Queering Paradigms VIII brings together critical discourses on queer-feminist solidarity between Western, post-Soviet and post-socialist contexts. It highlights transnational solidarity efforts against homophobia, transphobia and misogyny. It engages grass-roots activists and community organizers in a conversation with scholars, and shows that the lines between these categories are blurry and that queer theorists and analysts are to be found in all spheres of queer-feminist culture. It highlights that queer paradigms and theories are born in street protests, in community spaces, in private spheres, through art and culture as well as in academia, and that the different contexts speak to each other.This anthology presents some of the radical approaches that emerge at the intersection of activism, community organizing, art and academia, through transnational exchange, migration and collaborations. It is a celebration of alliances and solidarities between activism, community building, art, culture and academic knowledge production. Yet, the collected work also brings forward the necessary critique of Western hegemonies involved in contemporary queer-feminist solidarity activism and theory between the ‘East’ and ‘West.’ It is an important thinking about, thinking through and thinking in solidarity and the East/West divide, setting new impulses to fight oppression in all its forms.

This is anthology brings together scholarly studies, creative writing, and images to critically discuss, question, and celebrate spirituality and religion from a queer perspective. The chapters closely analyse religious practices, scriptures, and institutions from a variety of perspectives and disciplines. They discuss religious teaching and care as spaces for queer community, showcasing the many ways in which queer identities, critiques, and lifestyles intersect with religion across geographies and histories. They also focus on the nexus between state, market, and religious institutions. The book looks at how queer people experience religion and spirituality around the world. It challenges the idea that religion and spirituality are separate from each other and shows how they affect people’s lives. It also looks at how social science and humanities-oriented queer studies can be changed to include religion and spirituality.

This volume explores the complexities and variations of the nation and examines its transformative potential within the broad field of literary studies through various literary works, including fiction, autobiography, poetry, and theater. The authors address phenomena such as global capitalist exploitation, and its conjunction with other forms of violence, including colonialism, racism, sexism, xenophobia, and white supremacy. They engage with literary texts and film that reflect on, and disseminate, both hegemonic and, importantly, counterhegemonic discourses across the 19th, 20th, and 21st centuries. Each chapter engages with productions that speak from minoritarian and/or racially oppressed perspectives, including works representing Black American transnationalism, perspectives of refugees of color, immigrant and Palestinian voices, Romani positionalities, and Caribbean diasporic perspectives. Focusing on these cultural texts, our authors examine the effects of, as well as resistance to, a variety of vectors of oppression. These include U.S.-American anti-Black racism and anti-migrantism, in connection with the exploitation of the working class; European anti-Roma violence; 20th-century Zionism; the violence of European border regimes; and forced migration and the segregation of refugees into camps.

This book examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBTIQ+ activity, it draws on homophobic language to mock his shirtless horse-riding and “bromance” with Trump; the West condemns Russia's oppression of women, yet peddles the Orientalist idea of the "Slavic Femme"―that is, the hypersexualized trickster.

Queering Paradigms VIII brings together critical discourses on queer-feminist solidarity between Western, post-Soviet and post-socialist contexts. It highlights transnational solidarity efforts against homophobia, transphobia and misogyny. It engages grass-roots activists and community organizers in a conversation with scholars, and shows that the lines between these categories are blurry and that queer theorists and analysts are to be found in all spheres of queer-feminist culture. It highlights that queer paradigms and theories are born in street protests, in community spaces, in private spheres, through art and culture as well as in academia, and that the different contexts speak to each other.This anthology presents some of the radical approaches that emerge at the intersection of activism, community organizing, art and academia, through transnational exchange, migration and collaborations. It is a celebration of alliances and solidarities between activism, community building, art, culture and academic knowledge production. Yet, the collected work also brings forward the necessary critique of Western hegemonies involved in contemporary queer-feminist solidarity activism and theory between the ‘East’ and ‘West.’ It is an important thinking about, thinking through and thinking in solidarity and the East/West divide, setting new impulses to fight oppression in all its forms.

This is anthology brings together scholarly studies, creative writing, and images to critically discuss, question, and celebrate spirituality and religion from a queer perspective. The chapters closely analyse religious practices, scriptures, and institutions from a variety of perspectives and disciplines. They discuss religious teaching and care as spaces for queer community, showcasing the many ways in which queer identities, critiques, and lifestyles intersect with religion across geographies and histories. They also focus on the nexus between state, market, and religious institutions. The book looks at how queer people experience religion and spirituality around the world. It challenges the idea that religion and spirituality are separate from each other and shows how they affect people’s lives. It also looks at how social science and humanities-oriented queer studies can be changed to include religion and spirituality.

This volume explores the complexities and variations of the nation and examines its transformative potential within the broad field of literary studies through various literary works, including fiction, autobiography, poetry, and theater. The authors address phenomena such as global capitalist exploitation, and its conjunction with other forms of violence, including colonialism, racism, sexism, xenophobia, and white supremacy. They engage with literary texts and film that reflect on, and disseminate, both hegemonic and, importantly, counterhegemonic discourses across the 19th, 20th, and 21st centuries. Each chapter engages with productions that speak from minoritarian and/or racially oppressed perspectives, including works representing Black American transnationalism, perspectives of refugees of color, immigrant and Palestinian voices, Romani positionalities, and Caribbean diasporic perspectives. Focusing on these cultural texts, our authors examine the effects of, as well as resistance to, a variety of vectors of oppression. These include U.S.-American anti-Black racism and anti-migrantism, in connection with the exploitation of the working class; European anti-Roma violence; 20th-century Zionism; the violence of European border regimes; and forced migration and the segregation of refugees into camps.

This book examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBTIQ+ activity, it draws on homophobic language to mock his shirtless horse-riding and “bromance” with Trump; the West condemns Russia's oppression of women, yet peddles the Orientalist idea of the "Slavic Femme"―that is, the hypersexualized trickster.