Kate Watson – författare

Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre.This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.

Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.

Sixteen-year-old Finley Price has perfected two things: how to direct a world-class production, and how to fly way, way under the radar. The only person who ever seems to notice Finley is her best friend and godparents' son, Oliver Bertram. Since Finley moved in with her godparents after the death of her father, she and Oliver have grown close. If Finley could just take Oliver's constant encouragement to heart and step out of the shadows, she'd finally chase her dream of joining the prestigious Mansfield Theater. But when teen movie stars Emma and Harlan Crawford move across the street from the Bertrams, they shake up Finley and Oliver's stable friendship. As Emma and Oliver grow closer, Finley realizes that Harlan’s attention is shifting to her. She discovers she might have feelings for him too. Or, is she only interested in Harlan because Oliver is taken? Finley doesn't want to be won, and she doesn't want to see Oliver with anyone else. To claim Oliver's heart—and keep her own—she'll have to find the courage to do what she fears most: step into the spotlight.

Sixteen-year-old cupid-in-training Kali is in an Olympus-sized mountain of trouble. Rule number one in arrow-toting matchmaking: don't stick yourself. But accidents happen, and Kali instantly falls hard for her indie rock, bass-playing target, Benicio.The God of Love is going to kill her. Even if he is her dad.Being the daughter of Eros isn't all it's cracked up to be. For one thing, a girl can get jaded when her parents have the most beautiful and fatalistic love story in history. For another, immortality royally sucks when the Oracle condemns you to eternity in the wrong profession. Do the Gods care that Kali wants to ditch the love stuff and be a muse?Nope.To reclaim her heart and her destiny, Kali is left with no choice but to defy the Gods, tempt the Fates, date the mortal love of her life, and hope she doesn't lose her best friend, Hector, in the process.

Emma gets a Hollywood-tinged, feminist update in this funny and fierce retelling of Austen’s classic about a well-intentioned but tragically misguided matchmaker.The summer after her first year of college, teen starlet Emma Crawford returns home to Manhattan to prepare for the role of a lifetime—and play career matchmaker to her friends. When Emma’s search for an assistant leads her to the wide-eyed Brittany Smith, Emma sees the big screen in the girl’s future. And because Emma knows best, she’s sure that steering Brittany onto the right path is all she needs to do to make her a star—even if Brittany doesn’t know it yet. Emma’s plans start to unravel, however, when professional soccer player Liam Price re-enters her life. Not only is Liam her former best friend’s older brother, but he’s gorgeous, smart, and has no problem pointing out the (totally exaggerated) flaws in Emma’s plans. But as Emma comes in close contact with the darker side of Hollywood, she starts to question the glamorous world she’s always known and realizes her role in it needs to change—if she can find the courage to go off script.