Katherine Fishburn – författare

In this first full-length study of Emecheta's fiction, Fishburn highlights the difficulties inherent in reading across cultures. She challenges the notion that all we need to understand African texts is a willingness to be open to them, arguing that too many of the cultural and critical preconceptions we bring to these texts interfere with our ability to understand them. Directly responding to Western feminist criticism written about Emecheta, this study argues that Emecheta herself is not a feminist in the Western sense and that her novels should not be construed as reflecting this political interest. In close readings of eight of her best known works, this study reveals a complex narrative voice which is far more supportive of Emecheta's own African culture and its tradition than has been recognized previously.

In this first study of Doris Lessing's science fiction, Fishburn devotes a chapter to each of Lessing's seven novels. Her major argument is that Lessing uses these novels to change our perception of reality by describing worlds that are simultaneously similar to and different from our own. Of particular importance is the fact that each narrator, by functioning as an intermediary or guide-leader, helps skeptical readers to experience the alien worlds of Lessing's imagination. As she traces the development of these seven narrators, Fishburn shows how they eventually fulfill the role of the idealized author Lessing described in The Small Personal Voice. In examining how these texts challenge us to change, Fishburn discusses the influence of Marxist and Sufi thought on Lessing and also points out the striking similarity betwen Lessing's philosophy of wholeness and the discoveries of modern physics.

In this first full-length study of Emecheta's fiction, Fishburn highlights the difficulties inherent in reading across cultures. She challenges the notion that all we need to understand African texts is a willingness to be open to them, arguing that too many of the cultural and critical preconceptions we bring to these texts interfere with our ability to understand them. Directly responding to Western feminist criticism written about Emecheta, this study argues that Emecheta herself is not a feminist in the Western sense and that her novels should not be construed as reflecting this political interest. In close readings of eight of her best known works, this study reveals a complex narrative voice which is far more supportive of Emecheta's own African culture and its tradition than has been recognized previously.