Kate Lister – författare

FLICK is a rousing history of women enjoying sex: sex with themselves, sex with each other, and occasionally sex with men as well.Meet the women throughout history who, quite literally, came before us.From the host of award-winning History Hit podcast Betwixt the Sheets.'Flicking excellent . . . Kate Lister is a goddess.' DR LUCY WORSLEY'This eye-opening account of how women's pleasure has been controlled throught time is thought provoking and intrepid...an excellent, spiky book.' TELEGRAPH'Unique, brilliant, gripping and unforgettable.' PROF KATE WILLIAMSThere is a common misconception that before modern day feminism, women throughout history simply lay back and thought of England or their respective place of origin; that the modern 'sex positive' movement is a radical break from the past. But women demanding better sex did not arrive with free love or the Rampant Rabbit. It has been a very long fight indeed.From Ancient Mesopotamian sex goddesses to the contraceptive pill, Kate Lister takes us through history to show us how women's sexual pleasure was controlled, understood and thoroughly, thoroughly enjoyed.

The Victorian era is famous for the collecting, hording, and displaying of things; for the mass production and consumption of things; for the invention, distribution and sale of things; for those who had things, and those who did not. For many people, the Victorian period is intrinsically associated with paraphernalia.

This collection of essays explores the Victorians through their materiality, and asks how objects were part of being Victorian; which objects defined them, represented them, were uniquely theirs; and how reading the Victorians, through their possessions, can deepen our understanding of Victorian culture. Miscellaneous and often auxiliary, paraphernalia becomes the ‘disjecta’ of everyday life, deemed neither valuable enough for museums nor symbolic enough for purely literary study. This interdisciplinary collection looks at the historical, cultural and literary debris that makes up the background of Victorian life: Valentine’s cards, fish tanks, sugar plums, china ornaments, hair ribbons, dresses and more. Contributors also, however, consider how we use Victorian objects to construct the Victorian today; museum spaces, the relation of Victorian text to object, and our reading – or gazing at – Victorian advertisements out of context on searchable online databases.

Responding to thing theory and modern scholarship on Victorian material culture, this book addresses five key concerns of Victorian materiality: collecting; defining class in the home; objects becoming things; objects to texts; objects in circulation through print culture.

The Victorian era is famous for the collecting, hording, and displaying of things; for the mass production and consumption of things; for the invention, distribution and sale of things; for those who had things, and those who did not. For many people, the Victorian period is intrinsically associated with paraphernalia.

This collection of essays explores the Victorians through their materiality, and asks how objects were part of being Victorian; which objects defined them, represented them, were uniquely theirs; and how reading the Victorians, through their possessions, can deepen our understanding of Victorian culture. Miscellaneous and often auxiliary, paraphernalia becomes the ‘disjecta’ of everyday life, deemed neither valuable enough for museums nor symbolic enough for purely literary study. This interdisciplinary collection looks at the historical, cultural and literary debris that makes up the background of Victorian life: Valentine’s cards, fish tanks, sugar plums, china ornaments, hair ribbons, dresses and more. Contributors also, however, consider how we use Victorian objects to construct the Victorian today; museum spaces, the relation of Victorian text to object, and our reading – or gazing at – Victorian advertisements out of context on searchable online databases.

Responding to thing theory and modern scholarship on Victorian material culture, this book addresses five key concerns of Victorian materiality: collecting; defining class in the home; objects becoming things; objects to texts; objects in circulation through print culture.