Kate Jackson - Böcker

This is a study of the noted newspaper proprietor, publisher and editor, George Newnes and his involvement in the so-called New Journalism in Britain from 1880 to 1910. The author examines seven of Newnes’s most successful periodicals - Tit-Bits (1881), The Strand Magazine (1891), The Million (1892), The Westminster Gazette (1893), The Wide World Magazine (1898), The Ladies’ Field (1898) and The Captain (1899) - from a biographical, journalistic and broader cultural perspective. Newnes assumed a pioneering role in the creation of the penny miscellany paper, the short-story magazine, the true-story magazine and the respectable boys’ paper, in the development of colour printing, magazine illustration and photographic reproduction, and in the redefinition of both political and sporting journalism. His publications were shaped by his own distinctive brand of paternalism, his professional progression within the field of journalism, his liberal-democratic and imperialist beliefs, and his particular skill as an entrepreneur. This innovative periodical publisher utilised the techniques of personalised journalism, commercial promotion and audience targeting to establish an interactive relationship and a strong bond of identification with his many readers. Kate Jackson employs an interdisciplinary approach, building on recent scholarship in the field of periodical research, to demonstrate that Newnes balanced and synthesised various potentially conflicting imperatives to create a kind of synergy between business and benevolence, popular and quality journalism, old and new journalism and , ultimately, culture and profit.

In 2005 Kate Jackson ventured into the remote swamp forests of the northern Congo to collect reptiles and amphibians. Her camping equipment was rudimentary, her knowledge of Congolese customs even more so. She knew how to string a net and set a pitfall trap, but she never imagined the physical and cultural difficulties that awaited her.Culled from the mud-spattered pages of her journals, Mean and Lowly Things reads like a fast-paced adventure story. It is Jackson’s unvarnished account of her research on the front lines of the global biodiversity crisis—coping with interminable delays in obtaining permits, learning to outrun advancing army ants, subsisting on a diet of Spam and manioc, and ultimately falling in love with the strangely beautiful flooded forest.The reptile fauna of the Republic of Congo was all but undescribed, and Jackson’s mission was to carry out the most basic study of the amphibians and reptiles of the swamp forest: to create a simple list of the species that exist there—a crucial first step toward efforts to protect them. When the snakes evaded her carefully set traps, Jackson enlisted people from the villages to bring her specimens. She trained her guide to tag frogs and skinks and to fix them in formalin. As her expensive camera rusted and her Western soap melted, Jackson learned what it took to swim with the snakes—and that there’s a right way and a wrong way to get a baby cobra out of a bottle.

Polish off your magnifying glass and step into the shoes of your favourite detectives as you unlock tantalising clues and solve intricate puzzles. There are over 100 criminally teasing challenges to be scrutinised, including word searches, anagrams, snapshot covers, and crosswords - a favourite puzzle of crime fiction's golden age. Suitable for all ages and levels, this is the ultimate test for fans of the British Library Crime Classics series.For six years, the British Library have brought neglected crime fiction writers into the spotlight in a series of republished novels and anthologies. There are now more than 50 British Library Crime Classics titles to collect.

Fancy yourself a golden age detective? In these pages lie the clues you will need to crack the most impenetrable of cases. Culprits lurk between the lines of word searches. Imposters are unearthed in anagrams. A keen eye and a quick wit are your best tools for eliminating the suspects in a range of puzzles, suitable for all ages and levels. For seven years, the British Library has brought neglected crime fiction writers into the spotlight in a series of republished novels and anthologies. Updated with brand new puzzle styles and including the very latest British Library Crime Classics titles, there are even more ways to solve the mystery in this sequel to The Pocket Detective.

What would you do if you found yourself in the world of the classic crime novel? How would you avoid being framed for murder – or evade an untimely demise? Let classic crime expert Kate Jackson give you the tools to survive the golden age murder mystery.From dinner parties to detective interrogations, you’ll need to know how to keep your wits about you in a world of red herrings, hidden identities and one too many suspicious butlers...Complete with commissioned illustrations by Joanna Lisowiec, this insightful parody of the genre takes survival tips from an international cast of crime writers including Agatha Christie, Craig Rice, Ngaio Marsh, Phyllis Bentley, Josephine Tey, Augusto de Angelis, Dorothy L. Sayers, Cyril Hare, Georgette Heyer, Sheila Pim, Sébastien Japrisot, Ethel Lina White and Helen McCloy. The volume, of course, also features a whole host of favourite authors from the British Library Crime Classics series.

