Kate Maguire-Rosier – författare

This edited collection investigates the myriad ways in which disability performance travels in a globalized world.Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals, and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence?This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state and local community settings and will be of great interest to students and scholars in the field.

This edited collection investigates the myriad ways in which disability performance travels in a globalized world.Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals, and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence?This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state and local community settings and will be of great interest to students and scholars in the field.

What would happen if we were to understand arts projects through their capacity to care? Care Aesthetics and the Arts offers an exploration of care aesthetics applied to arts projects from diverse contexts.This collection examines the emerging field of care aesthetics applied to a range of arts practices and projects. Divided thematically into five sections, each chapter examines a range of arts practices or projects through the lens of care aesthetics, exploring how they can be understood and critiqued through this frame. This book surveys the foundations for an artistic exploration of care, discusses arts initiatives for sustaining, repairing, and holding space for everyday care, and expands conversations into the ambiguities and contradictions in both theory and practice. The volume includes contributions from diverse fields such as dance, literature, film, music, visual art, and theatre, alongside perspectives from non-conventional artistic settings such as protests, playgrounds, and hospitals, presenting a truly interdisciplinary study.Ideal for practitioners and students alike, this collection establishes the rich and evolving field of care aesthetics within the arts.