Kate Holland - Böcker

Scholars have long been fascinated by the creative struggles with genre manifested throughout Dostoevsky’s career. In The Novel in the Age of Disintegration, Kate Holland shows that Dostoevsky aimed to use the form of the novel as a means of depicting the disintegration caused by various crises in Russian society in the 1860s. This required him to reinvent the genre. At the same time, he sought to infuse his novels with the capacity to inspire belief in social and spiritual reintegration, and to this end he returned to old forms and structures that were already becoming outmoded.In thoughtful readings of Demons, The Adolescent, A Writer’s Diary, and The Brothers Karamazov, Holland delineates Dostoevsky’s struggle to adapt a genre to the reality of the present, with all its upheavals, while maintaining a utopian vision of Russia’s future mission.

Marking the bicentenary of Dostoevsky’s birth, Dostoevsky at 200: The Novel in Modernity takes the writer’s art – specifically the tension between experience and formal representation – as its central theme. While many critical approaches to Dostoevsky’s works are concerned with spiritual and philosophical dilemmas, this volume focuses instead on questions of design and narrative to explore Dostoevsky and the novel from a multitude of perspectives.Contributors situate Dostoevsky’s formal choices of narrative, plot, genre, characterization, and the novel itself within modernity and consider how the experience of modernity led to Dostoevsky’s particular engagement with form. Conceived as a forum for younger scholars working in new directions in Dostoevsky scholarship, this volume asks how narrative and genre shape Dostoevsky’s works, as well as how they influence the way modernity is represented. Of interest not only to readers and scholars of Russian literature but also to those curious about the genre of the novel more broadly, Dostoevsky at 200 is pathbreaking in its approach to the question of Dostoevsky’s contribution to the novel as a form.

The powerful, impassioned, and often frenetic prose of Fedor Dostoevsky continues to fascinate readers in the twenty-first century, even though we are far removed from Dostoevsky’s Russia. A Dostoevsky Companion: Texts and Contexts aims to help students and readers navigate the writer’s fiction and his world, to better understand the cultural and sociopolitical milieu in which Dostoevsky lived and wrote. Rather than offer a single definitive view of the author, the book contains a collection of documents from Dostoevsky’s own time (excerpts from his letters, his journalism, and what his contemporaries wrote about him), as well as extracts from the major critical studies of Dostoevsky from the contemporary academy. The volume equips readers with a deeper understanding of Dostoevsky’s world and his writing, offering new paths and directions for interpreting his writing.

The powerful, impassioned, and often frenetic prose of Fedor Dostoevsky continues to fascinate readers in the twenty-first century, even though we are far removed from Dostoevsky’s Russia. A Dostoevsky Companion: Texts and Contexts aims to help students and readers navigate the writer’s fiction and his world, to better understand the cultural and sociopolitical milieu in which Dostoevsky lived and wrote. Rather than offer a single definitive view of the author, the book contains a collection of documents from Dostoevsky’s own time (excerpts from his letters, his journalism, and what his contemporaries wrote about him), as well as extracts from the major critical studies of Dostoevsky from the contemporary academy. The volume equips readers with a deeper understanding of Dostoevsky’s world and his writing, offering new paths and directions for interpreting his writing.

It considers public health responses in different countries, with chapters examining community-driven approaches, communication strategies of governments and political leaders, public health advocacy, and pandemic inequalities.

It considers public health responses in different countries, with chapters examining community-driven approaches, communication strategies of governments and political leaders, public health advocacy, and pandemic inequalities.

This edited collection, follows on from 'Communicating COVID-19: Interdisciplinary Perspectives' (2021) and brings together different scholars from around the world to explore and critique the ongoing advances of communicating COVID, two years into the pandemic.Pandemic life has become familiar to us, with all its disruptions and uncertainties. In the second year of COVID, many societies emerged well attuned to new waves of infections, while others, having initially demonstrated 'gold standard' responses, regressed, either through a premature end to public health restrictions or challenges around vaccine rollouts. In many countries, bitter social divisions have arisen over mask-wearing, lockdowns, quarantine and vaccination.To better understand the ever evolving communicative landscape of COVID-19, this collection shares updated perspectives from the disciplines of media and communication, journalism, public health and primary care, sociology, and political and behavioural science, addressing the major issues that have confronted communicators, including vaccine hesitancy, misinformation, and the mobilisation of community driven communication responses as restrictions eased in various parts of the world.