You may know your Marple from your Maigret, your Christie from your Chandler and your Wimsey from your Wexford, but just how much of a real classic crime expert are you?This beautifully illustrated and painstakingly researched book will tax your grey cells to the limit with 50 quizzes made up of questions all about the writers, detectives and – of course – the victims from over 100 years of literature and on big and small screens. Rounds include Unusual Murder Methods (boiling, jellyfish, ice!), Agatha Christie’s Deadliest Rooms (you’ll be dying to find out) and European Crime Fiction (featuring Wallander, Wahlöö and Warsaw). There are multiple-choice quizzes, picture rounds and enough bonus questions to keep even the most rabid reader and sofa sleuth challenged and entertained.

This is a study of the noted newspaper proprietor, publisher and editor, George Newnes and his involvement in the so-called New Journalism in Britain from 1880 to 1910. The author examines seven of Newnes’s most successful periodicals - Tit-Bits (1881), The Strand Magazine (1891), The Million (1892), The Westminster Gazette (1893), The Wide World Magazine (1898), The Ladies’ Field (1898) and The Captain (1899) - from a biographical, journalistic and broader cultural perspective. Newnes assumed a pioneering role in the creation of the penny miscellany paper, the short-story magazine, the true-story magazine and the respectable boys’ paper, in the development of colour printing, magazine illustration and photographic reproduction, and in the redefinition of both political and sporting journalism. His publications were shaped by his own distinctive brand of paternalism, his professional progression within the field of journalism, his liberal-democratic and imperialist beliefs, and his particular skill as an entrepreneur. This innovative periodical publisher utilised the techniques of personalised journalism, commercial promotion and audience targeting to establish an interactive relationship and a strong bond of identification with his many readers. Kate Jackson employs an interdisciplinary approach, building on recent scholarship in the field of periodical research, to demonstrate that Newnes balanced and synthesised various potentially conflicting imperatives to create a kind of synergy between business and benevolence, popular and quality journalism, old and new journalism and , ultimately, culture and profit.

The first—and only—authoritative guide to the snakes of Central and Western Africa.Nobody knows exactly how many snake species live in the biodiversity hotspots of Western and Central Africa. While field guides abound that make mammals, birds, and even insects identifiable for residents, travelers, and scientists, half a continent's herpetological richness has remained shrouded in mystery. In a region where nearly 30,000 people die from snake bites every year, even dire medical necessity has been an insufficient inducement for researchers to take on the daunting task of assembling an authoritative list of extant species, let alone a full descriptive record to aid in identification, the essential first step to administering an effective antivenin. The reptiles of Central Africa, particularly, are the most poorly studied in the world, despite their crucial role in the survival of threatened ecosystems.With Snakes of Central and Western Africa, Jean-Philippe Chippaux and Kate Jackson have created a game changer. The result of years of field research and systematic study in the world's leading museums, this book compiles for the first time a comprehensive guide to the region's snakes. Covering a vast swath of the continent, ranging from Mauritania in the northwest to Rwanda in the east and Angola in the south, Chippaux and Jackson provide detailed accounts for the more than 200 species of snakes that inhabit the region. The first part of the book is devoted to the taxonomic characters used for identifying snakes. The authors deal with the evolution and biogeography of African snakes as well as epidemiological and clinical aspects of snakebite. The remaining chapters are organized phylogenetically, following the latest consensus on evolutionary patterns of major snake lineages in sub-Saharan Africa. Species identification is facilitated by simple and accessible dichotomous keys and detailed descriptions of morphological characteristics, complemented by numerous drawings, photos, and distribution maps. Invaluable information on taxonomy and natural history is also included. The book concludes with a comprehensive index and a list of nearly 600 references. Snakes of Central and Western Africa illuminates a previously little-known part of the natural world, provides vital information that could save many lives, and will make an excellent addition to any herpetology library.