escape her mother’s shadow and forge her own legend, despite all that’s arrayed against her?Reviews for the Sun Chronicles: 'Epic starship battles, court intrigue and Machiavellian betrayals' Guardian 'Enthralling, edge-of-your-seat stuff hurtling along at warp speed' Kirkus 'Not only is this action-packed with fascinating women characters, there is very inventive world-building and twisty turny political scheming' Book Riot 'Non-stop action! Space battles! Intrigue! This is the kind of space opera that I love best – but Elliott does it even better' Ann Leckie 'Breathtaking and mindblowingly good' Aliette de Bodard

'An entertaining shoot-'em-up, replete with epic starship battles, court intrigue and Machiavellian betrayals' Guardian Non-stop action, space battles and intrigue abound in the second in a galactic-scale, gender-swapped space opera trilogy inspired by the life of Alexander The Great. The epic finale to Kate Elliott's action-packed Sun Chronicles.

Lost and alone in an unknown country, Alain struggles to survive as he is unwittingly drawn into an ancient conflict between humankind and their old enemy, the Cursed Ones. Separated from her husband and child, Liath must undergo her greatest test in a land of exile. Only here can she hope to discover the truth of her parentage and learn the extent of her remarkable powers.Mourning the loss of his wife, the bastard prince Sanglant seeks his father,King Henry, to warn him about the conspiracy of powerful sorcerers who wish to destroy the Aoi, the Lost Ones, once and for all - no matter how much destruction their magic will unleash. But King Henry's gaze is fixed on the throne of Aosta and the imperial crown left vacant for two generations. As a Quman army, sweeping in from the eastern steppes, ravages the Wendish countryside, Henry marches south, ignoring the pleas of his beleaguered subjects. The great cataclysm, foretold in the stars, is approaching. . . .Look out for more information on this book and others on the Orbit website at www.orbitbooks.co.uk

The cataclysm long foretold has shaken the world. King Henry's obsession with uniting the warring kingdoms of Wendar and Varre has left his people destitute and vulnerable to attack. As earthly and supernatural forces gather to overthrow all Henry has fought for, Alain and Liath come to realise their twin destinies. Between them they hold the key to secrets which could yet save Henry's realm, but even they may be powerless should the Cursed Ones return.Look out for more information on this and other titles at www.orbitbooks.co.uk

The world of Liath and Alain is breaking apart as King Henry's kingdom is savaged by earthly and supernatural forces, which they alone have the power to understand. The Eika warriors thirst for the King's land and power, their enmity sealed by generations of blood. Bitter in-fighting within King Henry's court and the ceaseless attrition of raiders also weaken his reign. Those who remain true must stay strong as the shadow of the Cursed Ones falls, and the spell holding the exiled from the planet fails. Liath must force her wild sorcery to maturity and Sanglant, her husband and King Henry's heir, must struggle to hold the realm together. The twin destinies of Liath and Alain may yet avert the destruction written in the stars.

Marit was pretty sure she had been murdered. She vividly recalled the assassin's dagger, and her dying vision had shown her the next world - but her spirit had not made the journey. She woke alone, sprawled on a Guardian's altar, with more questions than answers. The Guardians once ruled the Hundred, but disappeared in ages past, leaving reeves to manage the peace in their stead. But Marit finds this peace has been shattered as a desperate army ravages the land, and its leaders walk in shadow, wearing the cloaks of lost Guardians. As she searches for meanings in a changed world, Marit finds her old love Joss and the Outlander Anji struggling to maintain order amidst chaos. But her own enemies are drawing close. Marit tries to untangle the web of betrayals that connect her murder with the razing of the countryside, but she can't run forever. She will be found and there will be choices: complicity or death.