Katharina Clausius – författare

The entanglement of music and literature of the early modern period is rich with exchanges, dialogues, and disputes. These entanglements present a fascinating counterpoint to early modernity, and in many ways serve as complicit witnesses to their times and places. The Routledge Companion to Early Modern Music and Literature considers musico-literary production from the period 1500–1800, as well as its contemporary resonances, and seeks to unpick these often knotty intersections.Following in the footsteps of The Routledge Companion to Music and Modern Literature (edited by Rachael Durkin, Peter Dayan, Axel Englund, and Katharina Clausius), the 28 chapters within consider this transformative time through four thematic groupings—music and early modern writings, political voices, staging the early modern, and afterlives—and invite readers to marvel at the miscellany of interactions between early modern musics and literatures from the sixteenth to the twenty-first centuries. This Companion is therefore a valuable addition to the bookshelves of those looking to grapple with the early modern musico-literary relationship.

The entanglement of music and literature of the early modern period is rich with exchanges, dialogues, and disputes. These entanglements present a fascinating counterpoint to early modernity, and in many ways serve as complicit witnesses to their times and places. The Routledge Companion to Early Modern Music and Literature considers musico-literary production from the period 1500-1800, as well as its contemporary resonances, and seeks to unpick these often knotty intersections.Following in the footsteps of The Routledge Companion to Music and Modern Literature (edited by Rachael Durkin, Peter Dayan, Axel Englund, and Katharina Clausius), the 28 chapters within consider this transformative time through four thematic groupings-music and early modern writings, political voices, staging the early modern, and afterlives-and invite readers to marvel at the miscellany of interactions between early modern musics and literatures from the sixteenth to the twenty-first centuries. This Companion is therefore a valuable addition to the bookshelves of those looking to grapple with the early modern musico-literary y relationship.

The entanglement of music and literature of the early modern period is rich with exchanges, dialogues, and disputes. These entanglements present a fascinating counterpoint to early modernity, and in many ways serve as complicit witnesses to their times and places. The Routledge Companion to Early Modern Music and Literature considers musico-literary production from the period 1500-1800, as well as its contemporary resonances, and seeks to unpick these often knotty intersections.Following in the footsteps of The Routledge Companion to Music and Modern Literature (edited by Rachael Durkin, Peter Dayan, Axel Englund, and Katharina Clausius), the 28 chapters within consider this transformative time through four thematic groupings-music and early modern writings, political voices, staging the early modern, and afterlives-and invite readers to marvel at the miscellany of interactions between early modern musics and literatures from the sixteenth to the twenty-first centuries. This Companion is therefore a valuable addition to the bookshelves of those looking to grapple with the early modern musico-literary y relationship.

(Re)Centring the Weimar Republic explores how centrist German politicians and intellectuals sought to foster stability and cooperation during the interwar period.In contrast to the persistent image of a democracy “hollowed out” by divisiveness and political extremism, this book offers a new perspective on the Republic’s efforts to define and hold an ambitious and productive middle ground. Leading scholars and cultural practitioners from the fields of history, German studies, philosophy, literary studies, and music document the progressive activities of the Weimar Republic’s “centre” to answer the question: how can political centrism employ social, cultural, and democratic institutions to resist polarization and extremism? This book’s three sections reveal how key thinkers worked to balance pluralism and national identity, how politicians struggled to hold centrist positions across right-leaning, centrist, and left-leaning parties, and how contemporary culture today interprets those efforts for audiences in the press, the museum, and the concert hall.In today’s age of stumbling democratic institutions and increasing political polarization, (Re)Centring the Weimar Republic offers a historical touchstone for evaluating liberal democracy pushed to its limits and the multipartisan efforts to reinforce its principles.