Kate Parker – författare

New cover and corrections for Americanisms. Same great story.  Two deaths in the London diplomatic corps lead a determined woman seeking justice into the crosshairs of a Nazi spy. Autumn 1937 – Olivia Denis is the carefree young wife of a Foreign Office dignitary when her world is shattered. Police discover her husband fatally shot near the German embassy and declare it suicide. Olivia knows better. When she learns a German embassy clerk was murdered the same night, she is certain her husband is not the traitor others claim. However, someone in the British government is. Using her new position as a reporter for a powerful newspaper publisher, Olivia infiltrates London's elegant society to hunt for the killer. But someone watching Olivia is ready to strike if she gets too close to the biggest secret of all. Can Olivia survive her search for the truth? Deadly Scandal, the first book in the Deadly series, is for fans of World War II era spy thrillers and classical cozy mysteries, of intrepid lady sleuths with spunk and smarts. No explicit cursing, sex, or violence. Start exploring this journey of mystery and intrigue today as Britain and Germany draw dangerously close to war.

New Cover. Corrections to Americanisms. Same great story.  It's a challenge finding a killer when everyone in the family wanted the old man dead. Spring, 1938. Olivia Denis is ridiculed by her aristocratic, wealthy cousins. A weekend spent in their ancient mansion for an extravagant wedding feels like torture. On the morning of the wedding, the bride's grandfather is found brutally murdered. Then the family discovers the old earl had changed his will the day before, pitting his children and grandchildren against one another. Now everyone in the household is a suspect and only Olivia has experience investigating murder. Her search for the killer is complicated when Olivia must travel to occupied Vienna to help her employer's relatives escape the new Nazi government. With war on the horizon and attacks on her family increasing, can Olivia find a way to save lives in two countries? Deadly Wedding, the second book in the Deadly series, is for fans of World War II era spy thrillers and classical cozy mysteries, of intrepid lady sleuths with spunk and smarts. No explicit cursing, sex, or violence. Start exploring this journey of mystery and intrigue today as Britain and Germany draw dangerously close to war.

A Nazi-trained assassin with an assignment to take out anti-appeasement leaders in Britain adds one more name to the list. Olivia Denis. September, 1938. Olivia Denis wins a plum assignment from her newspaper covering a glamorous French fashion designer providing frocks for Britain's elite. While there, she finds herself rubbing shoulders with the fabulously wealthy, advising the aristocracy, and tripping over the body of a German anti-Nazi resistance leader. In her search for a killer, Olivia discovers that an assassin with links to the London fashion house is targeting prominent British politicians. Now Olivia must find the assassin before Britain loses the leaders who can best protect it from the Nazi menace. As she digs for the truth inside the designer's studio, Olivia finds herself in the assassin's crosshairs. Can Olivia survive a killer waiting in the shadows for the right moment to remove her...permanently? Deadly Fashion, the third book in the Deadly series, is for fans of World War II era spy thrillers and classical cozy mysteries, of intrepid lady sleuths with spunk and smarts. No explicit cursing, sex, or violence. Start exploring this journey of mystery and intrigue today as Britain and Germany draw dangerously close to war.

Eighteenth-Century Poetry and the Rise of the Novel Reconsidered beginswith the brute fact that poetry jostledup alongside novels in the bookstallsof eighteenth-century England. Indeed,by exploringunexpected collisions and collusionsbetween poetry and novels, this volumeof exciting, new essays offers a reconsideration of the literary and cultural history of the period. Thenovel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, ShelleyKing, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith.

Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.

Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.

Sade’s Sensibilities tells a new story of one of the most enduring and controversial figures in European literature. Blending ideas about subjectivity, identity and natural philosophy with politics and pornography, D.A.F. de Sade has fascinated writers and readers for two hundred years, and his materialist account of the human condition has been widely influential in post-structuralism, nihilism, and feminism. This new collection of essays considers Sade’s Enlightenment legacy, both within and beyond the narratives of radicalism and aberration that have historically marked the study of his oeuvre. From different points of view, these essays argue that Sade engaged with and influenced traditional Enlightenment paradigms—particularly those related to sensibility, subjectivity, and philosophy—as much as he resisted them. They thus recover a Sade more relevant, even foundational to our twenty-first century understanding of modernity, selfhood, and community. In Sade’s Sensibilities Sade is no longer a solitary, peripheral radical, but an Enlightenment philosopher in his own right.

Eighteenth-Century Poetry and the Rise of the Novel Reconsidered beginswith the brute fact that poetry jostledup alongside novels in the bookstallsof eighteenth-century England. Indeed,by exploringunexpected collisions and collusionsbetween poetry and novels, this volumeof exciting, new essays offers a reconsideration of the literary and cultural history of the period. Thenovel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, ShelleyKing, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith.

In this timely collection, teacher-scholars of “the long eighteenth century,” a Eurocentric time frame from about 1680 to 1832, consider what teaching means in this historical moment: one of attacks on education, a global contagion, and a reckoning with centuries of trauma experienced by Black, Indigenous, and immigrant peoples. Taking up this challenge, each essay highlights the intellectual labor of the classroom, linking textual and cultural materials that fascinate us as researchers with pedagogical approaches that engage contemporary students. Some essays offer practical models for teaching through editing, sensory experience, dialogue, or collaborative projects. Others reframe familiar texts and topics through contemporary approaches, such as the health humanities, disability studies, and decolonial teaching. Throughout, authors reflect on what it is that we do when we teach-how our pedagogies can be more meaningful, more impactful, and more relevant.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

In this timely collection, teacher-scholars of “the long eighteenth century,” a Eurocentric time frame from about 1680 to 1832, consider what teaching means in this historical moment: one of attacks on education, a global contagion, and a reckoning with centuries of trauma experienced by Black, Indigenous, and immigrant peoples. Taking up this challenge, each essay highlights the intellectual labor of the classroom, linking textual and cultural materials that fascinate us as researchers with pedagogical approaches that engage contemporary students. Some essays offer practical models for teaching through editing, sensory experience, dialogue, or collaborative projects. Others reframe familiar texts and topics through contemporary approaches, such as the health humanities, disability studies, and decolonial teaching. Throughout, authors reflect on what it is that we do when we teach-how our pedagogies can be more meaningful, more impactful, and more relevant.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.