Kate Holterhoff – författare

This book examines illustrations created to accompany fictions written by several of the most popular authors published in Britain and America between 1885 and 1920. By studying the lavish illustrations that complemented not only initial serializations, but also subsequent publications of fictions by H. Rider Haggard, Rudyard Kipling, James De Mille, Robert Louis Stevenson, and H. G. Wells, the book demonstrates the significance of images to the fin de siècle romance form. In order to make fantastic plots seem possible, graphic artists worked hand in hand with authors to not only fill gaps in audience understanding, but also expand and deepen the meaning of these marvels. The book will be of interest to scholars working in art history, visual culture, illustration studies, British and American history, and British and American literature.

This study explores how British romance fictions published between 1859 and 1914 absorbed distinctly Darwinian attitudes toward the epistemology of science-one that accorded with scientific speculation. Following the 1859 publication of On the Origin of Species, in which Charles Darwin acknowledged arriving at his thesis by allowing himself “to speculate on the subject” of species transmutation, many romance fiction writers embraced, criticized, and promoted acts of speculating characterized as scientific. The romance fictions discussed in this book recurred to Darwin’s speculative methodology more than to rigorous Baconian empiricism because it permitted them to draw pointedly imaginative conclusions in reasonable ways.Kate Holterhoff’s book examines how romance authors like Grant Allen, H. G. Wells, and Arthur Conan Doyle incorporated Darwinian ideas and speculative thinking into their works to advance their ideological and aesthetic goals. Holterhoff uses five paired genres and methods to analyze this engagement:-scientific romance and experimentation,-metaphysical romance and thought experiments,-anthropological romance and reasoning with imperfect data,-gothic romance and probability, and-utopian romance and Malthusian political economy.By focusing on Darwin’s influence in legitimizing speculative methods in science, the book places the interplay between British science and romance fiction into critical perspective and highlights his enduring impact on Western culture.