Katharina Winkler – författare

Now in paperback, Katharina Winkler’s heartbreaking saga of a tenacious woman trapped in an abusive marriage.Blue jewelry is private property. Not to be seen. Not to be talked about. It is worn like a bracelet around the wrists, on ribs, legs, arms. Blue jewelry is another name for the marks left on women’s bodies, inflicted by the men around them.  This novel tells the story of Filiz and Yunus. When Filiz meets Yunus, he is young and beautiful, and Filiz is proud that he wants her. Against her father’s wishes, they marry when she is thirteen. Yunus is her entire universe, all encompassing, all powerful. Soon after the wedding, Filiz’s dream of living in the West with her husband, of escaping their small village in Anatolia for freedom and autonomy, comes crashing down around her. Yunus, only a few years older than his bride, turns their marriage into a prison of dependency and violence. Trapped in her mother-in-law’s house, Filiz is subjected to physical and mental abuse, forced to veil herself, and treated as a house slave. When she becomes pregnant, Filiz seems to have reached her breaking point. But she endures. When Yunus moves his young family first to Istanbul and then to Austria, the life he had once promised her seems to be within reach. But there is no escaping the spiral of violence and love, which, to Filiz, have become inseparable.  Katharina Winkler’s powerful story of a marriage dominated by violence gives voice to a tenacious young woman whose will to survive is never broken.

Now in paperback, Katharina Winkler’s heartbreaking saga of a tenacious woman trapped in an abusive marriage.Blue jewelry is private property. Not to be seen. Not to be talked about. It is worn like a bracelet around the wrists, on ribs, legs, arms. Blue jewelry is another name for the marks left on women’s bodies, inflicted by the men around them.  This novel tells the story of Filiz and Yunus. When Filiz meets Yunus, he is young and beautiful, and Filiz is proud that he wants her. Against her father’s wishes, they marry when she is thirteen. Yunus is her entire universe, all encompassing, all powerful. Soon after the wedding, Filiz’s dream of living in the West with her husband, of escaping their small village in Anatolia for freedom and autonomy, comes crashing down around her. Yunus, only a few years older than his bride, turns their marriage into a prison of dependency and violence. Trapped in her mother-in-law’s house, Filiz is subjected to physical and mental abuse, forced to veil herself, and treated as a house slave. When she becomes pregnant, Filiz seems to have reached her breaking point. But she endures. When Yunus moves his young family first to Istanbul and then to Austria, the life he had once promised her seems to be within reach. But there is no escaping the spiral of violence and love, which, to Filiz, have become inseparable.  Katharina Winkler’s powerful story of a marriage dominated by violence gives voice to a tenacious young woman whose will to survive is never broken.

Mi papa es el mejor papa del mundo , leemos en las primeras paginas de Corazon de siete leguas, autobiografia ficticia de una mujer que narra los abusos sexuales a los que la somete su padre en su ninez y que, poco a poco, descubre como este trauma impregna y condiciona toda su vida posterior. Katharina Winkler ha recogido numerosos testimonios de mujeres que han sufrido abusos sexuales durante su infancia para componer Corazon de siete leguas, novela en verso comparable a Autobiografia de rojo, de Anne Carson en la que en forma de monologo interior las canciones infantiles, el lenguaje de los cuentos de hadas y el pensamiento magico de una nina que aun no tiene palabras para describir lo inefable desembocan en la descarnada descripcion que la mujer adulta hace de unos hechos terribles, de su verguenza y su soledad extremas, de unas heridas que, infligidas por un padre abusador y agravadas por una madre fria, permaneceran abiertas de por vida. Lirico y desgarrador pero alejado de todo sensacionalismo, el libro expone un delito que se comete innumerables veces al dia en las familias de nuestra sociedad. Como ya hiciera en Cardeno adorno, la autora encuentra una manera de expresar lo que nadie se atreve a decir, combatiendo asi, con gran sensibilidad y arrojo, el silencio que envuelve el maltrato y el sufrimiento de ninas y mujeres que viven la violencia en el entorno de la familia y de la pareja.