Katherine Holden – författare

Proceedings of a NATO ARW held in Leeds, UK, September 11-15, 1989

This volume examines different types of women’s creative writing in support of the demand for the parliamentary vote, including autobiographies, memoirs, letters, diaries, novels, and drama.The women’s suffrage movement became far more visible in the Edwardian period. Large demonstrations and militant actions such as destruction of property were widely reported in the press and reached a wide audience. Eager to get their message across, suffrage campaigners not only took collective action but also used women’s creative talents—whether as artists, musicians, or writers—to win hearts and minds for the cause. Through a close reading of contemporary texts, the chapters in this book reveal the diverse nature of the suffrage movement and its ideas, and the complex relationship between the personal and the political. The contributors also highlight the significance of women’s writing as a means to advance the suffrage cause and as a key element of suffrage propaganda.This book was originally published as a special issue of Women’s Writing.

This volume examines different types of women’s creative writing in support of the demand for the parliamentary vote, including autobiographies, memoirs, letters, diaries, novels, and drama.The women’s suffrage movement became far more visible in the Edwardian period. Large demonstrations and militant actions such as destruction of property were widely reported in the press and reached a wide audience. Eager to get their message across, suffrage campaigners not only took collective action but also used women’s creative talents—whether as artists, musicians, or writers—to win hearts and minds for the cause. Through a close reading of contemporary texts, the chapters in this book reveal the diverse nature of the suffrage movement and its ideas, and the complex relationship between the personal and the political. The contributors also highlight the significance of women’s writing as a means to advance the suffrage cause and as a key element of suffrage propaganda.This book was originally published as a special issue of Women’s Writing.

An in-depth retrospective of the work of Phillip Jones Griffiths, one of the most influential photojournalists of the 20th century, who shaped our view of history and changed our perception of the Vietnam War. A comprehensive retrospective of Philip Jones Griffiths’s work and life, this publication offers a vital reappraisal of his humanist, socially engaged photography. Bringing together images from across his celebrated and lesser-known series, including his pioneering work focusing on Vietnam, this volume offers fresh insight into his process, practice and philosophy. David Drake journeys through Jones Griffiths’s Welsh childhood to capture the development of his political and photographic sensibilities, evident in key early images of antinuclear protests, 1960s Beatlemania and the war for Algerian independence. Moving to his entirely self-initiated documentation of the Vietnam War, carefully selected plates present Jones Griffiths’s long-term commitment to shining a light on the realities of conflict and recovery. This passion for truth-telling saw Jones Griffiths embark on assignments across the globe. Following him from Northern Ireland to Mongolia and the United States, this book captures not only Jones Griffiths’s skill as a documentarian, but his commitment to the wider photographic community. As president of the renowned photo collective Magnum Photos, Jones Griffiths’s devotion was deeply felt. Featuring texts by David Drake and contributions from photographer Donna Ferrato and novelist Nguyen Phan Que Mai, this is an essential photobook for all who value documentary photography created with principles, passion and integrity.

This book stakes out new territory within an exciting, emerging field of study. Not only does it uncover the history of a neglected group, but it also offers valuable insights into the significance of marital status which are equally relevant to current debates on marriage and family.The book examines representations and experiences of men and women who never married between 1914 and 1960, drawing upon an exceptionally wide range of sources including biographies, oral histories, novels, films, government statistics and social surveys. An introductory chapter on work and non-familial lifestyles highlights the significance of age, generation and gender. The main focus in the rest of the book is on unmarried men and women's intimate, sexual, familial and professional relationships. These raise important questions about how these categories have been defined and expose power relations between married and single people. The material on adult/child relationships is particularly innovative. The author probes the boundaries of the nuclear family in the mid-twentieth century through her account of the high levels of interest and involvement in children's care and education by unmarried women as well as largely invisible relationships between children and unmarried men.As the first major study of the history of single women and men in England, this will be a valuable resource for researchers and students in social history, gender studies, women's studies, social policy and sociology. Its accessible style and the inclusion of personal material from the author's life and family will undoubtedly also attract a wider readership.