Kate Fowle – författare

A comprehensive study of one of the most versatile artists and acute observers of our time, who fuses art and fashionAmerican artist Sterling Ruby works in a large variety of media, including sculpture, ceramics, painting, and video art. Ruby is influenced by a wide range of sources, including marginalized societies, maximum-security prisons, modernist architecture, artefacts and antiquities, graffiti, waste and consumption, and urban gangs. Through these, he examines the psychological space where individual expression confronts social constraint.

Alongside his career as an artist, Charles Gaines has engaged deeply with the history of aesthetics, philosophy, and politics through parallel writing and teaching practices for over half a century. This edited volume brings together more than twenty-five of the artist’s writings, including several new pieces penned especially for this publication or newly revised for publication from decades-old notes and manuscripts. Critical essays and lectures, from his influential career as a member of the faculty at CalArts set out Gaines’s thinking about topics including art and philosophy, reality and representation, while other texts show a lighter side to his artistic and conceptual commitments. Complementing these writings are a selection of illuminating interviews with cultural voices including Rashid Johnson, Kerry James Marshall, and Fred Moten, among others. Edited by curator Kate Fowle, 'Charles Gaines: Content and Form' is essential reading not only for followers of Gaines’s work but for anyone interested in thinking about and around art.

In 1986, the Soviet government created a statute enabling citizens to form associations and clubs for the first time since the 1920s. This-and the 1988 law on cooperatives which permitted private enterprise-gave rise to the first official organizations created by unofficial artists, as well as the beginning of a vibrant gallery scene. Run by artists, curators, and cultural entrepreneurs, these spaces unleashed the creative energy that now characterizes early post-Soviet Russia. Access Moscow examines the key role which the first independent galleries played in the emergence of Moscow's art scene in the 1990s. Through historical texts from leading practitioners of the period-some of which are translated into English for the first time-and essays by Valentin Diaconov, Kate Fowle, Andrei Kovalev, and Elena Selina, this book provides a first-hand account of an art community in formation. A chronology of art and political events shows the development of art life in Moscow over the course of the decade. Access Moscow is the second in a new series of books by Garage Museum of Contemporary Art on research and materials in Garage Archive Collection.